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Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1.0, Dresden Technical University (Institut f r Anglistik/Amerikanistik), course: Images of the American South, 22 entries in the bibliography, language: English, abstract: This paper is going to examine how the southern-born writer Carson McCullers creates the lonely picture of an individual living in hopeless spiritual isolation in a southern town. The South used to be a rural area with its own distinctive culture and a "strong folk tradition, preserved mainly through music and language" (Forkner 91). It will be discussed how this image had to give way to the new reality of the South by the time of the 1940s. It had turned into an interchangeable urbanized society which excluded the individual which did not correspond to southern norms. Furthermore, by analyzing the main characters of The Ballad of the Sad Caf , the paper points out the unique dreariness of McCullers' visions, looking for reasons in her childhood as well as in her adult life. Focusing on her work The Ballad of the Sad Caf , the paper underlines that McCullers was always questioning the national identity of 20th century America in general, and the transforming southern society in particular. Further on, it discusses the crucial difference between Carson McCullers' and William Faulkner, who is known as the most recognized writer of her time. By interpreting the novelette The Ballad of the Sad Caf , the paper is going to highlight the topic McCullers was most concerned about: The spiritual isolation of the individual. An isolation which is deeply rooted within a person who does not fit into the narrow-minded and prefabricated picture of the stereotypical southern society. Finally, my paper emphasizes Carson McCullers' concern with gender and behavioral concepts in the early 20th century, which she turned upside down in order to uncover the artificiality of the southern myth and its rigid moral conceptions.
A collection of critical essays on McCullers' fictional work, The ballad of the sad cafe.
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1.0, Dresden Technical University (Institut für Anglistik/Amerikanistik), course: Images of the American South, language: English, abstract: This paper is going to examine how the southern-born writer Carson McCullers creates the lonely picture of an individual living in hopeless spiritual isolation in a southern town. The South used to be a rural area with its own distinctive culture and a “strong folk tradition, preserved mainly through music and language” (Forkner 91). It will be discussed how this image had to give way to the new reality of the South by the time of the 1940s. It had turned into an interchangeable urbanized society which excluded the individual which did not correspond to southern norms. Furthermore, by analyzing the main characters of The Ballad of the Sad Café, the paper points out the unique dreariness of McCullers’ visions, looking for reasons in her childhood as well as in her adult life. Focusing on her work The Ballad of the Sad Café, the paper underlines that McCullers was always questioning the national identity of 20th century America in general, and the transforming southern society in particular. Further on, it discusses the crucial difference between Carson McCullers’ and William Faulkner, who is known as the most recognized writer of her time. By interpreting the novelette The Ballad of the Sad Café, the paper is going to highlight the topic McCullers was most concerned about: The spiritual isolation of the individual. An isolation which is deeply rooted within a person who does not fit into the narrow-minded and prefabricated picture of the stereotypical southern society. Finally, my paper emphasizes Carson McCullers’ concern with gender and behavioral concepts in the early 20th century, which she turned upside down in order to uncover the artificiality of the southern myth and its rigid moral conceptions.
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
A reprint of the 1941 novel about the sad and tragic lives of the Pendertons and the Langdons, two military couples living on an army base in the American South in the 1930s.
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This study adapts Mikhail Bakhtin's theory of the grotesque, as well as gender and psychoanalytic theory, to the major works of the southern writer Carson McCullers. The author argues that McCullers' work has too often suffered under the pall of narrow gothic interpretations.
The contributors to this volume use diverse critical techniques to identify how Carson McCullers’ writing engages with and critiques modern social structures and how her work resonates with a twenty-first century audience. The collection includes chapters about McCullers’ fiction, autobiographical writing, and dramatic works, and is groundbreaking because it includes the first detailed scholarly examination of new archival material donated to Columbus State University after the 2013 death of Dr. Mary Mercer, McCullers’ psychiatrist and friend, including transcripts of the psychiatric sessions that took place between McCullers and Mercer in 1958. Further, the collection covers the scope of McCullers’ canon of work, such as The Heart Is a Lonely Hunter (1940), The Member of the Wedding (1946), and Ballad of the Sad Café (1943), through lenses that are of growing interest in contemporary literary studies, including comparative transatlantic readings, queer theory, disability studies, and critical animal theory, among others.
“Essential reading for any serious beginning writer . . . illuminating.” —San Francisco Chronicle Carson McCullers is renowned for her Southern Gothic fiction and for such modern classics as The Member of the Wedding. This collection includes an assortment of her earliest work, written mostly before she was nineteen. Included are stories, essays, articles, poems, and writing about writing—including the working outline of “The Mute,” which would become her bestselling novel The Heart is a Lonely Hunter—as well as an introduction by Joyce Carol Oates. As new generations continue to discover the work of Carson McCullers, this volume provides both an enjoyable read and an inspiring look at the beginning of a brilliant literary career.