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Learn to summon the energy of one of the lesser known Goddesses in the world and achieve unimaginable things with prayers, spells and rituals dedicated to this magnificent Goddess. Styx is the primordial Goddess of the underworld who was absolute queen of the underworld during the reign of the Titan Kronus, and in the following reign of the Olympians she was given dominion over one of the regions of the underworld where she reigns to this day. Styx is the Goddess who gave the mythological hero Achilles invincibility when he was submerged in the River Styx, one of the Goddess's forms. You have the opportunity to take the lead and worship this Goddess by receiving only her blessings.
Goddess Magic is a comprehensive spell book featuring rituals, altars, and spells to honor the wide pantheon of goddesses and their magical properties.
Neronian representations of magic, a practice prevalent in the everyday life of the period and a central topic in its literary production, are characterized by unprecedented accuracy and detail. The similarities of witchcraft depictions in Seneca’s Medea, Lucan’s book 6, and Petronius’ Satyrica with spells of the PGM, the defixiones, as well as with Pliny’s quasi-magical recipes underscore realism as the distinctive trait of Neronian magic scenes which has often been considered the authors’ means to differentiate themselves from their Augustan predecessors. However, such high-degree realism is not merely an ornamental feature but transforms into a tool that influences the reader’s response toward magic, according to each author’s worldview and aims. The cross-generic examination of the motif of magic in the major Neronian authors shows how realism forms a link between reader, contemporary experience, and text that encourages more active participation on the part of the reader. At the same time, images of destruction, the horrific, and the ridiculous further enhance the negative view of magic as an ineffective (Lucan-Petronius) or destructive force (Seneca), simultaneously eliciting the reader’s critical response.
From the primal chaos of Tiamat, the Gods of Order Marduk, Ishtar and Adad; Underworld Gods including Nergal and Ereskigal to demons and spirits such as Pazuzu, Lilitu, Lamastu and the Seven Udug-Hul, Sebitti is a gateway into ancient Babylonian (the gate of the gods) powers. Sebitti guides the Kassapu (warlock or sorcerer) in the most effective methods of understanding and invoking Deific Masks of ancient Mesopotamia. From ancient Sumerian, Akkadian, Babylonian and Neo-Assyrian tablets and temple invocations, within is a modern approach to these primal powers inherent in nature and humanity. Luciferians embrace sorcery and primal forces, inherent within nature and the self in order to expand consciousness and personal power. The theory and practice of ancient sorcery is outlined for the modern practitioner and is presented to awaken the desires of our current time. Presented first is the modern Luciferian philosophical foundation, followed by a study of the ancient practice of Sorcery in Mesopotamia
Greek and Roman mythology is forever linked for a myriad of reasons. Historians believe this could be because many of the Roman deities were adopted from the Greek. However, there are many that were not shared and are proudly only Roman, or only Greek. This comprehensive atlas presents dictionary entries about the major gods, heroes, and imaginary creatures of Greek and Roman mythology, along with information on some key historical figures and philosophical schools of thought. In this impressive book, the entries unfold through a pictorial and illustrated journey. Through a robust glossary, sidebars, and thematic introductions the social studies content of this fascinating subject becomes easily digestible, even for the most reluctant reader, while the further reading section inspires future research.
Mesopotamian Medicine and Magic. Studies in Honour of Markham J. Geller is a thematically focused collection of 34 brand-new essays bringing to light a representative selection of the rich and varied scientific and technical knowledge produced chiefly by the cuneiform cultures. The contributions concentrate mainly on Mesopotamian scholarly descriptions and practices of diagnosing and healing diverse physical ailments and mental distress. The festschrift contains both critical editions of new texts as well as analytical studies dealing with various issues of Mesopotamian medical and magical lore. Currently, this is the largest edited volume devoted to this topic, significantly contributing to the History of Ancient Sciences.
Two topics of current critical interest, agency and materiality, are here explored in the context of their intersection with the divine. Specific case studies, emphasizing the ancient Near East but including treatments also of the European Middle Ages and ancient Greece, elucidate the nature and implications of this intersection: What is the relationship between the divine and the particular matter or physical form in which it is materially represented or mentally visualized? How do sacral or divine "things" act, and what is the source and nature of their agency? How might we productively define and think about anthropomorphism in relation to the divine? What is the relationship between the mental and the material image, and between the categories of object and image, image and likeness, and likeness and representation? Drawing on a broad range of written and pictorial sources, this volume is a novel contribution to the contemporary discourse on the functioning and communicative potential of the material and materialized divine as it is developing in the fields of anthropology, art history, and the history and cognitive science of religion.
Contains alphabetized entries on deities, concepts, practices, places, and objects related to the mythologies of cultures throughout history, and features color photos and sidebars. This volume covers Ach-Ara.
For millennia, people have universally engaged in ecstatic experience as an essential element in ritual practice, spiritual belief and cultural identification. This volume offers the first systematic investigation of its myriad roles and manifestations in the ancient Mediterranean and Near East. The twenty-nine contributors represent a broad range of scholarly disciplines, seeking answers to fundamental questions regarding the patterns and commonalities of this vital aspect of the past. How was the experience construed and by what means was it achieved? Who was involved? Where and when were rites carried out? How was it reflected in pictorial arts and written records? What was its relation to other components of the sociocultural compact? In proposing responses, the authors draw upon a wealth of original research in many fields, generating new perspectives and thought-provoking, often surprising, conclusions. With their abundant cross-cultural and cross-temporal references, the chapters mutually enrich each other and collectively deepen our understanding of ecstatic phenomena thousands of years ago. Another noteworthy feature of the book is its illustrative content, including commissioned reconstructions of ecstatic scenarios and pairings of works of Bronze Age and modern psychedelic art. Scholars, students and other readers interested in antiquity, comparative religion and the social and cognitive sciences will find much to explore in the fascinating realm of ecstatic experience in the ancient world.
The cuneiform script, the writing system of ancient Mesopotamia, was witness to one of the world's oldest literate cultures. For over three millennia, it was the vehicle of communication from (at its greatest extent) Iran to the Mediterranean, Anatolia to Egypt. The Oxford Handbook of Cuneiform Culture examines the Ancient Middle East through the lens of cuneiform writing. The contributors, a mix of scholars from across the disciplines, explore, define, and to some extent look beyond the boundaries of the written word, using Mesopotamia's clay tablets and stone inscriptions not just as 'texts' but also as material artefacts that offer much additional information about their creators, readers, users and owners.