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Throughout the 1950's and 60's, William Castle produced and directed a series of horror films marked by their outrageous audience participation gimmicks. Castle treated moviegoers to buzzing seats, flying skeletons, luminescent ghosts and life insurance policies -- and they loved every minute of it. SPINE TINGLER! is a documentary about the last great American showman. It is a rags to riches tale of a legend of exploitation and master of self-promotion, yet a man privately plagued by a fear of failure and a desperate desire to be respected among his peers.
Nostalgia vies with rollicking good fun in these anecdote-studded memoirs of legendary horror director William Castle. Remember the Lloyds of London life insurance policy that protected moviegoers if they were frightened to death by "Macabre"? Or the theatre seats that buzzed when "The Tingler" came on screen...and refunds for cowards who could not face the last terrifying minutes of "Homicidal"?
Often described as 'the Master of Gimmicks', William Castle is best known for the outrageous publicity stunts that characterised his genre films in the 1950s and '60s, including offers for an insurance policy against death by fright, vibrating seats, a skeleton that flew over the audience, and a 'punishment poll' to determine a film's conclusion. But far from being 'the world's craziest filmmaker', Castle was also a dependable studio director who made more than 50 films between 1944 and 1974, and who produced films for Orson Welles and Roman Polanski. ReFocus: The Films of William Castle assembles fourteen essays on the full sweep of Castle's career, including his horror films, westerns, film noirs and more. With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle's legacy as an innovator as much as a showman.
Often described as 'the Master of Gimmicks', William Castle is best known for the outrageous publicity stunts that characterised his genre films in the 1950s and '60s, including offers for an insurance policy against death by fright, vibrating seats, a skeleton that flew over the audience, and a 'punishment poll' to determine a film's conclusion. But far from being 'the world's craziest filmmaker', Castle was also a dependable studio director who made more than 50 films between 1944 and 1974, and who produced films for Orson Welles and Roman Polanski. ReFocus: The Films of William Castle assembles fourteen essays on the full sweep of Castle's career, including his horror films, westerns, film noirs and more. With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle's legacy as an innovator as much as a showman.
"House on Haunted: A William Castle Annotated Screamplay" is the never-before-seen working script from William Castle's archives and is a Living Screenplay(TM). "House on Haunted Hill" (written by Robb White) is a renowned work of producer and director William Castle, beloved for his signature-style fright-filled films and delivering "the gimmick" to the horror genre. "House on Haunted Hill" stars the inimitable Vincent Price and Emergo the skeleton who famously flew through theaters and taunted live audiences. "House on Haunted Hill: A William Castle Annotated Screamplay" features original script formatting, maintaining the integrity of the authentic screenplay replete with Castle's hand-written notes and actual leather-bound style of design that he used for every movie he made. William Castle Productions is offering this book complete with Emergo, simply sift through the pages back to front and scare yourself silly. The William Castle Annotated Screamplay for House on Haunted Hill includes a foreword by prolific director Joe Dante (Gremlins, The Howling). Dante calls House on Haunted Hill "an artifact worth having" and a "seminal 1950s picture". It also includes an introduction by William Castle's daughter, Terry Castle, who shares a personal perspective on this seminal piece of film history. And a historical perspective of the film by writer and illustrator Charlie Largent.
They were almost The Pendletones--after the Pendleton wool shirts favored on chilly nights at the beach--then The Surfers, before being named The Beach Boys. But what separated them from every other teenage garage band with no musical training? They had raw talent, persistence and a wellspring of creativity that launched them on a legendary career now in its sixth decade. Following the musical vision of Brian Wilson, the Beach Boys blended ethereal vocal harmonies, searing electric guitars and lush arrangements into one of the most distinctive sounds in the history of popular music. Drawing on original interviews and newly uncovered documents, this book untangles the band's convoluted early history and tells the story of how five boys from California formed America's greatest rock 'n' roll band.
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
Gay men have a long, complicated history with the horror genre. While working behind-the-scenes to create some of the most iconic terrors on film (James Whale's Frankenstein, Bride of Frankenstein and The Invisible Man), they watched themselves portrayed on screen as sinister villains or as 'the best friend who dies first' victims. But in the last 20 years there has been a significant shift in the horror world courtesy of a growing number of out authors, screenwriters, directors and actors working to scare the crap out of you. Out In the Dark: Interviews with Gay Filmmakers, Actors and Authors introduces you to 31 of these men with interviews and insights into their work and their lives. From mainstream Hollywood filmmakers (Don Mancini, Child's Play and the Chucky films) to indie exploitation mainstays (Joshua Grannell aka Peaches Christ, All About Evil); prolific authors (Douglas Clegg, The Children's Hour) to small-press niche writers (Alan Kelly, Let Me Die a Woman); recently-out former teen idols (Wesley Eure, Land of the Lost and The Toolbox Murders) to gay indie staples (Matthew Montgomery, Socket and Pornography: A Thriller), Out In the Dark offers 31 unique perspectives on horror, being gay, and dozens of other subjects.
Joe Jordan's book offers commentary on every film directed by Robert Wise (The Day the Earth Stood Still, West Side Story, The Sound of Music, and many more). Includes over twenty interviews and also features production stills.