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Focusing on the rich context of esoteric Jerish literature, this collection presents in-depth analyses of Jewish-American poetry. Gitenstein defines Jewish messianism and the literary genre of the apocalyptic, describes historical movements and kabbalistic theories, and analyzes their influence as part of the post-Holocaust consciousness. Represented are works by such poets as Irving Feldman, Jack Hirschman, John Hollander, David Meltzer, and Jerome Rothenberg. Gitenstein recounts the lives of such spectacular eccentrics and holy men as the Abraham Abulafia (thirteenth century), Isaac Luria (sixteenth century), Shabbatai Zevi (seventeenth century), and Jacob Frank (eighteenth century) and identifies their theories as part of the history of the literary apocalyptic genre—the literature of exile, the literature of catastrophe.
Finkelstein examines a wide range of recent Jewish writing, including poetry, fiction, and literary criticism, in order to determine the changes such writing has undergone in its exposure to modern and postmodern conditions of culture. Featuring discussions of such figures as Gershom Scholem, Harold Bloom, George Steiner, Cynthia Ozick, and John Hollander, The Ritual of New Creation explores certain themes that recur in modern Jewish literature: the relation of the sacred to the secular in Jewish writing; the role of loss and exile; "wandering meaning" and textual transformation. This is a book for all readers interested in modern Jewish literature, but especially for readers concerned with literary theory, the relations of text and commentary, and the fate of literary traditions in the contemporary and postmodern cultural milieu.
Imagine a world where history and nature took a slightly different path … Harold won the Battle of Hastings in 1066, the DNA spiral is left-handed, dragons are real, werewolves can get a pension, electricity doesn't work … and magic does. England is a twenty-first century world of steam buggies and airships, a world in which magic is the science that binds the fabric of society. This science could offer a great future for its students, including sixteen-year-old Garreth Aldredge. In The Other Side of Magik, Garreth, along with Danny, his double in the parallel universe that is our universe, are sucked into each other’s world because a Mandrake needs a body to inhabit, a body that is impervious to magic. Can Wizard Emeritus Salamander Ord save Danny from being inhabited by the soul of an evil Mandrake, and return Garreth and Danny to their rightful worlds? There is an alternative reality to the universe we know and understand. A very close and similar reality that is almost exactly the same, almost normal and familiar … except for some minor deviations. History there took a slightly different path. The Other Side of Magik is a mesmerising story that may just be true … if you allow yourself to believe.
“Perfection is a rare accomplishment, particularly in American poetry, and the perfection of much of Hollander’s work makes it essential reading for anyone who genuinely cares for the craft of poetry. But in our fallen world we seem fated to value power of perfection, and John Hollander’s poetry has shown a visionary power just often enough to secure him a place as one of the major figures of our moment.” Vernon Shetley, The New Republic
This volume is an introduction to the relationship between psychoanalysis and literature. Jean-Michel Rabaté takes Sigmund Freud as his point of departure, studying in detail Freud's integration of literature in the training of psychoanalysts and how literature provided crucial terms for his myriad theories, such as the Oedipus complex. Rabaté subsequently surveys other theoreticians such as Wilfred Bion, Marie Bonaparte, Carl Jung, Jacques Lacan, and Slavoj Žižek. This Introduction is organized thematically, examining in detail important terms like deferred action, fantasy, hysteria, paranoia, sublimation, the uncanny, trauma, and perversion. Using examples from Miguel de Cervantes and William Shakespeare to Sophie Calle and Yann Martel, Rabaté demonstrates that the psychoanalytic approach to literature, despite its erstwhile controversy, has recently reemerged as a dynamic method of interpretation.
This book looks at the figure of the English teacher in Indian classrooms and examines the practice and relevance of English and India’s colonial legacy, many decades after independence. The book is an account of the varied experiences of teaching English in universities in different parts of the country. It highlights the changes in curriculum and teaching practices and how the discipline lent itself to a study of culture, historical contexts, the fashioning of identities or reform over the years. The volume presents the dramatic changes in the composition of the English classroom in terms of gender, class, caste and indigenous communities in recent decades, as well as the shifts in teaching strategies and curriculum which the new diversity necessitated. The essays in the collection also examine the distinctiveness of English practice in India through classroom accounts which explore themes like post-coloniality, feminism and human rights through the study of texts by Shakespeare, Beckett, Doris Lessing and poetry from the Northeast. This book will be of interest to academics, researchers, students and practitioners of English Studies, education, colonial studies, cultural studies and South Asian studies, as well as those concerned with the history of higher education and the establishment of disciplines and institutions.
Information Security Science: Measuring the Vulnerability to Data Compromises provides the scientific background and analytic techniques to understand and measure the risk associated with information security threats. This is not a traditional IT security book since it includes methods of information compromise that are not typically addressed in textbooks or journals. In particular, it explores the physical nature of information security risk, and in so doing exposes subtle, yet revealing, connections between information security, physical security, information technology, and information theory. This book is also a practical risk management guide, as it explains the fundamental scientific principles that are directly relevant to information security, specifies a structured methodology to evaluate a host of threats and attack vectors, identifies unique metrics that point to root causes of technology risk, and enables estimates of the effectiveness of risk mitigation. This book is the definitive reference for scientists and engineers with no background in security, and is ideal for security analysts and practitioners who lack scientific training. Importantly, it provides security professionals with the tools to prioritize information security controls and thereby develop cost-effective risk management strategies. - Specifies the analytic and scientific methods necessary to estimate the vulnerability to information loss for a spectrum of threats and attack vectors - Represents a unique treatment of the nexus between physical and information security that includes risk analyses of IT device emanations, visible information, audible information, physical information assets, and virtualized IT environments - Identifies metrics that point to the root cause of information technology risk and thereby assist security professionals in developing risk management strategies - Analyzes numerous threat scenarios and specifies countermeasures based on derived quantitative metrics - Provides chapter introductions and end-of-chapter summaries to enhance the reader's experience and facilitate an appreciation for key concepts
No questions are more pressing today than the ethical dimensions of global capitalism in relation to an unevenly secularized modernity. A Tale of Two Capitalisms offers a timely response to these questions by reexamining the intellectual history of capitalist economics during the nineteenth century. Rajan’s ambitious book traces the neglected relationships between nineteenth-century political economy, anthropology, and literature in order to demonstrate how these discourses buttress a dominant narrative of self-interested capitalism that obscures a submerged narrative within political economy. This submerged narrative discloses political economy’s role in burgeoning theories of religion, as well as its underlying ethos of reciprocity, communality, and just distribution. Drawing on an impressive range of literary, anthropological, and economic writings from the eighteenth through the twenty-first century, Rajan offers an inventive, interdisciplinary account of why this second narrative of capitalism has so long escaped our notice. The book presents an unprecedented genealogy of key anthropological and economic concepts, demonstrating how notions of sacrifice, the sacred, ritual, totemism, and magic remained conceptually intertwined with capitalist theories of value and exchange in both sociological and literary discourses. Rajan supplies an original framework for discussing the ethical ideals that continue to inform contemporary global capitalism and its fraught relationship to the secular. Its revisionary argument brings new insight into the history of capitalist thought and modernity that will engage scholars across a variety of disciplines.
If you are looking to brush up on your literary knowledge, check a favorite author's work, or see a year's bestsellers at a glance, The Chronology of American Literature is the perfect resource. At once an authoritative reference and an ideal browser's guide, this book outlines the indispensable information in America's rich literary past--from major publications to lesser-known gems--while also identifying larger trends along the literary timeline. Who wrote the first published book in America? When did Edgar Allan Poe achieve notoriety as a mystery writer? What was Hemingway's breakout title? With more than 8,000 works by 5,000 authors, The Chronology makes it easy to find answers to these questions and more. Authors and their works are grouped within each year by category: fiction and nonfiction; poems; drama; literary criticism; and publishing events. Short, concise entries describe an author's major works for a particular year while placing them within the larger context of that writer's career. The result is a fascinating glimpse into the evolution of some of America's most prominent writers. Perhaps most important, The Chronology offers an invaluable line through our literary past, tying literature to the American experience--war and peace, boom and bust, and reaction to social change. You'll find everything here from Benjamin Franklin's "Experiments and Observations on Electricity," to Davy Crockett's first memoir; from Thoreau's "Civil Disobedience" to Edith Wharton's Ethan Frome; from meditations by James Weldon Johnson and James Agee to poetry by Elizabeth Bishop. Also included here are seminal works by authors such as Rachel Carson, Toni Morrison, John Updike, and Arthur Schlesinger, Jr. Lavishly illustrated--and rounded out with handy bestseller lists throughout the twentieth century, lists of literary awards and prizes, and authors' birth and death dates--The Chronology of American Literature belongs on the shelf of every bibliophile and literary enthusiast. It is the essential link to our literary past and present.
Before it reached television, science fiction existed on the printed page, in comic books, and on movie screens for decades. Adapting science fiction to the new medium posed substantial challenges: Small viewing screens and limited production facilities made it difficult to achieve the sense of wonder that had become the genre's hallmark. Yet, television also offered unprecedented opportunities. Its serial nature allowed for longer, more complex stories, as well as developing characters and building suspense over time. Producers of science fiction television programming learned to create adaptations that honored the source material—literature, comics, or film—while taking full advantage of television's unique aesthetic. In Adapting Science Fiction to Television: Small Screen, Expanded Universe, Max Sexton and Malcolm Cook examine how the genre evolved over time. The authors consider productions in both the UK and the United States, ranging from Walt Disney's acclaimed "Man in Space"in the 1950s to the BBC's reimagined Day of the Triffids in the 1990s. Iconic characters from Flash Gordon and Captain Nemo to Superman and Professor Quatermass all play a role in this history, along with such authors as E. M. Forster and Wernher von Braun. The real stars of this study, however, are the pioneering producers and directors who learned how to bring imagined worlds and fantastic stories into living rooms across the globe. The authors make the case that television has become more sophisticated, capable of taking on larger themes and deploying a more complex use of the image than other media. A unique reappraisal of the history and dynamics of the medium, Adapting Science Fiction Television will be of interest not only to scholars of science fiction, but to anyone interested in the early history of television, as well as the evolution of its unique capacity to tell stories.