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This book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.
'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains Edmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for: * appreciating Spenser's poetry in the context of his age and our own * understanding the language, themes and characters of the poems * easy to find entries arranged by subject.
This book studies the interplay of theology and poetics in the three great epics of early modern England, the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines how Spenser and Milton adapted the pattern of dual heroism developed in classical and Medieval works. Challenging the opposition between 'Calvinist,' 'allegorical' Spenser and 'Arminian,' 'dramatic' Milton, this book offers a new understanding of their doctrinal and literary affinities within the European epic tradition.
A landmark work of literary criticism Northrop Frye's Anatomy of Criticism is the magnum opus of one of the most important and influential literary theorists of the twentieth century. Breaking with the practice of close reading of individual texts, Frye seeks to describe a common basis for understanding the full range of literary forms by examining archetypes, genres, poetic language, and the relations among the text, the reader, and society. Using a dazzling array of examples, he argues that understanding "the structure of literature as a total form" also allows us to see the profoundly liberating effect literature can have.
"The first biography in sixty years of the most important non-dramatic poet of the English Renaissance"--From publisher description.
An exploration of the ways in which new interpretations of theological doctrine inform Spenser's poetry.
This volume explores Spenser's linguistic experimentation and his engagement with political, and particularly legal, thought and language in his major works, demonstrating by thorough lexical analysis and illustrative readings how Spenser figured the nation both descriptively and prescriptively.
This is a collection of wide-ranging papers on Edmund Spenser, including criticism on the Shepheardes Calender, Spenser's rhymes, his impact on Louis MacNeice, the medieval organizations of the Faerie Queene, on the Mutabilite Cantos, Temperance in Book II, and Friendship in Book IV, Written by younger as well as by well-established scholars, the contributors move quietly away from theoretically dominated criticism, and emphasize the importance of historical criticism, both breaking new ground and recuperating neglected insights and approaches. The introduction describes and defends the current trend towards a renewed historical criticism in Spenser criticism. The papers contribute to our knowledge of Spenser's life as well as to our understanding of his poetry. J. B. Lethbridge lectures at the English seminar at Tubingen University.