Download Free Spinoza Dictionary Book in PDF and EPUB Free Download. You can read online Spinoza Dictionary and write the review.

This A-to-Z reference volume presents definitions, propositions, and explanations of Spinoza’s thought—all in the philosopher’s own words. The seventeenth-century philosopher Baruch Spinoza remains one of the most significant thinkers of our time. Yet his works, written in a rigidly geometric form of argumentation, are notoriously difficult to navigate. Expertly edited by Dagobert D. Runes, Spinoza Dictionary presents an alphabetical selection of Spinoza’s own writings, making essential definitions, concepts, and passages immediately accessible. In his introduction, Runes sheds new light on Spinoza’s private, political, and religious life, and exposes and explains the dramatic story of his apostasy. If the reader despairs of finding his way through Spinoza’s works, here he will find a reliable guide speaking in Spinoza’s own words. “The grand ideas of Spinoza’s Ethics are brought out clearly in this book: not less than the heroic illusions of this great and passionate man.” —Albert Einstein
The Deleuze and Guattari Dictionary is a comprehensive and accessible guide to the world of Gilles Deleuze and Felix Guattari, two of the most important and influential thinkers in twentieth-century European philosophy. Meticulously researched and extensively cross-referenced, this unique book covers all their major sole-authored and collaborative works, ideas and influences and provides a firm grounding in the central themes of Deleuze and Guattari's groundbreaking thought. Students and experts alike will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Deleuze and Guattari's writings and detailed synopses of their key works. The Dictionary also includes entries on their major philosophical influences and key contemporaries, from Aristotle to Foucault. It covers everything that is essential to a sound understanding of Deleuze and Guattari's philosophy, offering clear and accessible explanations of often complex terminology. The Deleuze and Guattari Dictionary is the ideal resource for anyone reading or studying these seminal thinkers or Modern European Philosophy more generally.
Metaphysics is what Aristotle described as 'the First Philosophy' or 'first science,' a comprehensive inquiry into the ultimate nature of reality. As such, metaphysics consists of a systematic study of the more general categories of being and of the more general ways of relating entities. The Historical Dictionary of Metaphysics focuses on metaphysics in Western philosophy, the metaphysical tradition that developed under the influence of Greek philosophy, and especially Plato and Aristotle. It offers a comprehensive guide to the many facets of metaphysics through a chronology, an introductory essay, a bibliography, and over 300 cross-referenced dictionary entries on concepts, people, works, and technical terms. This volume is an invaluable resource for student and scholar alike.
Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology with a single infinite substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science. Attention has been drawn to Spinoza by deep ecologists such as Arne Naess, the Norwegian philosopher; and this reading of Spinoza by Deleuze lends itself to a radical ecological ethic. As Robert Hurley says in his introduction, "Deleuze opens us to the idea that the elements of the different individuals we compose may be nonhuman within us. One wonders, finally, whether Man might be defined as a territory, a set of boundaries, a limit on existence." Gilles Deleuze, known for his inquiries into desire, language, politics, and power, finds a kinship between Spinoza and Nietzsche. He writes, ""Spinoza did not believe in hope or even in courage; he believed only in joy and in vision . . . he more than any other gave me the feeling of a gust of air from behind each time I read him, of a witch's broom that he makes one mount. Gilles Deleuze was a professor of philosophy at the University of Paris at Vincennes. Robert Hurley is the translator of Michel Foucault's History of Sexuality.
Readers of Spinoza's philosophy have often been daunted, and sometimes been enchanted, by the geometrical method which he employs in his philosophical masterpiece the Ethics. In Meaning in Spinoza's Method Aaron Garrett examines this method and suggests that its purpose, in Spinoza's view, was not just to present claims and propositions but also in some sense to change the readers and allow them to look at themselves and the world in a different way. His discussion draws not only on Spinoza's works but also on those of the philosophers who influenced Spinoza most strongly, including Hobbes, Descartes, Maimonides and Gersonides. This controversial book will be of interest to historians of philosophy and to anyone interested in the relation between form and content in philosophical works.
This dictionary is dedicated to the work of Gilles Deleuze, providing an in-depth and lucid introduction to a leading figure in continental philosophy.
This book offers a new and radical interpretation of the core of Spinoza's metaphysics. The first half of the book, which concentrates on the metaphysics of substance, suggests a new reading of Spinoza's key concepts of Substance and Mode, of Spinoza's pantheism and monism, and of his understanding of causation. The second half addresses Spinoza's metaphysics of Thought and presents three bold and interrelated theses on Spinoza's two doctrines of parallelism, on the multifaceted structure of ideas, and on Spinoza's reasons for holding that we cannot know any attributes of God, or Nature, other than Thought and Extension. Finally, the author shows that Spinoza assigns clear priority to the attribute of Thought without embracing reductive idealism.
This substantial and ambitious dictionary explores the languages and cultures of visual studies. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life. The book is firmly placed in the context of the 'visual turn' in contemporary thought. It has been designed as an interdisciplinary or transdisciplinary introduction to the vocabularies and grammars of visuality that inform thinking in the arts and humanities today. It also offers insight into the philosophical frameworks which underpin the field of visual culture. A central theme that runs throughout the entries is the task of moving away from a narrow understanding of visuality inherited from traditional philosophy toward a richer cultural and multi-sensorial philosophy of concrete experience. The dictionary incorporates intertextual links that encourage readers to explore connections between major themes, theories and key figures in the field. In addition the author's introduction provides a comprehensive and critical introduction which documents the significance of the visual turn in contemporary theory and culture. It is accompanied by an extensive bibliography and further reading list. As both a substantive academic contribution to this growing field and a useful reference tool, this book offers a theoretical introduction to the many languages of visual discourse. It will be essential reading for graduate students and scholars in visual studies, the sociology of visual culture, cultural and media studies, philosophy, art history and theory, design, film and communication studies.