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The nineteenth century witnessed a proliferation in the literary uses of dialect, with dialect becoming a key feature in the development of the realist novel, dialect songs being printed by the hundreds in urban centres and dialect poetry becoming a respected form. In this collection, scholars from a wide variety of disciplines, including dialectology, literary linguistics, sociolinguistics, literary studies and the history of the English language, have come together to examine the theory, context and ideology of the use of dialect in the nineteenth century. The texts considered range from the Cumberland poetry of Josiah Relph to the novels of Frances Trollope and Elizabeth Gaskell, and from popular Tyneside song to the dialect poetry of Alfred Tennyson. Throughout the volume, the contributors debate whether or not 'authenticity' is a meaningful category, the significance of metalanguage and paratext in the presentation of dialect, the differences between 'literary dialect' and 'dialect literature', the responses of 'insider' versus 'outsider' audiences and whether the representation of dialect is a hegemonic or resistant strategy. This is the first book to focus on practices of dialect representation in literature in the nineteenth century. Taken together, the chapters offer an exciting overview of the challenging work currently being undertaken in this field.
Representing what someone else has said is an integral part of spoken and written communication. Speech representation occurs in many contexts from news reports and legal trials to everyday conversation. Although commonplace, it requires sophisticated choices regarding what to represent and how to represent it. These choices can highlight a speaker's voice, shape our perception of the reported speech, or support our claims of authority.While speech representation in Present-day English has been studied extensively, this book extends the discussion to historical periods. Speech Representation in the History of English explores speech representation of the past, providing in-depth analyses of how speakers and writers mark, structure, and discuss a previous speech event or fictional speech. Focusing on the Early Modern English and the Late Modern English periods (1500-1900), this volume covers topics such as parentheses as markers of represented speech, the development of like as a reporting expression, the gradual formation of free indirect speech reporting, and the interpersonal functions of represented speech. Chapters draw on a wide range of methodologies, including historical sociolinguistics, pragmatics, and corpus linguistics, and cover many genres from witness depositions, literary texts, and letters, to the spoken language of the recent past. In this comprehensive volume, Peter Grund and Terry Walker bring together a collection of works that use cutting-edge approaches to speech representation. Researchers and students of the history of English, sociolinguistics, and discourse studies alike will find Speech Representation in the History of English to be an invaluable addition to the field.
The long 19th century-stretching from the start of the American Revolution in 1776 to the end of World War I in 1918-was a pivotal period in the history of disability for the Western world and the cultures under its imperial sway. Industrialization was a major factor in the changing landscape of disability, providing new adaptive technologies and means of access while simultaneously contributing to the creation of a mass-produced environment hostile to bodies and minds that did not adhere to emerging norms. In defining disability, medical views, which framed disabilities as problems to be solved, competed with discourses from such diverse realms as religion, entertainment, education, and literature. Disabled writers and activists generated important counternarratives, made increasingly available through the spread of print culture. An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Nineteenth Century includes chapters on atypical bodies, mobility impairment, chronic pain and illness, blindness, deafness, speech dysfluencies, learning difficulties, and mental health, with 37 illustrations drawn from period sources.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Reference to or quotation from someone's speech, thoughts, or writing is a key component of narrative. These reports further a narrative, make it more interesting, natural, and vivid, ask the reader to engage with it, and reflect historical cultural understandings of modes of discourse presentation. To a large extent, the way we perceive a story depends on the ways it presents discourse, and along with it, speech, writing, and thought. In this book, Beatrix Busse investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction including Frankenstein, Jane Eyre, Wuthering Heights, Oliver Twist, and many others. At the intersection between corpus linguistics and stylistics, this book develops a new corpus-stylistic approach for systematically analyzing the different narrative strategies of discourse presentation in key pieces of 19th-century narrative fiction. Speech, Writing, and Thought Presentation in 19th-Century Narrative Fiction identifies diachronic patterns as well as unique authorial styles, and places them within their cultural-historical context. It also suggests ways for automatically identifying forms of discourse presentation, and shows that the presentation of characters' minds reflects an ideological as well as an epistemological concern about what cannot be reported, portrayed, or narrated. Through insightful interdisciplinary analysis, Busse demonstrates that discourse presentation fulfills the function of prospection and encapsulation, marks narrative progression, and shapes readers' expectations.
Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.
This book consists of incisive and imaginative readings of culture, politics, and history – and their intersections – in eastern India from the 16th to the 20th century. Focusing especially on Assam, Odisha, Bengal, and their margins, the volume explores Indo-Islamic cultures of rule as located on the cusp of Mughal-cosmopolitan and regional–local formations. Tracking sensibilities of time and history, senses of events and persons, and productions of the past and the present, the volume unravels intimate expressions of aesthetics and scandals, heroism and martyrdom, and voice and gender. It examines key questions of the interchanges between literary cultures and contending nationalisms, culture and cosmopolitanism, temporality and mythology, literature and literacy, history and modernity, and print culture and popular media. The book offers grounded and connected accounts of a large, important region, usually studied in isolation. It will be of interest to scholars and students of history, literature, politics, sociology, cultural studies, and South Asian studies.
"The essays on Richardson in this special issue are revised versions of a selection of those papers given at a conference entitled "The Fortunes of Henry Handel Richardson", held at the National Library of Australia, Canberra, 19 April 1997." -- editorial.
In this volume Professor Paivio updates his influential theory of cognition and provides a systematic treatise on the structure of cognitive representations and their dynamic functions in thought and behavior.