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Do you remember the topic of the last speech you heard? If not, you're not alone. In fact, studies show that audiences remember only 10% to 30% of speech or presentation content. Given those bleak statistics, why do we give speeches at all? We give them, says communications expert Nick Morgan, because they remain the most powerful way of connecting with audiences since ancient Greek times. But as we've evolved to a more conversational mode of public speaking, thanks to television, we have forgotten much of what the Greeks taught us about the nonverbal aspects of speech-giving: the physical connection with audiences that can create an almost palpable emotional bond. Morgan says this "kinesthetic connection" comes from truly listening to your audience—not just with your brain but with your body. In this book, he draws from more than 20 years as a speech coach and consultant, combining the best of ancient Greek oratory with modern communications research to offer a new, audience-centered approach to public speaking. Through entertaining and insightful examples, Morgan illustrates a 3 part process—focusing on content development, rehearsal, and delivery—that will enable readers of all experience levels to give more effective, passion-filled speeches that move audiences to action.
"David Kaye's book is crucial to understanding the tactics, rhetoric and stakes in one of the most consequential free speech debates in human history." -- Cory Doctorow, author of Radicalized, Walkaway and Little Brother The internet was designed to be a kind of free-speech paradise, but a lot of the material on it turned out to incite violence, spread untruth, and promote hate. Over the years, three American behemoths--Facebook, YouTube and Twitter--became the way most of the world experiences the internet, and therefore the conveyors of much of its disturbing material. What should be done about this enormous problem? Should the giant social media platforms police the content themselves, as is the norm in the U.S., or should governments and international organizations regulate the internet, as many are demanding in Europe? How do we keep from helping authoritarian regimes to censor all criticisms of themselves? David Kaye, who serves as the United Nations' special rapporteur on free expression, has been has been at the center of the discussions of these issues for years. He takes us behind the scenes, from Facebook's "mini-legislative" meetings, to the European Commission's closed-door negotiations, and introduces us to journalists, activists, and content moderators whose stories bring clarity and urgency to the topic of censorship. Speech Police is the most comprehensive and insightful treatment of the subject thus far, and reminds us of the importance of maintaining the internet's original commitment to free speech, free of any company's or government's absolute control, while finding ways to modulate its worst aspects.
Speech in Speech explores the techniques by which Classical Greek texts written primarily for public performance weave in direct quotations (oratio recta) of "other voices"-imagined or real. This "speech in speech" is usually perceived as endowed with a greater vividness and authenticity than indirect quotation, even when the words report what someone might say, or enliven the verbal texture of plays and speeches, and examines the intricate relation of direct quotations to their "originals". As the first synoptic and detailed study of oratio recta in Classical Greek literature, Speech in Speech will be useful to anyone interested in ancient literary technique.
This book covers writing and delivery of speeches with tips on how to avoid stage fright.
It's no fun when you have to wait. And Hanna has to wait for her little brother Peter a lot. She waits at the speech-language pathologist's office, at story time-will it ever be her turn? Many brothers and sisters of children with a speech-language disorder have a hard time understanding why their sibling is getting extra attention. It's no surprise when they feel left out. This engaging story shows how Hanna, with a little help, learns to understand her feelings and find a way for both Peter and her to have their turn. The endearing illustrations bring the story to life and make this a warm and accessible story for sharing at bedtime-or anytime. This book can be used by parents, speech-language pathologists, and educators as a springboard for more conversations. It includes a section of helpful and practical communication tips for the whole family. Discussion starters help children understand and communicate their feelings.
"I couldn't stop reading until I finished it. This book should be widely read!" - JAMES LOVELOCK "I'm glad I read it. A literate and stylish writer." - RICHARD DAWKINS "I think you're right." - STEVEN PINKER What makes us human? Why are we the only animals who wear clothes, drive cars, trawl the internet, and fly helicopters on Mars? It's all because we've learnt to talk: yet remarkably, we still don't know how we did it. SPEECH! suggests an answer that's been hiding in plain sight - the simple yet radical shift that turned our analog grunts and shrieks into words. But its consequences are far from simple: being able to share ideas through language was an evolutionary tipping point - it allowed us to link up our minds. SPEECH! traces our roller-coaster ride with language from hunter-gatherer to urban hipster: the epic tale of the struggle for knowledge against the false gods of culture, religion and identity - as we teeter toward a destination we may still resist, but ultimately cannot escape. About the author: Simon Prentis has spent a lifetime working with other cultures and languages in over fifty countries. A veteran translator and interpreter of Japanese, his clients have ranged from academic and international institutions to cultural icons like Paul McCartney, Stanley Kubrick, Frank Zappa and Yoko Ono. A graduate of Oxford University, and a member of the Institute of Translation and Interpreting since 1990, he has worked extensively with the broadcast media, given expert testimony in high-profile intellectual property disputes, translated four books and reams of technical documents, and presented papers on translation and interpreting at international conferences. This is his first book. "Crisp and clear - I agree with your hypothesis." - DESMOND MORRIS "Bravo! A compelling read." - YOKO ONO "If you liked Sapiens, you're going to love this." - JEE MANDAYO
Metcalfe's BUILDING A SPEECH, Fifth Edition, continues the tradition of providing proven texts at lower prices. With 20 chapters organized into five units, BUILDING A SPEECH guides students through a step-by-step process of acquiring public speaking skills by observation, peer criticism, personal experience and instructor guidance. Readings and exercises provide assistance in developing informative and persuasive speeches as well as research and speechwriting skills. This book establishes a caring environment for the learning process through a conversational style that aims to both interest and motivate students, while conveying encouragement through topics such as apprehension and listening that will help students to realize that they are not alone in their struggles. It is grounded in the philosophy that students can master the steps of speech construction if provided with a caring environment, clear blueprints, and creative examples.
Contains sample activities including rap, pantomime, a game show, TV news and more. Cartoon illustrations throughout.
This analysis of speech ranges from clarifying physiological, biological and neurological bases of speech through defining the principles of electrical and computer models of speech production.
A comprehensive and unified account of the neural computations underlying speech production, offering a theoretical framework bridging the behavioral and the neurological literatures. In this book, Frank Guenther offers a comprehensive, unified account of the neural computations underlying speech production, with an emphasis on speech motor control rather than linguistic content. Guenther focuses on the brain mechanisms responsible for commanding the musculature of the vocal tract to produce articulations that result in an acoustic signal conveying a desired string of syllables. Guenther provides neuroanatomical and neurophysiological descriptions of the primary brain structures involved in speech production, looking particularly at the cerebral cortex and its interactions with the cerebellum and basal ganglia, using basic concepts of control theory (accompanied by nontechnical explanations) to explore the computations performed by these brain regions. Guenther offers a detailed theoretical framework to account for a broad range of both behavioral and neurological data on the production of speech. He discusses such topics as the goals of the neural controller of speech; neural mechanisms involved in producing both short and long utterances; and disorders of the speech system, including apraxia of speech and stuttering. Offering a bridge between the neurological and behavioral literatures on speech production, the book will be a valuable resource for researchers in both fields.