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Excerpt from Spencer Fullerton Baird a Biography Including Selections From His Correspondence: With Audubon, Agassiz, Dana, and Others At her residence in Philadelphia on June 19, 1913, died Miss Lucy Hunter Baird, the only child of Professor Spencer Fullerton Baird, the second Secretary of the Smithsonian Institution of Washington and the organizer and first Commissioner of the United States Commission of Fish and Fisheries, who died at the biological station of the Commission at Wood's Hole, Massachusetts, on August 19, 1887. It had been the wish of Miss Baird, who had been the close and constant companion and confidant of her father from early childhood to the time of his death, to personally prepare his biography. This was delayed, first, by the confirmed illness of her mother, to whose care and comfort was given all her time and effort till the death of Mrs. Baird, on December 23, 1891; and, secondly, by the state of her own health, which prevented the continuous application needed to bring the contemplated memoir to completion. In the interval, however, she had brought together and partially arranged many data relating to her father's life. Fearing that she would be unable to complete the memoir she devised all her own and her father's papers to the executor of her will with the request "to see that this memoir be completed by a suitable and competent person." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Subtitle; The role played by the scientific societies; scientific journals; natural history museums and botanic gardens; state geological and natural history surveys; federal exploring expeditions in the rise and progress of American botany, geology, mineralogy, palentology and zoology.
Despite important recovery and authentication efforts during the last twenty-five years, the vast majority of nineteenth-century African American writers and their work remain unknown to today’s readers. Moreover, the most widely used anthologies of black writing have established a canon based largely on current interests and priorities. Seeking to establish a broader perspective, this collection brings together a wealth of autobiographical writings, fiction, poetry, speeches, sermons, essays, and journalism that better portrays the intellectual and cultural debates, social and political struggles, and community publications and institutions that nurtured black writers from the early 1800s to the eve of the Harlem Renaissance. As editor Ajuan Mance notes, previous collections have focused mainly on writing that found a significant audience among white readers. Consequently, authors whose work appeared in African American–owned publications for a primarily black audience—such as Solomon G. Brown, Henrietta Cordelia Ray, and T. Thomas Fortune—have faded from memory. Even figures as celebrated as Frederick Douglass and Paul Laurence Dunbar are today much better known for their “cross-racial” writings than for the larger bodies of work they produced for a mostly African American readership. There has also been a tendency in modern canon making, especially in the genre of autobiography, to stress antebellum writing rather than writings produced after the Civil War and Reconstruction. Similarly, religious writings—despite the centrality of the church in the everyday lives of black readers and the interconnectedness of black spiritual and intellectual life—have not received the emphasis they deserve. Filling those critical gaps with a selection of 143 works by 65 writers, Before Harlem presents as never before an in-depth picture of the literary, aesthetic, and intellectual landscape of nineteenth-century African America and will be a valuable resource for a new generation of readers. Ajuan Maria Mance is a professor of English at Mills College in Oakland, California. She is the author of Inventing Black Women: African American Poets and Self-Representation, which was named a Choice Outstanding Academic Title. Her articles have appeared in the Journal of African American Studies, Callaloo, and several edited collections.