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"In 1958, in a small, dusty southeastern Washington town on the banks of the Columbia River, three twelve-year-old boys -- who call themselves the Terrible Three -- are hungry for adventure. The greatest challenge of the summer is a dive off the Northern Pacific Railroad Bridge. The question is can they survive the plunge? Their world changes when they meet an unexpected source of wisdom in the town hobo, David Albright, who calls a riverside grove of cottonwoods his home. Whenever the boys are in danger, Albright comes to their rescue, but can he survive the ultimate test of selflessness? Forty-three years later, the Terrible Three are burdened by their own limitations, yet all are determined -- with the help of their brothers -- to become fully aware, genuine, and connected. Serendipity -- or is it providence? -- takes them to Paris and then on to the South of France where they meet romance, heartache, and a mysterious man who may very well change their lives forever." -- Amazon.com
It began--and ended--in 1958 when seven desperate children searched in the drains beneath Derry for an evil creature, but in 1985, Mike Hanlon, once one of those children, makes six phone calls and disinters an unremembered promise that sets off the ultimate terror.
A true story of a famed musician who rose to fame and fortune only to lose it all by his debauchery and brutality. The most brutal murder ever committed in Hollywood. Total depravity personified.
In this series of books, based on the hit podcast A History of Rock Music in 500 Songs, Andrew Hickey analyses the history of rock and roll music, from its origins in swing, Western swing, boogie woogie, and gospel, through to the 1990s, grunge, and Britpop. Looking at five hundred representative songs, he tells the story of the musicians who made those records, the society that produced them, and the music they were making. Volume one looks at fifty songs from the origins of rock and roll, starting in 1938 with Charlie Christian's first recording session, and ending in 1956. Along the way, it looks at Louis Jordan, LaVern Baker, the Ink Spots, Fats Domino, Sister Rosetta Tharpe, Jackie Brenston, Bill Haley, Chuck Berry, Elvis Presley, Little Richard, and many more of the progenitors of rock and roll.
To make a friend is a joy. To make a friend in another country is a wonderment—a small miracle. Pardon My French follows the lives of an American couple who have embraced a daunting mission: Not to be spectators in France, but to be absorbed by France. Amidst the minefields of linguistic faux pas, the perplexities of French gestures, the exquisite and often exotic cuisine, and the splendor of Christmas on the Mediterranean—see what it is like for an occasionally gruff American to be adopted into a new family. Witness the hugging, the teasing, and the laughter that follows, when nothing on earth could be more perfect. Experience what it is like to fall in love with the French. Follow the adventures of the author as he pits his rather staid and conventional driving skills against the French speed demons of Languedoc. Step into his sneakers as he tests his basketball prowess against the young French bucks adorned with backward ball caps and over-the-knee Chicago Bulls game shorts. Watch how he frolics in the Mediterranean Sea for the first time with a French topless companion. Marvel as he sits in with a world-class French jazz band. Observe him overcome his shyness in talking to the beautiful nude model from his painting class in the studio atop the village police station. Envision how he learns to dance the tango with his head upright, his chest expanded, and his strides befitting a newly adorned French god—one with sensuality on his mind.
This is a comprehensive reference work to 970 choreographers and dance directors who worked in nearly 3,500 films. For each, there is a vital biography, a description of their choreographic style, a listing of their stage, television, music video, nightclub and concert credits, and a listing of the movies they choreographed. A decade-by-decade history of dance on film and a filmography of choreographically important works in each decade are included.
An essential work for rock fans and scholars, Before Elvis: The Prehistory of Rock 'n' Roll surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Unlike other histories of rock, Before Elvis offers a far broader and deeper analysis of the influences on rock music. Dispelling common misconceptions, it examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This unique study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music till then played only by and for black audiences. In Before Elvis, Birnbaum daringly argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and rhythm-and-blues--a melange that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into rhythm-and-blues. Written in an easy style, Before Elvis presents a bold argument about rock's origins and required reading for fans and scholars of rock 'n' roll history.
AND ALL THAT JAZZ Combat veteran, surgeon, and musician, Tony Marco has everything except a soulmate to share his life. When he's bewitched by the piano formerly owned by Athena Cruz, an extraordinary jazz musician from the 1920s, he finds himself transported back to her world. Athena is a stunning, talented woman who's in mortal danger. Falling hard for her, Tony sets out to free her from the possessive and evil jazz club owner who covets her. He'll stop at nothing to destroy those who oppose him, especially Tony, who has captured Athena's heart. If Tony and Athena are able to escape her maniacal boss, they might find the future holds more for them than they can imagine.