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The modern bathroom is an ingenious compilation of locked doors, smooth porcelain, 4-ply tissue and antibacterial hand soap, but despite this miracle of indoor plumbing, we still can’t bear the thought that anyone else should know that our bodies produce waste. Why must we live by the rules of this intense scatological embarrassment? In Spectacles of Waste, leading historian of medicine Warwick Anderson reveals how human excrement has always complicated humanity’s attempts to become modern. From wastewater epidemiology and sewage snooping to fecal transplants and excremental art, he argues that our insistence on separating ourselves from our bodily waste has fundamentally shaped our philosophies, social theories, literature and art—even the emergence of high-tech science as we understand it today. Written with verve and aplomb, Anderson’s expert analysis reveals how in recent years, humanity has doubled down on abstracting and datafying our most abject waste, and unconsciously underlined its biopolitical signature across our lives.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse: nuclear waste, climate debris, pop-culture rubbish, digital detritus, and more. Object Lessons is published in partnership with an essay series in The Atlantic.
These volumes convey what daily life is like in the Middle East, Asia and Africa. Entries will aid readers in understanding the importance of cultural sociology, to appreciate the effects of cultural forces around the world.
Global media and advances in technology have profoundly affected the way people experience events. The essays in this volume explore the dimensions of contemporary spectacles from the Arab Spring to spectatorship in Hollywood. Questioning the effects that spectacles have on their observers, the authors ask: Are viewers robbed of their autonomy, transformed into depoliticized and passive consumers, or rather are they drawn in to cohesive communities? Does their participation in an event—as audiences, activists, victims, tourists, and critics—change and complicate the event itself? Spectacle looks closely at the permeable boundaries between the reality and fiction of such events, the methods of their construction, and the implications of those methods.
"This volume explores, from the perspective of several academic disciplines, the role of the performing arts in American culture, as much as the many ways in which American culture itself can be considered as performed, as created in individual and collective acts of cultural performance." "Americanist scholars from Europe and the United States deal with several different aspects of how American cultural identity(ies) is (are) staged: from public spectacle to the performative text, from ritual, popular theater, and home theatricals to communal festivities and celebrations. The book's focus is on widely different areas of political and cultural life and on different phases of American cultural history from the revolutionary period to the present."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher Description
Waste Reduction : 6th report of session 2007-08, Vol. 2: Evidence
Cumulative catalog of all National Institute for Occupational Safety and Health (NIOSH) numbered publications, health hazard evaluations (HHE) and technical assistance (TA) reports, contract reports, and other educational and training materials.
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.