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For spinners and weavers alike! Get in-depth information on fiber properties and color choices, as well as beautifully photographed samples. Spin to Weave is not simply a how-to-spin book, but a how-to-spin-exactly-what-you-want book. Weavers who spin their own yarns have the ability to choose fiber type, method of twist insertion (woolen, worsted), twist amount and/or direction, finishing methods, and grist. Author Sara Lamb focuses on the process of spinning for specific results, providing detailed instructions, a sampling of projects, variations, and a gallery of pieces by other spinners. Sara takes the reader to the very source of woven fabric--introducing the thought processes and concepts related to choosing fibers and how to spin them with finished fabric in mind.
The narratives of former slaves and the children of slaves in Plantation Slave Weavers Remember is an oral history of the weaving, spinning, dyeing and knitting activities of African-Americans during enslavement. It offers a glimpse into day to day activities on plantations and farms committed to the growth and profitability of their operations through slave-based labor.
This collection of exemplary essays by internationally recognized scholars examines the fairy tale from historical, folkloristic, literary, and psychoanalytical points of view. For generations of children and adults, fairy tales have encapsulated social values, often through the use of fixed characters and situations, to a far greater extent than any other oral or literary form. In many societies, fairy tales function as a paradigm both for understanding society and for developing individual behavior and personality. A few of the topics covered in this volume: oral narration in contemporary society; madness and cure in the 1001 Nights; the female voice in folklore and fairy tale; change in narrative form; tests, tasks, and trials in the Grimms' fairy tales; and folklorists as agents of nationalism. The subject of methodology is discussed by Torborg Lundell, Stven Swann Jones, Hans-Jorg Uther, and Anna Tavis.
Responding to thirty years of feminist fairy-tale scholarship, this book breaks new ground by rethinking important questions, advocating innovative approaches, and introducing woman-centered texts and traditions that have been ignored for too long.
This is a charming and poetic tale about a spinning wheel, and the people who use it to spin yarn and weave beautiful clothes. It is a celebration of the art of spinning, and a reminder of the importance of respecting and preserving traditional crafts and skills. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Spring on the farm means sheep-shearing time! In this enchanting tale, a family of adorable mice learn how sheep fleeces can be dyed, spun, and woven into a blanket. But that wool also looks so soft and inviting to the little mice—surely no one would mind if they take a little for their beds? Featuring the beloved family of mice from The Weaver’s Surprise,Tom Knisely spins this yarn of their new adventures. What will happen when the weaver runs out of wool for his blanket? Can his mouse friends replenish his supply in time?
DigiCat Publishing presents to you this special edition of "The Tale of the Spinning Wheel" by Elizabeth C. Barney Buel. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
During a life that spanned ninety years, Katherine Anne Porter (1890-1980) witnessed dramatic and intensely debated changes in the gender roles of American women. Mary Titus draws upon unpublished Porter papers, as well as newly available editions of her early fiction, poetry, and reviews, to trace Porter’s shifting and complex response to those cultural changes. Titus shows how Porter explored her own ambivalence about gender and creativity, for she experienced firsthand a remarkable range of ideas concerning female sexuality. These included the Victorian attitudes of the grandmother who raised her; the sexual license of revolutionary Mexico, 1920s New York, and 1930s Paris; and the conservative, ordered attitudes of the Agrarians. Throughout Porter’s long career, writes Titus, she “repeatedly probed cultural arguments about female creativity, a woman’s maternal legacy, romantic love, and sexual identity, always with startling acuity, and often with painful ambivalence.” Much of her writing, then, serves as a medium for what Titus terms Porter’s “gender-thinking”--her sustained examination of the interrelated issues of art, gender, and identity. Porter, says Titus, rebelled against her upbringing yet never relinquished the belief that her work as an artist was somehow unnatural, a turn away from the essential identity of woman as “the repository of life,” as childbearer. In her life Porter increasingly played a highly feminized public role as southern lady, but in her writing she continued to engage changing representations of female identity and sexuality. This is an important new study of the tensions and ambivalence inscribed in Porter’s fiction, as well as the vocational anxiety and gender performance of her actual life.
Geraldine, a goat, describes each step as she and her Navajo friend make a rug, from the hair clipping and carding to the dyeing and actual weaving.