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In 1913 Marcel Duchamp's Nude Descending a Staircase exploded through the American art world. This is the story of how he followed the painting to New York two years later, enchanted the Arensberg salon, and—almost incidentally—changed art forever. In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival—and America’s entry into the war in April 1917—they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others’ work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures—for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time—as Fountain was elected the twentieth century’s most influential artwork.
About the AuthorMarcel Victor Sahade was born in 1972 in Sydney, Australia. He attended Waverley College, Waverley, where he was nominated Captain of Debating. He obtained a Bachelor of Science degree from the University of Sydney majoring in Applied Mathematics and Computer Science.Book 1: Spellbound - The Workings of DrugTech A clandestine pharmaceutical company will stop at nothing in its quest for power and profit. When Benjamin Jones, an average university science student with girl-problems, is secretly given access to the breathtaking breakthroughs of DrugTech by his parents, his life will never be the same. Meanwhile, William Hunter Barrister-at-Law has never lost a case in his 15 years of practice. But things are not as they seem as his work-experience student Jennifer is soon to find out. And DrugTech's involvement forever lurks in the shadows. Book 2: DrugTech - The Deep State Deepens DrugTech's influence grows in the political, judicial and administrative spheres. Its breakthroughs in science lead to the possession of the, "Finger of God". But three university students with the help of the Dominican Order of Priests plot its ultimate downfall. Book 3: DrugTech - The Final Dose The mystical powers of the Dominican Order of Priests, and a Dominican Nun, Sister Jennifer, help three university students bring DrugTech to its knees, and save the life of an innocent person from a wrongful murder conviction. Flashbacks and analogies to the great Battle of Lepanto culminate in the DrugTech Empire crashing down, as the Managing Director of DrugTech is replaced, and its former Managing Director brought to justice.
Lives of the Artists masterpieces, bibliographical references.
A story loosely based on the life and work of Konrad Lorenz follows the experiences of a brilliant zoologist's student, whose work at a newly established research institute reveals disturbing aspects about the zoologist's past.
In Imaging Reality: The Faber Book of Documentary, Oscar-winning documentary-maker Kevin Macdonald ( One Day in September, Touching the Void) and leading broadcaster/historian Mark Cousins ( The Story of Film) offer an expanded, revised edition of their 'definitive, inspirational' ( Independent) compendium on the roots and history of the documentary film. Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War.
What happens when the pastor of a mega church loses his faith? Discover one man’s life-changing journey to resolve his crisis of faith in Italy by retracing the footsteps of Francis of Assisi, a saint whose simple way of loving Jesus changed the history of the world. Pastor Chase Falson lost his faith in God, the Bible, evangelical Christianity, and his super-sized megachurch. When he fell apart, the church elders told him to go away—as far away as possible. Broken, Chase crossed the Atlantic to Italy to visit his uncle, a Franciscan priest. There, he was introduced to the revolutionary teachings of Saint Francis of Assisi and found an old, but new way of following Jesus that heals and inspires. Chase Falson's spiritual discontent mirrors the feelings of a growing number of Christians who walk out of church asking, Is this all there is? This book is perfect for believers who are: Weary of celebrity pastors and empty calorie teaching Disappointed by worship services where the emphasis is more on Lights, Camera, Action than on Father, Son, and Holy Spirit Tired of the deepest questions of life remaining unaddressed and unanswered Remain hopeful and seek to strengthen their faith Hidden in the past lies the future of the church. Explore the life of a saint who 800 years ago breathed new life into disillusioned Christians and a Church on the brink of collapse. Chasing Francis is a hopeful and moving story with profound implications for those who yearn for a more vital relationship with God and the world.
Nineteen-year-old Frank Friedmaier lives in a country under occupation. Most people struggle to get by; Frank takes it easy in his mother’s whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snow opens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until at last there is nowhere to go. Hans Koning has described Dirty Snow as “one of the very few novels to come out of German-occupied France that gets it exactly right.” In a study of the criminal mind that is comparable to Jim Thompson’s The Killer Inside Me, Simenon maps a no man’s land of the spirit in which human nature is driven to destruction—and redemption, perhaps, as well—by forces beyond its control.
“An exhilarating account of a remarkable historical moment, in which characters known to many of us as immutable icons are rendered as vital, passionate, fallible beings . . . Lively, precise, and accessible.” —Claire Messud, Harper’s Around the turn of the nineteenth century, a steady stream of young German poets and thinkers coursed to the town of Jena to make history. The French Revolution and the Napoleonic Wars had dealt a one-two punch to the dynastic system. Confidence in traditional social, political, and religious norms had been replaced by a profound uncertainty that was as terrifying for some as it was exhilarating for others. Nowhere was the excitement more palpable than among the extraordinary group of poets, philosophers, translators, and socialites who gathered in this Thuringian village of just four thousand residents. Jena became the place for the young and intellectually curious, the site of a new departure, of philosophical disruption. Influenced by Johann Wolfgang von Goethe, then an elder statesman and artistic eminence, the leading figures among the disruptors—the translator August Wilhelm Schlegel; the philosophers Friedrich "Fritz" Schlegel and Friedrich Schelling; the dazzling, controversial intellectual Caroline Schlegel, married to August; Dorothea Schlegel, a poet and translator, married to Fritz; and the poets Ludwig Tieck and Novalis—resolved to rethink the world, to establish a republic of free spirits. They didn’t just question inherited societal traditions; with their provocative views of the individual and of nature, they revolutionized our understanding of freedom and reality. With wit and elegance, Peter Neumann brings this remarkable circle of friends and rivals to life in Jena 1800, a work of intellectual history that is colorful and passionate, informative and intimate—as fresh and full of surprises as its subjects.
How much money would it take for you to betray the truth? Ex-homicide detective Ray Quinn never had glamorous thoughts of the life of a private investigator—but being cornered in a bathroom stall by the enraged philandering husband of a client? That’s something he could live without. Retired from homicide and living with a painful disability, Ray’s options are limited. Stick to the job, keep impetuous sidekick Crevis alive, and spend quiet evenings with trusted pal Jim Beam, that’s about the best he can hope for. As a new client emerges, Ray finds himself in an impossibly large boardroom holding a check with enough zeros to finally lift him from his financial pit. The job seems easy enough: find Logan Ramsey, an ex-cop turned security officer who’s taken off with sensitive corporate information. But few things are easy in Ray’s world, regardless of the amount of zeros in the check. In what should be an open-and-shut case, Ray stumbles across Logan Ramsey in a seedy motel room. Only Ray wasn’t the first to find him. Now Logan’s dead, the client’s information is nowhere to be found, and Ray’s employer is less than forthcoming with the details. Suddenly the line between the good guys and bad guys isn’t so clear. With a foot in both worlds and an illuminating look at an unhappy ending that could well be his own, which will Ray choose?
"Describes with plenty of colour how surrealism, from Rene Magritte's bowler hats to Salvador Dali's watches, was born and developed." - The Times (UK) As she did for the Modernists In Montmartre, noted art historian and biographer Sue Roe now tells the story of the Surrealists in Montparnasse. In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dalí’s Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafés of that vibrant neighborhood. Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dalí. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary—and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived. Roe puts us with Gertrude Stein in her box seat at the opening of The Rite of Spring; with Duchamp as he installs his famous urinal; at a Cocteau theatrical with Picasso and Coco Chanel; with Breton at a session with Freud; and with Man Ray as he romances Kiki de Montparnasse. Stein said it best when she noted that the Surrealists still saw in the common ways of the 19th century, but they complicated things with the bold new vision of the 20th. Their words mark an enormously important watershed in the history of art—and they forever changed the way we all see the world.