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First published in 1957, this is the complete, fascinated biography of "Doc" William Frank Carver, a legend of the American West. Even the expansive sub-title shows that there is no limit to the talents of Doc Carver—“Plainsman, Trapper, Buffalo Hunter, Medicine Chief Of The Santee Sioux, World's Champion Marksman, And Originator Of The American Wild West Show.” Doc’s life began in the era of American pioneering to the West. As a youth he lived with the Santee Sioux, from the plains of Illinois and the forests of Minnesota he graduated to the beautiful prairies of Nebraska where he became supreme as a horseback-riding buffalo hunter, and came to count among his close friends the mountain men and plainsmen of whom James B. Hickok, John Y. Nelson, Texas Jack, and the boastful “Buffalo Bill,” were but a few. To California, at thirty-five years of age, was Carver’s next move. Here he discovered in his reading of sporting magazines that men were making fortunes by shooting—men who were not good shots! His innate confidence assured him that he was the best shot in the world, and he began the work of proving to the world that he was not only the best marksman, but that he was to become one of the world’s outstanding showmen.
Western Frontiersmen Series, No. 7. Plainsman, Trapper, Buffalo Hunter, Medicine Chief Of The Santee Sioux, World's Champion Marksman, And Originator Of The American Wild West Show.
A wrongly accused man must break the law to win his freedom in this tale of the Old West. Even at seventeen years old, Carson Ryan knows enough about cow herding to realize the crew he’s with is about the worst ever. They’re taking the long way around to the Montana prairies, and they’re seriously undermanned. While rounding up strays, Ryan hears gunshots ring out across the range and gallops straight into a U.S. Army raid. He soon learns that the outfit he’s with is nothing but a bunch of murdering cattle rustlers, and the law thinks he’s one of them. Tied up, thrown in jail, and tried by a court that’s more interested in hanging a man than learning the truth, Carson has only two options: escape or die trying.
THE NEW YORK TIMES BESTSELLING FOLLOW-UP TO AMERICAN SNIPER Join Chris Kyle on a journedy to discover “how 10 firearms changed United States history” (New York Times Book Review) Drawing on his legendary firearms knowledge and combat experience, U.S. Navy SEAL and #1 bestselling author of American Sniper Chris Kyle dramatically chronicles the story of America—from the Revolution to the present—through the lens of ten iconic guns and the remarkable heroes who used them to shape history: the American long rifle, Spencer repeater, Colt .45 revolver, Winchester 1873 rifle, Springfield M1903 rifle, M1911 pistol, Thompson submachine gun, M1 Garand, .38 Special police revolver, and the M16 rifle platform Kyle himself used. American Gun is a sweeping epic of bravery, adventure, invention, and sacrifice. Featuring a foreword and afterword by Taya Kyle and illustrated with more than 100 photographs, this new paperback edition features a bonus chapter, “The Eleventh Gun,” on shotguns, derringers, and the Browning M2 machine gun.
His contemporaries called him Wild Bill, and newspapermen and others made him a legend in his own time. Among western characters only General George Armstrong Custer and Buffalo Bill Cody are as readily recognized by the general public. In writing this biography, Joseph G. Rosa has expressed the hope that "Hickok emerges as a man and not a legend." For this comprehensive revision of his earlier biography of Wild Bill the author was allowed to work from newly available materials in the possession of the Hickok family. He also discovered new material pertaining to Wild Bill’s Civil War exploits and his service as a marshal and found the pardon file of his murderer, John McCall. Additional, rare photographs of Wild Bill are published here for the first time. The results of Rosa’s additional research make this second edition the best biography of Wild Bill likely to be written for years to come.
'A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. The cultural history recounted in this book provides not only an insight into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production.
Jack Crawford (1847-1917) entertained a generation of Americans and introduced them to their frontier heritage. A master storyteller who presented the West as he experienced it, he was one of America's most popular performers in the late nineteenth century. Dressed in buckskin with a wide-brimmed sombrero covering his flowing locks, Crawford delivered a "frontier monologue and medley" that, as one New York City journalist reported, "held his audience spell-bound for two hours by a simple narration of his life." In this biography, Darlis Miller re-creates his experiences as a scout, rancher, miner, reformer, husband and father, and poet and entertainer to reinterpret the American Dream and the lure of getting rich pursued by many during the Gilded Age.
“James Butler Hickok, generally called ‘Wild Bill,’ epitomized the archetypal gunfighter, that half-man, half-myth that became the heir to the mystique of the duelist when that method of resolving differences waned. . . . Easy access to a gun and whiskey coupled with gambling was the cause of most gunfights--few of which bore any resemblance to the gentlemanly duel of earlier times. . . . Hickok’s gunfights were unusual in that most of them were ‘fair’ fights, not just killings resulting from rage, jealousy over a woman, or drunkenness. And, the majority of his encounters were in his role as lawman or as an individual upholding the law.”--from Wild Bill Hickok, Gunfighter Wild Bill Hickok (1837–1876) was a Civil War spy and scout, Indian fighter, gambler, and peace officer. He was also one of the greatest gunfighters in the West. His peers referred to his reflexes as “phenomenal” and to his skill with a pistol as “miraculous.” In Wild Bill Hickok, Gunfighter, Joseph G. Rosa, the world’s foremost authority on Hickok, provides an informative examination of Hickok’s many gunfights. Rosa describes the types of guns used by Hickok and illustrates his use of the plains’ style of “quick draw,” as well as examining other elements of the Hickok legend. He even reconsiders the infamous “dead man’s hand” allegedly held by Hickok when he was shot to death at age thirty-nine while playing poker. Numerous photographs and drawings accompany Rosa’s down-to-earth text.