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The first comprehensive study in English of one of the most important bodies of verse in European literature.
John A. Crow, a leading Hispanist, has culled the best translations available--by such poets as Richard Franshawe, Edward Fitzgerald, Percy Bysshe Shelley, Lord Byron, Henry Wadsworth Longfellow, William Cullen Bryant, Robert Southey, and many distinguished modern poets--of poems ranging from the eleventh century to the present to make this the most complete collection of both Spanish and Spanish American poetry in English translation. Represented here is work by such twentieth century poets as Gabriela Mistral, Octavio Paz, Federico García Lorca, César Vallejo, Pablo Neruda, Anotnio Machado, and Juan Ramón Jiménez, many of whom the editor has known personally. The inclusion of many contemporary poets whose verse has never before appeared in English makes this anthology a particularly valuable collection.
In Spanish Books in the Europe of the Enlightenment (Paris and London) Nicolás Bas examines the image of Spain in eighteenth-century Europe, and in Paris and London in particular. His material has been scoured from an exhaustive interrogation of the records of the book trade. He refers to booksellers’ catalogues, private collections, auctions, and other sources of information in order to reconstruct the country’s cultural image. Rarely have these sources been searched for Spanish books, and never have they been as exhaustively exploited as they are in Bas’ book. Both England and France were conversant with some very negative ideas about Spain. The Black Legend, dating back to the sixteenth century, condemned Spain as repressive and priest-ridden. Bas shows however, that an alternative, more sympathetic, vision ran parallel with these negative views. His bibliographical approach brings to light the Spanish books that were bought, sold and ultimately read. The impression thus obtained is likely to help us understand not only Spain’s past, but also something of its present.
A series of essays by Edward M. Wilson, originally published in 1980, and written at various stages of his career.
In seventeenth-century Spanish America, black linguistic interpreters and spiritual intermediaries played key roles in the production of writings about black men and women. Focusing on the African diaspora in Peru and the southern continental Caribbean, Larissa Brewer-García uncovers long-ignored or lost archival materials describing the experiences of black Christians in the transatlantic slave trade and the colonial societies where they arrived. Brewer-García's analysis of these materials shows that black intermediaries bridged divisions among the populations implicated in the slave trade, exerting influence over colonial Spanish American writings and emerging racial hierarchies in the Atlantic world. The translated portrayals of blackness composed by these intermediaries stood in stark contrast to the pejorative stereotypes common in literary and legal texts of the period. Brewer-García reconstructs the context of those translations and traces the contours and consequences of their notions of blackness, which were characterized by physical beauty and spiritual virtue.
Miguel de Cervantes is probably the greatest writer of the Spanish Golden Age, whose influence on the Spanish language has been profound. Readers who know Cervantes only as the author of Don Quijote will be surprised and delighted by what they find in the Novelas ejemplares, published in 1613 and whose composition spanned a decade and more preceding their publication. Don Quijote may be the most celebrated novel in western literature, but the Novelas ejemplares are among its most unjustly neglected masterpieces. They consist of twelve long short stories or short novels, each quite unlike the others. The geographical contrast alone could not be sharper, with settings ranging from the Aegean to the Caribbean and from Britain to North Africa. The stories teem with characters drawn from an equally broad social spectrum, from the new, affluent nobility to self-made merchants, feisty women, confidence tricksters, criminals and excluded minorities. Scarcely a contemporary conflict goes unreferenced, scarcely an important European town or city goes unvisited, while many,especially in Spain, play a major role in the economic, social and political context of the stories. Furthermore none of the major fictional genres of Cervantes's time is missing from the rich mix of literary allusion designed to appeal to a well-read, metropolitan audience.The Novelas ejemplares are a narrative tour de force, an exhibition of sophisticated story-telling, daringly original in concept, executed with subtlety and imagination, wide-ranging, entertaining and amusing, to be read for pleasure as well as profit. Taken together, they provide an overview of many of Cervantes's recurring themes - the complexity of human nature and the unpredictability of human behaviour. They provide a series of working models of what happens when people are put under extreme pressure, all viewed from Cervantes's typically ironic standpoint. A modern English translation was not available until the original appearance of the versions that follow, in four volumes, in 1992. Now for the first time all twelve stories are collected in one volume. For the second fully updated edition Barry Ife's authoritative General Introduction has been re-written and more of the important original preliminaries have been edited and translated so that the reader has a greater sense of the context of the 1613 publication. Specifically these are the four aprobaciones the work received and Cervantes's dedication to the Count of Lemos, both translated into English for the first time.
The Cambridge Introduction to Spanish Poetry comprises an extended survey of poetry written in Spanish from the Middle Ages to the present day, including both Iberian and Latin American writing. This volume offers a non-chronological approach to the subject in order to highlight the continuity and persistence of genres and forms (epic, ballad, sonnet) and of themes and motifs (love, religious and moral poetry, satirical and pure poetry). It also supplies a thorough examination of the various interactions between author, text and reader. Containing abundant quotation, it gives a refreshing introduction to an impressive and varied body of poetry from two continents, and is an accessible and wide-ranging reference-work, designed specifically for use on undergraduate and taught graduate courses. The most comprehensive work of its kind available, it will be an invaluable resource for students and teachers alike.
Detailed consideration of the poetry of the literary academies, with particular attention paid to the literary and social role of the academies in 17c Spain.
the first time that these sonnets have been brought together in one book translations that are not just accurate guides to the meaning of the originals but also enjoyable sonnets in their own right Offers detailed and incisive critical commentary on each of the poems; a complete and readable introduction.