Download Free Spectacular Men Book in PDF and EPUB Free Download. You can read online Spectacular Men and write the review.

In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.
Men's Cinema offers a fresh theorisation of men in Hollywood cinema via a theoretical discussion of definitions of masculinity and the close textual analysis of classic and contemporary films. Through an examination of mise-en-scene, Men's Cinema moves beyond discussions of representation and narrative to an exploration of the physical or instinctive effects of cinema and how we are invited to engage with, desire or identify with Hollywood's vision of men and masculinity. By delineating how Hollywood has built up and refined the language of men's cinema through a series of recurrent, refined tropes, this book critically explores masculinity and the concept of a male aesthetic within film.Films discussed include: The Deer Hunter, Dirty Harry, Goodfellas, Inception, Mission Impossible: Ghost Protocol, Once Upon a Time in the West, Point Break, Raging Bull, Rebel Without A Cause, Reservoir Dogs, Sherlock Holmes, There's Always Tomorrow, The Wild Bunch.
JUDGES: Book of Heroes traces the tragic story of the people of God from the glory days of Joshua to the gloomy days of Samson; from courage to compromise; from conquest to capitulation. But despite the subject matter, this book is not a gloomy book! The author shows that for all their failings, the judges were men and women of rare faith, men and women who stood for God in troubled times. And he encourages us, too, to live for God where He has placed us; to serve Him faithfully in the work to which He has called us. "We may not have the spiritual gifts of a Samson or a Deborah. We may not have the courage of an Othniel or a Jephthah. Perhaps we're just ordinary, like Gideon, or maybe we feel like one of the minor judges, like Abdon or Ibzan or Tola, whose names nobody can remember. Nevertheless, God delights to use ordinary people, and He delights even more to use really useless people! God will use those who have faith in Him, those whose hearts are loyal to Him. The judges of Israel, imperfect as they were, stand out for God like shining beacons in a dark night, because at the end of the day, they trusted God, and were available to Him."
Staged Readings studies the social consequences of 19th-century America’s two most prevalent leisure forms: theater and popular literature. In the midst of watershed historical developments—including numerous waves of immigration, two financial Panics, increasing wealth disparities, and the Civil War—American theater and literature were developing at unprecedented rates. Playhouses became crowded with new spectators, best-selling novels flew off the shelves, and, all the while, distinct social classes began to emerge. While the middle and upper classes were espousing conservative literary tastes and attending family matinees and operas, laborers were reading dime novels and watching downtown spectacle melodramas like Nymphs of the Red Sea and The Pirate’s Signal or, The Bridge of Death!!! As audiences traveled from the reading parlor to the playhouse (and back again), they accumulated a vital sense of social place in the new nation. In other words, culture made class in 19th-century America. Based in the historical archive, Staged Readings presents a panoramic display of mid-century leisure and entertainment. It examines best-selling novels, such as Harriet Beecher Stowe’s Uncle Tom’s Cabin and George Lippard’s The Quaker City. But it also analyzes a series of sensational melodramas, parlor theatricals, doomsday speeches, tableaux vivant displays, curiosity museum exhibits, and fake volcano explosions. These oft-overlooked spectacles capitalized on consumers’ previous cultural encounters and directed their social identifications. The book will be particularly appealing to those interested in histories of popular theater, literature and reading, social class, and mass culture.
The human body has been depicted in a variety of ways across a range of cultural and historical locations. It has been described, variously, as a biological entity, clothing for the soul, a site of cultural production, a psychosexual construct, and a material encumbrance. Each of these different approaches brings with it a range of anthropological, political, theological, and psychological discourses that explore and construct identities and subject positions. This Companion examines connections between American literature and bodies from the eighteenth century through the present. It reveals the singular way that literature can help us understand the body's entanglement within social and biological influences, and it traces the body's existence within histories of race, gender, and ability. This volume details the genres, critical fields, and interpretive practices that best facilitate the analysis of bodies in the full span of American literary imaginings.
Skateboarding and Femininity explores and highlights the value of femininity both within skateboarding and wider culture. This book examines skateboarding’s relationship to gender politics through a consideration of the personal politics connected to individual skateboarders, the social-spatial arenas in which skateboarding takes place, and by understanding the performance of tricks and symbolic movements as part of gender-based power dynamics. Dani Abulhawa anaylses the discursive frameworks connected to skateboarding philanthropic projects and how these operate through gendered tropes. Through the author’s work with skateboarding charity SkatePal, this book offers an alternative way of recognising the value of skateboarding philanthropy projects, proposing a move toward a more open and explorative somatic practice perspective.
“Kelly is part geek, part freak. When You Find Out The World Is Against You shows us ourselves: our sensitivities, our awkward moments, our strange desires. She takes us through summer camp, dating, rape culture, Trump, death . . . Kelly Oxford c’est moi.” — James Franco “Two things I’m grateful for: how imperfect Kelly Oxford is at life and decision-making, and how terrific she is at writing about what a goddamn mess she is.” — Patton Oswalt “Kelly Oxford’s writing is hilarious and fearless. She’s the badass Canadian sister I never had.” — Mindy Kaling “I have worshipped the mind of Kelly Oxford for eons. Kelly Oxford’s concise, whip-smart observations feel eerily universal. When You Find Out the World is Against You shows that there is something to be learned from even the most absurd or devastating moments of life.” — Jill Soloway “Kelly Oxford is a beautiful writer. She finds beauty in the mundane and humor in everyday eccentricities. She is our present-day, funny Joan Didion.” — Gia Coppola