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This collection is the first to examine the effects of bilingualism and multilingualism on the development of dialectal varieties of Spanish in Africa, America, Asia and Europe. Nineteen essays investigate a variety of complex situations of contact between Spanish and typologically different languages, including Basque, Bantu languages, English, and Quechua. The overall picture that evolves clearly indicates that although influence from the contact languages may lead to different dialects, the core grammar of Spanish remains intact. Silva-Corvalán's volume makes an important contribution both to sociolinguistics in general, and to Spanish linguistics in particular. The contributors address theoretical and empirical issues that advance our knowledge of what is a possible linguistic change, how languages change, and how changes spread in society in situations of intensive bilingualism and language contact, a situation that appears to be the norm rather than the exception in the world.
Henry Lawson, V. S. Naipaul, Nadine Gordimer and Chinua Achebe are respectively Australian, Caribbean, South African and Nigerian, yet they all write in English. The 'English' literature of the ex-colonies is proving to be the most interesting and innovative of our times: this volume offers a significant example of its vitality and originality. As Salman Rushdi said, 'the Empire writes back'.
In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which “the human” is universalized and “freed” by liberal forms, while the peoples who create the conditions of possibility for that freedom are assimilated or forgotten. Analyzing the archive of liberalism alongside the colonial state archives from which it has been separated, Lowe offers new methods for interpreting the past, examining events well documented in archives, and those matters absent, whether actively suppressed or merely deemed insignificant. Lowe invents a mode of reading intimately, which defies accepted national boundaries and disrupts given chronologies, complicating our conceptions of history, politics, economics, and culture, and ultimately, knowledge itself.
This fascinating book, One Family, Four Cultures and Four Continents, by Asher Elkayam, depicts the adventures of a child growing up in Morocco and goes through political and historical events which happened in his childhood and focused on a pivotal year: 1956. Mr. Elkayam writes about the beauty of childhood and the innocence thereof, the neighborhood, the nature, the education, the typical things, which happened then but may never be repeated. In an emotional way, he describes the infl uence of his parents, who were among the guardians of Jewish tradition. He describes the Moroccan Jewish population, which represented a minority, and the events which led to their survival. Having been targeted by the Nazi regime which expanded its grip on North Africa during the 1940’s, including French Morocco, that minority of Jews of North Africa was saved by the arrival of the American forces, during World War Two, who landed in Casablanca in November, 1942, the author’s city of birth. The North African Jewry, which totaled about 400,000, was thus saved from the Nazi threat while Nazi atrocities in Europe went on until 1945, thus destroying the majority of the European Jews. Consequently, a massive exodus of North African Jews took place between 1948 and 1958. The hopes and dreams, as recited in their daily prayers, to reach the Holy Land, were fi nally realized. With measured enthusiasm, Asher describes the friendly relationship between Moslems and Jews in his native Morocco. Asher wants to make sure his readers understand that there is a divide between friendship and politics. The overwhelming majority of his neighbors were friendly and unthreatening. However those in the small minority who became active in politics were behind the forces which eventually caused Asher’s family and thousands more to look for a safe exit from his native land. Whether the events which led to a massive exodus from North Africa represented a coincidental circumstance in current events or whether they were caused by some divine intervention would remain for a long time a thing historians could decide on one day.
This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. The Harmony of Spheres was not ideologically neutral but rather tied to the earthly power structures of the Church, Crown, and nobility. Music could be "true," taking the listener closer to the divine, or "false," leading the listener astray. As such, music was increasingly seen as a potent weapon to be wielded in service of earthly centers of power, which can be observed in works such as vihuela songbooks, the colonial chronicle of the Inca Garcilaso de la Vega, and in the palace theater of Pedro Calderón de la Barca. While music could be a powerful metaphor mapping onto ideological currents of imperial Spain, this volume shows that it also became a contested site where diverse stakeholders challenged the Harmonic Spheres of Influence. Music and Power in Early Modern Spain is a useful tool for upper-level undergraduates, postgraduates, and scholars interested in musicology, music history, Spanish literature, cultural studies, and transatlantic studies in the early modern period.
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10 Isabel Farnese and the Sexual Politics of the Spanish Court Theater -- Index
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