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Sought, the Sphinx seems everywhere, whether the guardian of the pyramids on Egypt's Giza plateau or the beautiful man-eater with a deadly riddle, to be approached with awful caution. The Sphinx, that icon painted, sculpted, engraved, and exalted in poetry, fiction, and music, so impressed the philosopher Hegel that he pronounced the creature “the symbol of the symbolic itself.” With a wealth of illustrations, Book of the Sphinx confirms Hegel's lofty judgment, finding the Sphinx everywhere: in tragedies, paintings, opera, murder mysteries, brothels, bars, and advertisements. Pursuing the Sphinx through kaleidoscopic sightings and encyclopedic observations, Willis Goth Regier plumbs the symbol's mysteries, conducting the reader down ever more perplexing and intriguing paths. Wonderfully readable, his highly idiosyncratic tour of the ages and the arts leads at last to a conception of the Sphinx that embraces nothing less than all that is unknowable—proving once again that confronting a Sphinx is one of the most dangerous and exhilarating adventures of the imagination.
The sphinx, which appeared in Egyptian mythology, has a head of a human and the body of a lion; however in other cultures, wings sometimes also are included. Centaurs are half-human, half-horse creatures that are often depicted in battle. Research into these creatures and the cultures from which they come has provided anthropological understanding in some areas, but has also led to many more questions about the creatures' existence and origins. This book examines the myths, legends, and facts surrounding the sphinx and centaur. Cultural diversity is celebrated through the examination of myths and legends from around the world and presents different interpretations about each, providing detailed information for the reader to dissect and explore. The chapters include a detailed sidebar giving insight into legends of past civilizations and encourages students to compare and contrast myths across ages and cultures. Portions of the book use primary sources directing where students can find more information, including links to websites, videos, and other rich content.
Sphinxes are the wise and cruel creatures of ancient Egyptian and Greek mythology. This high-low title explores the lore behind them. Leveled text traces the origin of the sphinx, how it has changed over time, and how it is portrayed today. Added fun facts, an origin map, timeline, and more burst from the pages, while photos and illustrations provide visual reinforcement to the leveled text.
This book examines the history, construction, and legacy of the Great Sphinx, and sphinx symbolism in culture. Clear text and vibrant photos grab and hold readers' interest, and QR Codes in each chapter link to book-specific videos, activities, and more. Features include a table of contents, fun facts, Making Connections questions, a glossary, an infographic, and an index. Aligned to Common Core Standards and correlated to state standards. DiscoverRoo is an imprint of Pop!, a division of ABDO.
"Sphinxes are legion in Egypt--what is so special about this one?... We shall take a stroll around the monument itself, scrutinizing its special features and analyzing the changes it experienced throughout its history. The evidence linked to the statue will enable us to trace its evolution... down to the worship it received in the first centuries of our own era, when Egyptians, Greeks, and Romans mingled together in devotion to this colossus, illustrious witness to a past that was already more than two millennia old."--from the IntroductionThe Great Sphinx of Giza is one of the few monuments from ancient Egypt familiar to nearly everyone. In a land where the colossal is part of the landscape, it still stands out, the largest known statue in Egypt. Originally constructed as the image of King Chephren, builder of the second of the Great Pyramids, the Sphinx later acquired new fame in the guise of the sun god Harmakhis. Major construction efforts in the New Kingdom and Roman Period transformed the monument and its environs into an impressive place of pilgrimage, visited until the end of pagan antiquity.Christiane Zivie-Coche, a distinguished Egyptologist, surveys the long history of the Great Sphinx and discusses its original appearance, its functions and religious significance, its relation to the many other Egyptian sphinxes, and the various discoveries connected with it. From votive objects deposited by the faithful and inscriptions that testify to details of worship, she reconstructs the cult of Harmakhis (in Egyptian, Har-em-akhet, or "Horus-in-the-horizon"), which arose around the monument in the second millennium. "We are faced," she writes, "with a religious phenomenon that is entirely original, though not unique: a theological reinterpretation turned an existing statue into the image of the god who had been invented on its basis."The coming of Christianity ended the Great Sphinx's religious role. The ever-present sand buried it, thus sparing it the fate that overtook the nearby pyramids, which were stripped of their stone by medieval builders. The monument remained untouched, covered by its desert blanket, until the first excavations. Zivie-Coche details the archaeological activity aimed at clearing the Sphinx and, later, at preserving it from the corrosive effects of a rising water table.
Why did Queen Victoria demand to see the disembodied head of a talking sphinx? Why will you never find the fabulous art deco book In That Look the Unicorn Stood? What was the slight flaw in the idea of racing cheetahs at the White City? What was the date confidently given for apocalypse at a Somerset railway station book-stall? Who had visions of Atlantis in an old house in Nightingale Lane? These and many other enigmas are discussed in this new book of essays from Mark Valentine. As in his previous well-received collections, you will also be offered suggestions for recondite reading in overlooked books that ought to be better known: an interplanetary fantasy by a Welsh squire; a timeslip into a mysterious England by a priest once called the original of Dorian Gray; an avant-garde novel about a tea-party and the Holy Grail. Whether he is discussing old inn signs, Cornish tin mine ruins, how to play Cat-at-the-Window, or the joys of book-collecting expeditions, the author shares with us an array of enthusiasms and explorations, told in an enquiring and engaging way.
Reprint of the original, first published in 1843.