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For over 150 years, borderland authors from both Mexico and the United States have developed novels which owe their narrative power to compelling relationships between literary constructions of space and artistic expressions of conflicts, characters, and cultural encounter. This study explores those relationships by analyzing representations of the spaces in which characters function-whether barrio, ballroom, or border city as well as the places characters inhabit relative to the border-occupying native or foreign territory, traveling temporarily, or settling permanently. Concomitant with close attention to the conceptualization of space in border literature is a foregrounding of the genres that border writers employ, such as historical romance and the Hispanic bildungsroman, as well as the literary traditions from which they draw, such as travel narratives or utopian literature. Assessing geopoetics in border writing from the Mexican American War to the present, including writers such as Helen Hunt Jackson, Jovita Gonzalez, Ernesto Galarza, Americo Paredes, Harriet Doerr, Cormac McCarthy, Leslie Marmon Silko, and Miguel Mendez provides a paradigm for tracing the development and changes in individual responses to this space as well as a broad range of responses based on class and gender. This corpus of literature demonstrates that the various ways in which characters respond to cultural encounter-adapting, resisting, challenging, sympathizing-depends on artistic rendering of spaces and places around them. Thus, the central argument of this project is that character responses to cultural encounters arise out of geopoetics-the artistic expression of space and place-from the earliest to the most recent border narratives.
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Over the last three decades, migration from Mexico to the United States has moved beyond the borderlands to diverse communities across the country, with the most striking transformations in American suburbs and small towns. This study explores the challenges encountered by Mexican families as they endeavor to find their place in the U.S. by focusing on Kennett Square, a small farming village in Pennsylvania known as the "Mushroom Capital of the World." In a highly readable account based on extensive fieldwork among Mexican migrants and their American neighbors, Debra Lattanzi Shutika explores the issues of belonging and displacement that are central concerns for residents in communities that have become new destinations for Mexican settlement. Beyond the Borderlands also completes the circle of migration by following migrant families as they return to their hometown in Mexico, providing an illuminating perspective of the tenuous lives of Mexicans residing in, but not fully part of, two worlds.
In Spatial and Discursive Violence in the US Southwest Rosaura Sánchez and Beatrice Pita examine literary representations of settler colonial land enclosure and dispossession in the history of New Mexico, Texas, and Oklahoma. Sánchez and Pita analyze a range of Chicano/a and Native American novels, films, short stories, and other cultural artifacts from the eighteenth century to the present, showing how Chicano/a works often celebrate an idealized colonial Spanish past as a way to counter stereotypes of Mexican and Indigenous racial and ethnic inferiority. As they demonstrate, these texts often erase the participation of Spanish and Mexican settlers in the dispossession of Indigenous lands. Foregrounding the relationship between literature and settler colonialism, they consider how literary representations of land are manipulated and redefined in ways that point to the changing practices of dispossession. In so doing, Sánchez and Pita prompt critics to reconsider the role of settler colonialism in the deep history of the United States and how spatial and discursive violence are always correlated.
This guide provides an overview of the thematic areas, analytical aspects, and avenues of research which, together, form a broader conversation around doing spatial history. Spatial history is not a field with clearly delineated boundaries. For the most part, it lacks a distinct, unambiguous scholarly identity. It can only be thought of in relation to other, typically more established fields. Indeed, one of the most valuable utilities of spatial history is its capacity to facilitate conversations across those fields. Consequently, it must be discussed in relation to a variety of historiographical contexts. Each of these have their own intellectual genealogies, institutional settings, and conceptual path dependencies. With this in mind, this guide surveys the following areas: territoriality, infrastructure, and borders; nature, environment, and landscape; city and home; social space and political protest; spaces of knowledge; spatial imaginaries; cartographic representations; and historical GIS research.
Border Confluences examines how the theme of cultural difference influences the ways that writers construct narrative space and the ways their characters negotiate those spaces, from domestic sphere to national territory, public school to utopia."--BOOK JACKET.