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CETTE THESE CONCERNE L'ETUDE DES SYSTEMES COMPLEXES TEMPS-REEL-STRICT DISTRIBUES. L'IMPORTANCE DES ENJEUX ECONOMIQUES ET LES CONSEQUENCES DRAMATIQUES QUE PEUVENT ENTRAINER LES DEFAILLANCES DE TELS SYSTEMES, CONDUISENT A DEVELOPPER DES METHODOLOGIES DE CONCEPTION QUI PRENNENT EN COMPTE LES CARACTERISTIQUES SPECIFIQUES DES SYSTEMES A REALISER. LA PREMIERE PARTIE, METHODOLOGIE DE CONCEPTION ET MODELISATION DES SYSTEMES TEMPS REEL-STRICT DISTRIBUES, INTRODUIT LES CONCEPTS DE BASE SUR LES SYSTEMES TEMPS-REEL ET PRECISE LA DEMARCHE METHODOLOGIQUE SUIVIE POUR PASSER DE LA SPECIFICATION D'UN SYSTEME TEMPS-REEL-STRICT A LA DEFINITION COMPLETE DE SA REALISATION. CETTE METHODOLOGIE REPOSE SUR UNE MODELISATION QUI PREND EN COMPTE LES CARACTERISTIQUES INTRINSEQUES DES SYSTEMES TEMPS-REEL-STRICT, QUI OFFRE UNE APPROCHE DETERMINISTE ET REALISTE EN MILIEU PHYSIQUEMENT DISTRIBUE ET QUI PERMET D'OBTENIR AUTOMATIQUEMENT LA MACHINE LA MIEUX ADAPTEE POUR TRAITER UNE APPLICATION DONNEE. LA DEUXIEME PARTIE DESCRIPTION DE SYSTEMES COMPLEXES TEMPS-REEL-STRICT DISTRIBUES PRECISE LE MODELE RETENU POUR DECRIRE DE TELS SYSTEMES. C'EST UN MODELE DE DESCRIPTION ADAPTE A LA CLASSE DES APPLICATIONS VISEES QUI AUTORISE UNE DESCRIPTION PARALLELE ET HIERARCHISEE DES SYSTEMES A REALISER. POUR EXPRIMER LES APPLICATIONS SELON LE MODELE, LE CONCEPTEUR DISPOSE DU LANGAGE DE DESCRIPTION R.S.D.L. CE LANGAGE AUTORISE DES TECHNIQUES DE PARALLELISATION AUTOMATIQUE DES MODULES COMPOSANT L'APPLICATION. L'OBJET DE LA TROISIEME PARTIE SPECIFICATION ET CONCEPTION DE SYSTEMES TEMPS-REEL-STRICT DISTRIBUES EST DE PRESENTER L'OUTIL DE SPECIFICATION-CONCEPTION QUI PERMET A UN CONCEPTEUR DE DECRIRE GRAPHIQUEMENT ET TEXTUELLEMENT SON APPLICATION EN SUIVANT LES REGLES IMPOSEES PAR LE MODELE DE DESCRIPTION, ET DE PRODUIRE UNE REPRESENTATION V.H.D.L. AUTORISANT LA SIMULATION LOGIQUE DU SYSTEME. AFIN D'ILLUSTRER LES FONCTIONNALITES DE CET OUTIL, LES DIFFERENTES ETAPES DE CONCEPTION D'UN SYSTEME TEMPS-REEL-STRICT SONT PRESENTEES SUR UN EXEMPLE
The classic manifesto of the liberated woman, this book explores every facet of a woman's life.
When first published, Marshall McLuhan's Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century.
In this searing polemic, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His main target is the all-pervasive figure of the child, which he reads as the linchpin of our universal politics of “reproductive futurism.” Edelman argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. He boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order. In No Future, Edelman urges queers to abandon the stance of accommodation and accede to their status as figures for the force of a negativity that he links with irony, jouissance, and, ultimately, the death drive itself. Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock’s films, he embraces two of the director’s most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.
Genette uses Proust's Remembrance of Things Past as a work to identify and name the basic constituents and techniques of narrative. Genette illustrates the examples by referring to other literary works. His systemic theory of narrative deals with the structure of fiction, including fictional devices that go unnoticed and whose implications fulfill the Western narrative tradition.
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
In Bodies That Matter, Judith Butler further develops her distinctive theory of gender by examining the workings of power at the most "material" dimensions of sex and sexuality. Deepening the inquiries she began in Gender Trouble, Butler offers an original reformulation of the materiality of bodies, examining how the power of heterosexual hegemony forms the "matter" of bodies, sex, and gender. Butler argues that power operates to constrain "sex" from the start, delimiting what counts as a viable sex. She offers a clarification of the notion of "performativity" introduced in Gender Trouble and explores the meaning of a citational politics. The text includes readings of Plato, Irigaray, Lacan, and Freud on the formation of materiality and bodily boundaries; "Paris is Burning," Nella Larsen's "Passing," and short stories by Willa Cather; along with a reconsideration of "performativity" and politics in feminist, queer, and radical democratic theory.
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.