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This book explores the consequences of postmodern theory and answers the question, "What did postmodern theory begin?"
This book explores the consequences of postmodern theory and answers the question, "What did postmodern theory begin?"
Contemporary phenomena of mass death--such as Hiroshima and Auschwitz--have brought with them the threat of annihilation of human life. In this provocative and disturbing book, Edith Wyschogrod shows that the various manifestations of man-made mass death form a single structure, a "death-event," which radically alters our understanding of language, time, and self. She contends that the death event has its own logic and driving force that she traces to pre-Socratic philosophy and to certain mythological motifs that recur in Western thought. "Spirit in Ashes is one book in contemporary philosophy that should be read aloud and taken to heart by any professional or intellectual who purports to have a conscience."--Carl Rasche, Journal of the American Academy of Religion "A masterful blend of scholarship, originality, and serious passion."--Robert C. Neville, Commonweal "An original, insightful, and challenging work."--Robert Burch, Canadian Philosophical Reviews
In Adventures in the Spirit, respected and influential theologian Philip Clayton argues that two major intellectual movements of our day-panentheism and emergence-are converging and that together they offer exciting new vistas for theological reflection. On the one hand, over the last decades many theologians have been re-conceiving the God-world relation panentheistically, affirming a radical indwelling of God within the world and the world within God. On the other hand, scientists have begun to abandon the reductionist ideology that characterized much of the modern period, with a new emphasis on emergence. Their study of how new, novel structures and entities arise throughout the evolutionary process yields a much more open-ended, holistic vision of reality, Clayton argues.
Provides a new understanding of Wittgenstein's discourse as an edifyng philosophy of culture, pursued through self-reflection. Investigates the conceptual underpinnings of culture, revealing them as shared expressive spiritual forms of life.
This title provides an astonishing synthesis of humankind's understanding of the Great Spirit that energizes and runs through all creation.
Defends a new type of epistemology, the Critical Trust Approach, and then applies it to the experience of God in the contemporary multicultural context.
Spaces of Longing and Belonging offers the reader theoretical and interpretative studies of spatiality centered on a variety of literary and cultural contexts. It brings new and complementary insights to bear on creative uses of spatiality in artistic texts and generally into the field of spatiality as a cultural phenomenon, especially, although not exclusively, in terms of literary space. Ranging over questions of aesthetics, politics, sociohistorical concerns, issues of postcoloniality, transculturality, ecology and features of interpersonal spaces, among others, the essays provide a considerable collection of innovative pieces of scholarship on important questions relating to literary spatiality generally, as well as detailed analyses of particular works and authors. The volume includes ground-breaking theoretical investigations of crucial dimensions of spatiality in a context of increased global awareness.
Great science fiction looks outward toward the intricacy of the universe in order to look inward at the complexity of the human condition. In Thumbprints, Nebula and Locus Award–winning author Pamela Sargent brings together short stories from across her career, each filled with rich characterization and eclectic, fascinating plots. From Mongolia to Venus, from the distant past to the near future, these works of short fiction explore what it means to be human. Ranging from lyrically mystical to bitterly realistic to laughably satirical, Thumbprints is a shining catalog of all that Sargent has contributed to the genre. This ebook features an introduction by James Morrow and an afterword by Sargent herself.
These essays on literary theory, philosophy, and cultural criticism describe, in their form and content, the end of criticism, even while performing the endlessness of that endgame. In a sense, the book deconstructs all forms of critique and criticism, including deconstruction, and including its own self. That the book is so painfully aware of the futility of its own enterprise, even while pursuing it relentlessly and with such critical rigor, is what makes this a book of masocriticism as well as about masocriticism.