Download Free Specimens Of Greek Tragedy Book in PDF and EPUB Free Download. You can read online Specimens Of Greek Tragedy and write the review.

"Specimens of Greek Tragedy — Aeschylus and Sophocles" by Aeschylus and Sophocles is a collection of tragic works from two of Greece's most important poets. The volume contains introductions and selections from: Prometheus Bound, The Persians, The Seven Against Thebes, Agamemnon, The Choephoroe, The Eumenides, Oedipus the King, Oedipus at Colonus, Antigone, Ajax, Electra, The Trachiniae, and Philoctetes.
Specimens of Greek Tragedy Aeschylus and Sophocles - Aeschylus, Sophocles - "Greek Tragedy" is meticulously edited collection of the most famous plays written by Aeschylus and Sophocles. Aeschylus (525/524 c. 456/455 BC) was an ancient Greek tragedian. He is often described as the father of tragedy. According to Aristotle, he expanded the number of characters in theater allowing conflict among them; characters previously had interacted only with the chorus. Sophocles (c. 497/6 406/5 BC) is one of three ancient Greek tragedians whose plays have survived. His first plays were written later than those of Aeschylus, and earlier than or contemporary with those of Euripides. Sophocles wrote over 120 plays. For almost 50 years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens. Contents: Prometheus Bound The Persians The Seven Against Thebes Agamemnon The Choephoroe The Eumenides Oedipus At Colonus Antigone Ajax Electra
Paracomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence.
Space and concept -- The chorus -- The actor's role -- Tragedy and politics : what's Hecuba to him? -- Translations : finding a script -- Gods, ghosts, and Helen of Troy
Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father. Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.
The latest volume in the Classical World series, this book offers a much-needed up-to-date introduction to Greek tragedy, and covers the most important thematic topics studied at school or university level. After a brief analysis of the genre and main figures, it focuses on the broader questions of what defines tragedy, what its particular preoccupations are, and what makes these texts so widely studied and performed more than 2,000 years after they were written. As such, the book will be of interest to students taking broad courses on Greek tragedy, while also being suitable for the general reader who wants an overview of the subject. All passages of tragedy discussed are translated by the author and supplementary information includes a chronology of all the surviving tragedies, a glossary, and guidance on further reading.
The Encyclopedia of Greek Tragedy is the first comprehensive reference work to cover all facets of the distinct form of dramatic theater that flourished in ancient Greece with its apex in the 5th century BCE. Offers the first comprehensive reference work to cover all facets of the distinct form of dramatic theater that flourished in ancient Greece with its apex in the 5th century BCE Covers the 32 extant plays and playwrights of the period, including the great surviving works of Aeschylus, Sophocles, Euripides, and their contemporaries, and considers lost works and surviving fragments Explores topics including the origins and history of Greek tragedy; their texts, language, style, and rhetoric; as well as recurrent themes such as family, death, and adultery Provides an invaluable reference to the most important dramatic genre of the ancient Greek world, and to the historical, philosophical, cultural, and political contexts in which these plays were performed 3 Volumes www.wileyonlinelibrary.com/ref/greektragedy
This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information, helps readers appreciate, enjoy and engage with the plays themselves, and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen and Orestes - in order to convey the variety that the tragedies offer readers.