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E. T. A. Hoffmann's 'Specimens of German Romance: Master Flea' is a captivating collection of tales that delve into the darker aspects of human nature and the supernatural. Hoffmann's unique blend of romanticism and gothic elements creates a compelling and otherworldly atmosphere. 'Master Flea' is a story within the collection that follows the adventures of Peregrinus Tyss, a student who is transformed into a flea and must navigate a world full of eccentric characters and moral dilemmas. Hoffmann's intricate prose and vivid imagination make this work a standout in the German Romantic literary tradition. His exploration of human folly and the boundaries between reality and fantasy resonates with readers who appreciate the complexities of the human experience. E. T. A. Hoffmann's background as a lawyer and composer likely influenced his thematic exploration of justice, morality, and the supernatural in 'Master Flea'.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Reproduction of the original: Specimens of German Roamnce by Authors Various
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
Recent years have seen a wealth of new scholarship on the history of photography, cinema, digital media, and video games, yet less attention has been devoted to earlier forms of visual culture. The nineteenth century witnessed a dramatic proliferation of new technologies, devices, and print processes, which provided growing audiences with access to more visual material than ever before. This volume brings together the best aspects of interdisciplinary scholarship to enhance our understanding of the production, dissemination, and consumption of visual media prior to the predominance of photographic reproduction. By setting these examples against the backdrop of demographic, educational, political, commercial, scientific, and industrial shifts in Central Europe, these essays reveal the diverse ways that innovation in visual culture affected literature, philosophy, journalism, the history of perception, exhibition culture, and the representation of nature and human life in both print and material culture in local, national, transnational, and global contexts.