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Flitter examines those narratives within the intellectual parameters that defined them, probing the conceptual strategies by which writers represented history.
This book offers a comprehensive account of modern Spanish culture, tracing its dramatic and often unexpected development from its beginnings after the Revolution of 1868 to the present day. Specially-commissioned essays by leading experts provide analyses of the historical and political background of modern Spain, the culture of the major autonomous regions (notably Castile, Catalonia, and the Basque Country), and the country's literature: narrative, poetry, theatre and the essay. Spain's recent development is divided into three main phases: from 1868 to the outbreak of the Spanish Civil War; the period of the dictatorship of Francisco Franco; and the post-Franco arrival of democracy. The concept of 'Spanish culture' is investigated, and there are studies of Spanish painting and sculpture, architecture, cinema, dance, music, and the modern media. A chronology and guides to further reading are provided, making the volume an invaluable introduction to the politics, literature and culture of modern Spain.
This publication "makes available two decades of work by the pioneering scholar of Spanish cultural studies, Jo Labanyi, covering literature, cinema, painting, photography, and memory studies, with a frequent focus on gender. The essays explore the ways in which cultural texts serve as a vehicle for negotiating cultural anxieties, through their encoding of emotional structures that reveal social tensions and contradictions. The discussion of a wide range of Spanish texts, from the early nineteenth-century to the present, traces stages in the history of the emotions and their imbrication in political processes. The essays have in common an attempt to read against the grain; in many cases, the focus on gender is what makes that possible."--Publisher's website.
This collection of thirteen specially commissioned essays by international scholars takes a fresh look at the profound impact of the Peninsular War on Romantic British literature and culture. The expertly authored chapters explore the valorization of Spain by nineteenth-century poets such as Lord Byron, William Wordsworth, Robert Southey, S.T. Coleridge, the Shelleys, and Felicia Hemans in contrast to the Enlightenment-era view of Spain as a backwards nation in decline. Topics discussed include the vision of Spain in Gothic fiction, Spanish experiences of exile as exemplified by the conflict between Valentin de Llanos and Joseph Blanco White, and British women writers' approach to peninsular fiction. Spain in British Romanticism: 1800-1840 is essential reading for scholars and enthusiasts of Romantic literature and Spanish history.
An incisive account of the entire history of historical writing worldwide by one of the leading intellects in the field.
An illustrated survey of global historical scholarship from the ancient world to the present, for courses in theory and historiography.
Brian Hamnett examines key historical novels by Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane, Galdós, and Tolstoy, revealing the contradictions inherent in this form of fiction and exploring the challenges writers encountered in attempting to represent a reality that linked past and present.
Publisher Description
Confronted by a complex new society, nineteenth-century Spaniards wrestled with how to envisage their lives. From trying to be universal through to acting as a cultural entrepreneur, this volume explores the possibilities and uncertainties that unfolded in their reconfigured world
Jaime Balmes und Juan Donoso Cortés – die beiden wichtigsten konservativen Denker im Spanien des 19. Jahrhunderts – versuchten aktiv im Zuge des aufkommenden Liberalismus, die Zentralität von Kirche und Monarchie zu bewahren, und gleichzeitig die stereotype Sichtweise Spaniens als rückständiges und isoliertes Land zu diskreditieren. Obwohl sie ein ähnliches Ziel verfolgten, unterschieden sich ihre Standpunkte: Während Balmes' Werke einen sozial orientierten Katholizismus vorwegnahmen, stellte Donoso das Christentum als höchstes soziales Gut dar, das mit dem modernen Liberalismus unvereinbar war. Andrea Acle-Kreysing hebt die ungelösten Spannungen in ihren Werken hervor und zeigt, dass das spanische politische Denken eine anregende Variante – und keine Abweichung – der zeitgenössischen europäischen Debatten war.