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What have the Middle Ages got to do with us? For Jung, it seems, quite a lot, after all, he tells us: “I must catch up with a piece of the Middle Ages — within myself,” adding: “We have only finished the Middle Ages — of others.” In Wolfram von Eschenbach’s “Parzival” and the Grail as Transformation, Paul Bishop considers the significance for Jung of a masterpiece of medieval German literature, and a major work in the tradition of the legendary Holy Grail. Wolfram’s Parzival epic depicts a three-fold quest: for the hero’s identity, for vröude (“joy”), and for the mysterious Grail. In the course of this quest, Parzival himself is transformed from a fool into the lord of the Grail, and the power of the Grail brings about a collective transformation as well. This is the first volume in a series of books, examining key texts in German literature and thought that were, in Jung’s own estimation or by scholarly consent, highly influential on his thinking. The project of Jung and the Epic of Transformation consists of four titles, sequentially arranged to explore great works from a Jungian perspective and in turn to highlight their importance for interpreting The Red Book.
This linguistically informed study of Ephesians 2:11-22 in its original language and historical context will aid readers’ understanding of Ephesians. This book develops a fully articulated methodology to approach metaphors and narrative patterns in the New Testament epistles.
In Sōtēria: Salvation in Early Christianity and Antiquity, an international team of scholars assembles to honour the distinguished academic career of New Testament scholar Cilliers Breytenbach. Colleagues and friends consider in which manner concepts of salvation were constructed in early Christianity and its Jewish and Graeco-Roman contexts. Studies on aspects of soteriology in the New Testament writings, such as in the narratives on Jesus’ life and work, and theological interpretations of his life and death in the epistolary literature, are supplemented by studies on salvation in the Apostolic Fathers, Marcion, early Christian inscriptions and Antiochian theology. The volume starts with some exemplary studies on salvation in the Hebrew Bible, the Dead Sea scrolls, the Septuagint, and popular Graeco-Roman literature and philosophy. Furthermore, some contributions shed light on the ancient cultural background of early Christian soteriological concepts.
The communicative act of drawing attention to metaphor is a relatively recent topic in metaphor studies and one that has remained contentious from a cognitive perspective. This book brings philologists of ancient languages together with metaphor experts from several modalities to interrogate whether ancient and modern texts and languages draw attention to figurative tropes in similar ways. In this way, the diachronic, multimodal and pluridisciplinary contributions to this volume critically review the theoretical frameworks underpinning metaphor marking and metaphor analysis from a completely new empirical basis.
Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focused on a particular play is paired with a theme that is exemplified by that play, such as gender, sexuality, religion, ritual, and satire. With an emphasis on understanding Greek comedy and its ancient Athenian context, the text includes approaches to Aristophanes through criticism, performance, translation, and teaching to encourage and inform future work on Greek comedy. Illustrating the vitality of contemporary engagement with one of the world's great literary figures, this comprehensive volume: Helps new readers and teachers of Aristophanes appreciate the broader importance of each play within the study of antiquity Offers sophisticated analyses of the Aristophanic corpus and its place in literary and cultural history Includes chapters focused on teaching Aristophanes, including one emphasizing performance Provides detailed syllabi and lesson plans for integrating the material into high school and college curricula A Companion to Aristophanes is an essential resource for advanced students and instructors in Classics, Ancient Literature, Comparative Literature, and Ancient Drama and Theater. It is also a must-have reference for academic scholars, university libraries, non-specialist Classicists and other literary critics researching ancient drama, and sophisticated general readers interested in Aristophanes, Greek drama, classical Athens, or the ancient Mediterranean world.
Vessels can take many forms: as objects made for human interaction and handling, they both contain and are bounded by space. They can be constructed of a wide variety of materials. But the range of vessels - across history and across cultures - are unified in their potential for practical functioning, whether or not a particular object is in fact made to be used in its particular context. In this volume, four essays by leading scholars tackle the category of the vessel in a comparative conversation between classical Greece, late antique Rome, pre-Columbian Mesoamerica, and ancient China. By considering the material properties of the object as container, the interactions between user and artefact, and the power of the vessel as both conceptual category and material metaphor, they argue that many vessels - and assemblages of vessels - were sites of remarkable workmanship and considerable ingenuity, smart and sophisticated commentaries on the very categories that they embody. In placing these individual case studies in dialogue, the volume offers an art historical and cross-cultural study of vessels in ancient societies, considering both objects and their archaeological contexts. Its aim is to make illuminating comparisons, contrasts, and interpretations by juxtaposing traditions. In keeping with the aims of the series, it serves as a model for a new kind of comparative art history, one which emphasizes material culture and is attentive to questions of evidence and method, yet remains historically grounded and contextually sensitive.
Within the plenitude of Pauline studies, Contested body: Metaphors of dominion in Romans 5–8 provides a cohesive scholarly investigation into metaphors of dominion employed by Paul. This book advances the understanding that the body is the specific space where forces vie in Romans 5-8.
A tale of tomb raiders, legal battles, suspicious death, and a 2,500-year-old vase: “Spivey proves a diligent detective and an engaging storyteller.” —Times Literary Supplement Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation, international outrage, and possibly even homicide. How this came about is told by Nigel Spivey in a book that braids together the creation and adventures of this extraordinary object with an exploration of its abiding influence. Spivey takes us on a dramatic journey, beginning with the krater’s looting from an Etruscan tomb in 1971 and its acquisition by the Metropolitan Museum of Art, New York, followed by a high-profile lawsuit over its status and its eventual return to Italy. He explains where, how, and why the vase was produced, retrieving what we know about the life and legend of Sarpedon. Spivey also pursues the figural motif of the slain Sarpedon portrayed on the vase and traces how this motif became a standard way of representing the dead and dying in Western art, especially during the Renaissance. Fascinating and informative, The Sarpedon Krater is a multifaceted introduction to the enduring influence of Greek art on the world. “The story of the Sarpedon Krater has been brilliantly told by Nigel Spivey, author and presenter of the BBC television series, How Art Made the World. Spivey traces the strange and wondrous journey of the Sarpedon Krater from ancient Athens in the sixth century B.C.to the present.” —Art Eyewitness