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Distilled Spirits is the "go-to guide for identifying the best practices and options available for distilled spirits product development. The book is a valuable reference for current and prospective distillers, including researchers in distilling and chemical engineering and students brewing and distilling programs. With an increase in the number of new start distilleries, the need for guidance on distilled spirits production has risen dramatically. This book examines the impact of raw materials and production processes on spirit quality, flavor and aroma compounds, and as indicators of poor quality. The book covers the entire production process, derivation of flavor and aroma compounds, definition of spirit quality, and identification of defects for Scotch whiskey, vodka, rum, and gin. - Includes chemical methods of analysis for assessing spirit quality - Presents best practices for designing and running a sensory panel - Provides identification methods to determine aroma and flavor defects
Teaching Spirits offers a thematic approach to Native American religious traditions. Through years of living with and learning about Native traditions across the continent, Joseph Epes Brown learned firsthand of the great diversity of the North American Indian cultures. Yet within this great multiplicity, he also noticed certain common themes that resonate within many Native traditions. These themes include a shared sense of time as cyclical rather than linear, a belief that landscapes are inhabited by spirits, a rich oral tradition, visual arts that emphasize the process of creation, a reciprocal relationship with the natural world, and the rituals that tie these themes together. Brown illustrates each of these themes with in-depth explorations of specific native cultures including Lakota, Navajo, Apache, Koyukon, and Ojibwe. Brown was one of the first scholars to recognize that Native religions-rather than being relics of the past-are vital traditions that tribal members shape and adapt to meet both timeless and contemporary needs. Teaching Spirits reflects this view, using examples from the present as well as the past. For instance, when writing about Plains rituals, he describes not only building an impromptu sweat lodge in a Denver hotel room with Black Elk in the 1940s, but also the struggles of present-day Crow tribal members to balance Sun Dances and vision quests with nine-to-five jobs. In this groundbreaking work, Brown suggests that Native American traditions demonstrate how all components of a culture can be interconnected-how the presence of the sacred can permeate all lifeways to such a degree that what we call religion is integrated into all of life's activities. Throughout the book, Brown draws on his extensive personal experience with Black Elk, who came to symbolize for many the richness of the imperiled native cultures. This volume brings to life the themes that resonate at the heart of Native American religious traditions.
She was getting closer. His mouth ran dry and his scream died deep inside him. His wobbly legs refused to move. . .The fear of the unknown, enhanced by the mist, darkness and pattering raindrops is part of life in the hills. But there have been real encounters with the supernatural, and included in this collection of chilling tales are personal experiences of people. Read on for some spine-chilling adventures with the spirits in Shimla.
THE DEAD DO NOT REST TILL THEY GET WHAT THEY WANT. You have arrived in the hills. In here, you are surrounded by dense, menacing forests, enveloped in a deadly silence . . . You never know what lurks here in the cold, dark night. Do not walk alone after sunset in the hills. A beautiful woman in white haunts the lonely pathways, looking to enchant and ensnare men . . . All the people who died in accidents here . . . They say you hear their screams at night. And the deserted lodges sitting amidst lush greenery and calm streams . . . Spirits lie in wait here, ready to prey on the living. There are sceptics who did not heed these warnings. They tried to rationalize what they saw, what they felt. But when they came face to face with the beings that they believed didn't exist, they couldn't run away anymore . . . Ghosts of the Silent Hills is a collection that will make your nights a little scarier, encompassing the very best spine-chilling stories based on true hauntings.
Tour historic sites and buildings in New Jersey—and learn about the spirits that are said to haunt them. Includes photos! Ranging from the shadowed woods of the Somerset Hills to the dappled banks of the Delaware River, Ghosts of Central Jersey delivers a rich mix of factual history and the sound investigation of ghostly phenomena. This collection of reports on local legends and traditional stories informs, entertains, and takes you to places in New Jersey where the past is considered to be very much alive and entwined with the present.
The author of Wicked Charlotte roots out the spirited secrets of two small towns deep in the Appalachian Mountains. When the sun slips behind the trees and shadows lengthen near dusk, the mountains and valleys of Highlands and Cashiers whisper their tales of lost loves, deals gone bad, and ghosts who walk the night. This tourist destination is rich in folklore and legend—from rumors of a magical mountain volcano to the ghost of a white owl. Learn the stories and firsthand accounts of hauntings and the hard to explain. Listen to the voices winding through the hemlocks, or is it just the wind? Includes photos!
When Paha Sapa, a young Sioux warrior, "counts coup" on General George Armstrong Custer as Custer lies dying on the battlefield at the Little Bighorn, the legendary general's ghost enters him - and his voice will speak to him for the rest of his event-filled life. Seamlessly weaving together the stories of Paha Sapa, Custer, and the American West, Dan Simmons depicts a tumultuous time in the history of both Native and white Americans. Haunted by Custer's ghost, and also by his ability to see into the memories and futures of legendary men like Sioux war-chief Crazy Horse, Paha Sapa's long life is driven by a dramatic vision he experienced as a boy in his people's sacred Black Hills. In August of 1936, a dynamite worker on the massive Mount Rushmore project, Paha Sapa plans to silence his ghost forever and reclaim his people's legacy-on the very day FDR comes to Mount Rushmore to dedicate the face.
Recreating First Contact explores themes related to the proliferation of adventure travel which emerged during the early twentieth century and that were legitimized by their associations with popular views of anthropology. During this period, new transport and recording technologies, particularly the airplane and automobile and small, portable, still and motion-picture cameras, were utilized by a variety of expeditions to document the last untouched places of the globe and bring them home to eager audiences. These expeditions were frequently presented as first contact encounters and enchanted popular imagination. The various narratives encoded in the articles, books, films, exhibitions and lecture tours that these expeditions generated fed into pre-existing stereotypes about racial and technological difference, and helped to create them anew in popular culture. Through an unpacking of expeditions and their popular wakes, the essays (12 chapters, a preface, introduction and afterward) trace the complex but obscured relationships between anthropology, adventure travel and the cinematic imagination that the 1920s and 1930s engendered and how their myths have endured. The book further explores the effects - both positive and negative - of such expeditions on the discipline of anthropology itself. However, in doing so, this volume examines these impacts from a variety of national perspectives and thus through these different vantage points creates a more nuanced perspective on how expeditions were at once a global phenomenon but also culturally ordered.