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In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth. Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
Contained herein is a vast collection of Whitman’s writing, including vignettes from his childhood, a series of powerful accounts of his work in hospitals during the Civil war, and a large amount of nature writing. Composed in 1881 primarily from sketches, notes, and essays written at various stages of the poet's life from the Civil War onwards, Specimen Days is the closest thing Whitman ever published to a traditional autobiography. A wonderful insight into the mind of America’s most famous poet, this rare classic will appeal to any collector of Whitman’s work and is well deserving of its place atop any bookshelf. Walter "Walt" Whitman was a seminal American poet and journalist. Often hailed as the father of free verse, Whitman is among the most influential poets of the American canon, most famous for his controversial life-long work, Leaves of Grass. This rare book is republished here with a new introductory biography of the author.
During the Civil War, from 1862-1865, Walt Whitman spent much of his time with wounded soldiers, both in the field and in the hospitals. The 40 notebooks he filled became the basis for the extraordinary diary of a medic in the Civil War.
Includes almost 760 entries ranging in length from 3,100 words on the first (1855) edition of Leaves of Grass to 140 words on Elizabeth Leavitt Keller. Entries include biographical data; thematic, formal and technical considerations; discussions of the poet's social and personal life; and commentary on all of Whitman's works, including poem clusters, major poems, essays, and lesser known works such as the novel Franklin Evans and two dozen short stories. A chronology and genealogy are included. Annotation copyrighted by Book News, Inc., Portland, OR
The American Civil War: A Literary and Historical Anthology brings together a wide variety of important writings from the Civil War and Reconstruction eras, including short fiction, poetry, public addresses, memoirs, and essays, accompanied by detailed annotations and concise introductions. Now in a thoroughly revised second edition, this slimmer volume has been revamped to: Emphasize a diversity of perspectives on the war Showcase more women writers Expand the number of Southern voices Feature more soldiers' testimony Provide greater historical context. With selections from Louisa May Alcott, Walt Whitman, Sidney Lanier, Abraham Lincoln, Frederick Douglass, Kate Chopin, and many more, Ian Finseth’s careful arrangement of texts remains an indispensable resource for readers who seek to understand the impact of the Civil War on the culture of the United States. The American Civil War reaffirms the complex role that literature, poetry, and non-fiction played in shaping how the conflict is remembered. To provide students with additional resources, the anthology is now accompanied by a companion website which you can find at [insert URL]. There you will find additional primary sources, a detailed timeline, and an extensive bibliography, among other materials.
The essays in this volume present the first comprehensive account of Fichte's reception and influence in America, highlighting philosophical issues central to thinkers in the U.S., Argentina, Brazil, and Mexico.