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A collection of Palestinian Arab folktales which reflect the culture and highlights the role of women in the society.
From the New York Times bestselling author of The Genius of Birds, a radical investigation into the bird way of being, and the recent scientific research that is dramatically shifting our understanding of birds -- how they live and how they think. “There is the mammal way and there is the bird way.” But the bird way is much more than a unique pattern of brain wiring, and lately, scientists have taken a new look at bird behaviors they have, for years, dismissed as anomalies or mysteries –– What they are finding is upending the traditional view of how birds conduct their lives, how they communicate, forage, court, breed, survive. They are also revealing the remarkable intelligence underlying these activities, abilities we once considered uniquely our own: deception, manipulation, cheating, kidnapping, infanticide, but also ingenious communication between species, cooperation, collaboration, altruism, culture, and play. Some of these extraordinary behaviors are biological conundrums that seem to push the edges of, well, birdness: a mother bird that kills her own infant sons, and another that selflessly tends to the young of other birds as if they were her own; a bird that collaborates in an extraordinary way with one species—ours—but parasitizes another in gruesome fashion; birds that give gifts and birds that steal; birds that dance or drum, that paint their creations or paint themselves; birds that build walls of sound to keep out intruders and birds that summon playmates with a special call—and may hold the secret to our own penchant for playfulness and the evolution of laughter. Drawing on personal observations, the latest science, and her bird-related travel around the world, from the tropical rainforests of eastern Australia and the remote woodlands of northern Japan, to the rolling hills of lower Austria and the islands of Alaska’s Kachemak Bay, Jennifer Ackerman shows there is clearly no single bird way of being. In every respect, in plumage, form, song, flight, lifestyle, niche, and behavior, birds vary. It is what we love about them. As E.O Wilson once said, when you have seen one bird, you have not seen them all.
These 27 traditional folk stories were written down, shortly before her death, by Jamal Sleem Nuweihed, who had recounted them to the children of her extended family over many years. Authentically Arab in their themes, yet timelessly universal, they are sometimes magical, sometimes naturalistic, and combine a wealth of vivid detail with elements of pathos and humor. Translated by family members of various generations, then expertly edited, the book is a precious store of the kind of tale endlessly cherished but in danger of disappearing.
Folktales are instrumental in ensuring the survival of oral traditions and strengthening communal bonds. Both the stories and the process of storytelling itself help to define social, cultural and political identity. For Palestinians, the threat of losing their heritage has engendered a sense of urgency among storytellers and Palestinian folklorists. Yet there has been remarkably little academic scholarship dedicated to the tradition. Farah Aboubakr here analyses a selection of folktales edited, compiled and translated by Ibrahim Muhawi and Sharif Kanaana in Speak, Bird, Speak Again (1989). In addition to the folktales themselves, Muhawi and Kanaana's collection is renowned for providing readers with extensive folkloric, historical and anthropological annotations. Here, for the first time, the folktales and the compilers' work on them, are the subject of scholarly analysis. Synthesising various disciplines including memory studies, gender studies and social movement studies, Aboubakr uses the collection to understand the politics of storytelling and its impact on Palestinian identity. In particular, the book draws attention to the female storytellers who play an essential role in transmitting and preserving collective memory and culture. The book is an important step towards analysing a significant genre of Palestinian literature and will be relevant to scholars of Palestinian politics and popular culture, gender studies and memory studies, and those interested in folklore and oral literature.
A beautiful exploration of the Chinese calligraphy and meanings of the Taijiquan posture names. This text reveals the mystery, imagery, and poetic ambiguity in the Chinese language. Much in the names in of Taiji movements is lost in the English translation. This book asks the reader to consider the Chinese character, which conveys much of the inner essence of Taiji.This book was originally copyrighted by the author, Jane Schorre and published by North Atlantic Books in Berkeley California. A group of taijiquan enthusiasts felt that such a beautiful book should not be out of print, so after an exhaustive search, we determined that the only route to go was to republish this book ourselves. All proceeds go to Health, Prosperity, & Leadership Institute, a 501c3 non-profit organization dedicated to spreading Health, Prosperity, and Leadership to everyone, everywhere.
A revolutionary story of empowerment and redemption, Like a Bird is the highly anticipated debut novel from Fariha Róisín, author of the poetry collection How to Cure A Ghost One of Vogue and Refinery29's Most Anticipated Books of the Fall Taylia Chatterjee has never known love, and certainly has never felt it for herself. Growing up on the Upper West Side of Manhattan, with her older sister Alyssa, their parents were both overbearing and emotionally distant, and despite idyllic summers in the Catskills, and gatherings with glamorous family friends, there is a sadness that emanates from the Chatterjee residence, a deep well of sorrow stemming from the racism of American society. After a violent sexual assault, Taylia is disowned by her parents and suddenly forced to move out. As Taylia looks to the city, the ghost of her Indian grandmother dadi-ma is always one step ahead, while another more troubling ghost chases after her. Determined to have the courage to confront the pain that her family can't face, Taylia finds work at a neighborhood café owned by single mother and spiritualist, Kat. Taylia quickly builds a constellation of friends and lovers on her own, daring herself to be open to new experiences, even as they call into question what she thought she knew about the past. Taylia's story is about survival, coming to terms with her past and looking forward to a future she never felt she was allowed to claim. Writing this for eighteen years, poet and activist Fariha Róisín's debut novel is an intense, provocative, and emotionally profound portrait of an inner life in turmoil and the redemptive power of community and love.
From the New York Times-bestselling creator of The Adventures of Beekle: The Unimaginary Friend comes the inspiring epilogue to the beloved classic nursery rhyme Humpty Dumpty. Everyone knows that when Humpty Dumpty sat on a wall, Humpty Dumpty had a great fall. But what happened after? Caldecott Medalist Dan Santat's poignant tale follows Humpty Dumpty, an avid bird watcher whose favorite place to be is high up on the city wall--that is, until after his famous fall. Now terrified of heights, Humpty can longer do many of the things he loves most. Will he summon the courage to face his fear? After the Fall (How Humpty Dumpty Got Back Up Again) is a masterful picture book that will remind readers of all ages that Life begins when you get back up. 2018 NCTE Charlotte Huck Award Winner A Kirkus Reviews Best Picture Book of 2017 A New York Times Notable Children's Book of 2017 A New York City Public Library Notable Best Book for Kids A Chicago Public Library Best Book of 2017 A Horn Book Fanfare Best Book of 2017 An NPR Best Book of 2017
When love turns to jealousy, when jealousy turns to rage, when rage turns to destruction... Laura was head over heels in love with Joe. But now Laura lies in a coma and Joe has gone missing. Was he the one who attacked her? Laura's sister Tessie is selectively mute. She can't talk but she can listen. And as people tell her their secrets, she thinks she's getting close to understanding what happened on that fateful night.
Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.