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A resource to plan services with suggested Scripture, order of service, and brief comments for celebration in the black tradition.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
A tour through the dates, colors, and other traditions of the Church year. This third volume in the popular Morehouse series explains why we do what we do and when, and it does so in a user-friendly, thoroughly interesting way.
A nongovernmental survey of urban and rural churches of black communities based on a ten year study.
What is the nature and purpose of the Black Church? What is the relationship of the scholar of religion to the Black Church? While black churches have been a major component of the religious landscape of African American communities for centuries, little critical attention has been given to these questions outside an apologetic stance. This book seeks to correct this trend by examining some of the major issues facing black churches in the twenty-first century. From a challenge to traditional ways of addressing sexism within black churches to African American Christianity's relationship to popular culture, this set of reflections seeks to offer new perspectives on what it might mean to be Black and Christian in the United States. "Anthony Pinn's volume seeks to critically understand and sympathetically transform the Black Church. Carrying on in the tradition of William R. Jones, Pinn's perspective on the Black Church is suspicious, loving, critical, committed, exasperating, and exhilarating. One may not always agree with his conclusions, but one cannot ignore his penchant for ferreting out the truth. This book is a passionate yet balanced argument which must be heard by anyone who is interested in the future of the black church."---James H. Evans JR. Robert K. Davies Professor of Systematic Theology, Colgate Rochester Crozer Divinity School "Pinn is required reading in every Black Church Studies department and theological curriculum that seeks self-understanding, transformation, and healing; and an indispensable interlocutor in the broader public conversation about the American dilemma and its democratic possibilities."---Walter Earl Fluker Coca-Cola Professor of Leadership Studies Morehouse College
NEW YORK TIMES BESTSELLER Featured as One of Summer’s most anticipated reads by the Los Angeles Times, Vogue, Vulture, Entertainment Weekly, ELLE, Buzzfeed, and Bitch Media. From the author of I Don’t Want to Die Poor and in the style of New York Times bestsellers You Can’t Touch My Hair, Bad Feminist, and I'm Judging You, a timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity. It hasn’t been easy being Michael Arceneaux. Equality for LGBTQ people has come a long way and all, but voices of persons of color within the community are still often silenced, and being Black in America is…well, have you watched the news? With the characteristic wit and candor that have made him one of today’s boldest writers on social issues, I Can’t Date Jesus is Michael Arceneaux’s impassioned, forthright, and refreshing look at minority life in today’s America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite. He eloquently writes about coming out to his mother; growing up in Houston, Texas; being approached for the priesthood; his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants and maybe fleas; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams. Perfect for fans of David Sedaris, Samantha Irby, and Phoebe Robinson, I Can’t Date Jesus tells us—without apologies—what it’s like to be outspoken and brave in a divisive world.
With over 60,000 copies in print, Church Administration in the Black Perspective, first published in 1976, has become a classic reference manual. African American pastors through the years have looked to this informational guide as a source for details on church structure, management, and organization. This resource addresses the particular needs of the pastor and church staff who have been charged with the responsibilities of administration in the black church context. Not only does this revised edition feature updated language, but it also includes fresh information in such areas as budgeting and the use of modern technology. The authors supply detailed information on creating a church budget, and discuss the role websites, computer technology, and cable access television can play in helping churches to carry out their mission. The book includes guidelines for effectively organizing church boards and committees, as well as details pertaining to overall church structure. The authors' perspectives are well grounded in the experience of the African American Christian community, as the text explores how the African heritage and slave experience have molded black church traditions. The authors bring to the writing of this book a blend of practical and academic experience. Book jacket.
Preaching through the Liturgical Year and other Occasions is a book on sermons that can be used through the calendar year. This book places emphasis on the various days that are highlighted in the Christian year, as well as other occasions such as Mothers and Fathers Day, baptism, New Years Day, and Womens and Mens Day, and the church anniversary. There are eighty-seven short messages that can be used as a resource or as a seed for developing sermons, speeches, and Bible studies. Much study, research, and prayer has gone into these sermons. May they be a blessing to the reader and hearer of Gods Word.
Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith. In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmission—or lack thereof—of legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurring—from sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place. In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.
The Black Church Studies Reader addresses the depth and breadth of Black theological studies, from Biblical studies and ethics to homiletics and pastoral care. The book examines salient themes of social and religious significance such as gender, sexuality, race, social class, health care, and public policy. While the volume centers around African American experiences and studies, it also attends to broader African continental and Diasporan religious contexts. The contributors reflect an interdisciplinary blend of Black Church Studies scholars and practitioners from across the country. The text seeks to address the following fundamental questions: What constitutes Black Church Studies as a discipline or field of study? What is the significance of Black Church Studies for theological education? What is the relationship between Black Church Studies and the broader academic study of Black religions? What is the relationship between Black Church Studies and local congregations (as well as other faith-based entities)? The book's search for the answers to these questions is compelling and illuminating.