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Given plenty of water, and Madrid is an ideal place for flowers. Such carnations as those which are grown in the nursery gardens there are never seen elsewhere-they are a revelation in horticulture; nor are the roses any less wonderful. The bouquet with which a Spaniard, whether hidalgo or one of your servants, greets your birthday is generally a pyramid almost as tall as yourself. It needs to be placed in a large earthenware jar on the floor, and if you should be happy enough to have a good many friends, there is scarcely room for anything else in your gabinete. -from "Chapter IV: Spanish Society" At the turn of the 20th century, British and American tourists and travelers were only just beginning to explore the beauty of Spain and acquaint themselves with her people. This ode to a romantic and-in 1902, when this volume was published-increasingly cosmopolitan nation is a wonderful introduction to the nation at the time, exploring the land and its inhabitants, popular amusements, politics and government, commerce and agriculture, religion and education, arts and literature, the etiquette at the royal court, the position of women, the wonders of Madrid, and much more. Also included: chapters on "Portuguese Life in Town and Country" by Eugene E. Street. OF INTEREST TO: students of European culture, armchair travelers
"French life in town and country" by Hannah Lynch. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
What did the Edwardians know about Spain, and what was that knowledge worth? The Edwardians and the Making of a Modern Spanish Obsession draws on a vast store of largely unstudied primary source material to investigate Spain’s place in the turn-of-the-century British popular imagination. Set against a background of unprecedented emotional, economic and industrial investment in Spain, the book traces the extraordinary transformation that took place in British knowledge about the country and its diverse regions, languages and cultures between the tercentenary of the Spanish Armada in 1888 and the outbreak of World War I twenty-six years later. This empirically-grounded cultural and material history reveals how, for almost three decades, Anglo-Spanish connections, their history and culture were more visible, more colourfully represented, and more enthusiastically discussed in Britain’s newspapers, concert halls, council meetings and schoolrooms, than ever before. It shows how the expansion of education, travel, and publishing created unprecedented opportunities for ordinary British people not only to visit the country, but to see the work of Spanish and Spanish-inspired artists and performers in British galleries, theatres and exhibitions. It explores the work of novelists, travel writers, journalists, scholars, artists and performers to argue that the Edwardian knowledge of Spain was more extensive, more complex and more diverse than we have imagined.