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Aside from playing a rich part in the nation’s history, Geary County takes no small pride in the tradition of stained-glass use among its well-renowned religious buildings, along with the proofs of faith interwoven in the stories that went with them. St. Mary’s Chapel, for instance, features a long standing Gothic architecture, with exquisite works of arts depicting the central messages of Christianity. Noticeable, of course, are the prominent use of stained-glass windows throughout the chapel, helping accentuate the overall air of sanctity and feeling of sanctuary for the churchgoers. Apart from the interesting tales about the buildings themselves, LeRoy incorporates interesting historical pieces that should intrigue the readers about the subjects found in those sacred sites.
"Stained Glass in Catholic Philadelphia tells the remarkable story of the thousands of stained-glass windows - made in America, England, France, and Germany - in the more than 400 churches, chapels, and institutions of the five-county Archdiocese of Philadelphia. Since 1997 more than 450 sites have been visited to document the archdiocese's windows by photographing them. This process resulted in the creation of a photo archive of over 50,000 images. Using this archive as a foundation, a team of scholars - from a variety of institutions and with specialties in medieval studies, architectural and social history, Christian iconography, decorative and liturgical arts, the craft, creative reuse, and historic preservation of stained glass - was assembled to study these windows. The result is this profusely illustrated book of original research that makes accessible a significant and highly visible, but neglected, aspect of our ecclesial, national, and regional cultural heritage."--BOOK JACKET. Book jacket.
This book, first published in 1962, is an analysis of the history of the philosophy of a country that has never distinguished philosophy from religion. Indian philosophy is not merely metaphysical speculation, but has its foundation in immediate perception. This insistence upon immediate perception rather than abstract reasoning is what distinguishes the Indian philosophy of religion from philosophy as Western nations know it.
The Basilica of the Sacred Heart at the University of Notre Dame contains one of the largest collections of late nineteenth-century French stained glass outside of France. The French Gothic-inspired church has forty-four large stained glass windows containing two hundred and twenty scenes. Today, more than 100,000 visitors tour the basilica each year to admire its architecture or participate in the beautiful liturgies. Honoring both the Sacred Heart and the Virgin Mary, the vibrant windows have, for more than a century, drawn visitors and worshippers alike into a conversation with the art and faith found in the windows. This informative and conveniently sized guidebook tells the unique story of the windows: the improbable creation of a glassworks by cloistered Carmelite nuns in LeMans, France, and their stained glass that so perfectly illuminated the late nineteenth-century French Catholic spirituality of the Congregation of Holy Cross, who established the University of Notre Dame. The words of Father Edward Sorin, CSC, founder of the university, are featured throughout the text. He saw the basilica and its windows as an avenue for teaching this spirituality. The book describes the windows according to their location in the building, from the narthex at the entrance to the Lady Chapel behind the altar. Full-color photographs provide a detailed view of the scenes found in each window. These photos are accompanied by informed commentary on the historical and theological importance of the windows, the iconography of featured saints, and how they illuminate the work of the Holy Cross to educate both mind and spirit. Stories in Light is an easy-to-read book written for all who visit the basilica, including faculty, students, alumni, and friends and family of Notre Dame, and for readers everywhere who want to know more about the rich history and heritage of the Basilica of the Sacred Heart's stained glass.
This book weaves a web with strands that connect a favorite saint, an American revolution in stained glass design, a west-coast cultural renaissance, and a now obscure Swedish scientist and theologian. With beautiful photographs and prose, it brings to life the art and science of art conservation as dedicated people of various talents and interests struggle to preserve a cherished part of America's cultural heritage. --------------- Just as Porter cut glass and shaped lead when he first created his legendary stained glass, Douglas Stinson and Ariana Makau have fashioned and formed an artistic story of its restoration more than a century later. Revealing the modern techniques of restitution craftsmanship against the backdrop of significant San Francisco history, this book is its own work of art." James Lawrence, Assistant Professor of Spirituality, Graduate Theological Union and Dean of the Swedenborgian House of Studies.
Forges innovative connections between monastic archaeology and heritage studies, revealing new perspectives on sacred heritage, identity, medieval healing, magic and memory. This title is available as Open Access.
Caulder writes of the links between her heritage, her spirituality and the practices of Voodoo and Shamanism. color photos.
Toni Morrison's Spiritual Vision unpacks an oft-ignored but essential element of her work--her religion--and in so doing gives readers a deeper, richer understanding of her life and her writing. Nadra Nittle's wide-ranging, deep exploration of Morrison's oeuvre reveals the role of religion and spirituality in her life and literature.