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Concentrating on major figures of women in The Faerie Queene, together with the figures constellated around them, Anderson's Narrative Figuration explores the contribution of Spenser's epic romance to an appreciation of women's plights and possibilities in the age of Elizabeth. Taken together, their stories have a meaningful tale to tell about the function of narrative, which proves central to figuration in the still moving, metamorphic poem that Spenser created.
Linking The Faerie Queene with early modern conduct manuals, romances, dedicatory epistles, and devotional literature, McManus examines the poem's depiction of women's interpretive strategies and argues that female readers were expected to exercise considerable autonomy as they endorsed, adapted, or resisted the texts that sought to fashion them as "chaste, silent and obedient.
Comic Spenser explains how the deep-rooted cultural bias against humour has skewed interpretation of The Faerie Queene since its first publication. As well as bringing a comic perspective to new areas of the poem, this study explores profound connections between humour, faith, and allegory.
Jennifer C. Vaught illustrates how architectural rhetoric in Shakespeare and Spenser provides a bridge between the human body and mind and the nonhuman world of stone and timber. The recurring figure of the body as a besieged castle in Shakespeare’s drama and Spenser’s allegory reveals that their works are mutually based on medieval architectural allegories exemplified by the morality play The Castle of Perseverance. Intertextual and analogous connections between the generically hybrid works of Shakespeare and Spenser demonstrate how they conceived of individuals not in isolation from the physical environment but in profound relation to it. This book approaches the interlacing of identity and place in terms of ecocriticism, posthumanism, cognitive theory, and Cicero’s art of memory. Architectural Rhetoric in Shakespeare and Spenser examines figures of the permeable body as a fortified, yet vulnerable structure in Shakespeare’s comedies, histories, tragedies, romances, and Sonnets and in Spenser’s Faerie Queene and Complaints.
The Faerie Queene from Hackett Publishing Company: Spenser's great work in five volumes. Each includes its own Introduction, annotation, notes on the text, bibliography, glossary, and index of characters; Spenser's Letter to Raleigh and a short Life of Edmund Spenser appear in every volume.