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Folk music fans and teachers will welcome this new edition of a New Mexico classic, now in a useful spiral binding.
First published in 1980 and now available only from the University of New Mexico Press, this classic compilation of New Mexico folk music is based on thirty-five years of field research by a giant of modern music. Composer John Donald Robb, a passionate aficionado of the traditions of his adopted state, traveled New Mexico recording and transcribing music from the time he arrived in the Southwest in 1941.
In 1904, nine-year-old Samantha, an orphan living with her wealthy grandmother, and her servant friend Nellie have a midnight adventure when they try to find out what has happened to the seamstress who suddenly left her job.
Each song appears both in Spanish and English. For many, transcriptions of the musical notations are provided as well as graphic illustrations of dance technique.
The juxtaposition of thirty black-and-white remastered Lindbergh images and thirty contemporary color images, provides a fascinating survey of the area over nearly a century allowing a unique view of the multi-layered, cultural landscape of the American S
The selection of songs was designed to give players a repertoire of the most common played tunes, as well as examples of the most commonly used techniques. The GUITAR collection contains a classic Bill Monroe tune Big Mon and 24 traditional tunes, ranging from Arkansas Traveler, Turkey in the Straw, Old Joe Clark, Sailor's Hornpipe, and Sally Goodin, to the less familiar Whiskey Before Breakfast and others. The book also contains a CD with each song recorded in a such a way that you can pan to hear the lead instrument alone, the backing track alone, or the two combined.
This bilingual panoramic book presents the songs that are the life's work of Cipriano Frederico Vigil, the most important performer of traditional Nuevomexicano folk music in the late twentieth and early twenty-first centuries.
Cipriano Frederico Vigil is the most important performer of traditional Nuevomexicano folk music in the late twentieth and early twenty-first centuries. This bilingual panoramic book presents the songs that are his life’s work, spanning half a century of listening, playing, composing, and singing ritual, social, and dance music. New Mexican Folk Music includes much traditional material that has never been seen before or studied by scholars or students. Renowned as a composer, Vigil works in traditional genres such as the romance, the décima, the cuando, and corrido. Like the Mexican group Los Folkloristas with which he apprenticed in the late 1970s, his goal has been to research and master local styles, to introduce new listeners to traditional music, and to build on tradition by creating new compositions that address contemporary social themes. An audio CD accompanies this comprehensive study on the work and music of Cipriano Frederico Vigil.
Richard L. Nostrand interprets the Hispanos’ experience in geographical terms. He demonstrates that their unique intermixture with Pueblo Indians, nomad Indians, Anglos, and Mexican Americans, combined with isolation in their particular natural and cultural environments, have given them a unique sense of place - a sense of homeland. Several processes shaped and reshaped the Hispano Homeland. Initial colonization left the Hispanos relatively isolated from cultural changes in the rest of New Spain, and gradual intermarriage with Pueblo and nomad Indians gave them new cultural features. As their numbers increased in the eighteenth century, they began to expand their Stronghold outward from the original colonies.