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Comprises three novels and, although each is self-contained, the same characters recur in all three books, which tell from different view points the story of the experience of World War I on the Western Front as it ebbs and flows around the ancient house in Flanders known as the Spanish Farm.
Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works. The Great War shaped the modern world, and much of its literary imagination. Literature and the Great War insightfully reassesses this impact, analysing a wide range of authors, both established and less well-known, and re-examining critical judgements, popular assumptions - even 'myths' - about war writing that have developed in the century or so that has followed. By looking at all genres of Great War writing in a single volume, the study allows reconsideration of the relative merits of the period's much-praised poetry and its generally less celebrated narrative texts. Randall Stevenson looks far beyond the work of soldier-authors, considering also the role of an older generation of writers - ones whose reputations were established before the war began - as well as the impact of war on the modernist imagination developing afterwards, in the 1920s. Literature and the Great War examines the context in which this literature was produced. Taking into consideration military life, the role of newspapers, war correspondents, politicians and propagandists. The unintelligible violence of the Great War placed a huge amount of pressure on the language, imagination, and textual practice of all who attempted to describe it. Incisively reconsidering these fundamental issues, Literature and the Great War challenges and rejuvenates approaches to its subject, redefining the interconnections of history, culture, and literary imagination in the early decades of the twentieth century.
Until now scholars have looked for the source of the indomitable Tommy morale on the Western Front in innate British bloody-mindedness and irony, not to mention material concerns such as leave, food, rum, brothels, regimental pride, and male bonding. However, re-examining previously used sources alongside never-before consulted archives, Craig Gibson shifts the focus away from battle and the trenches to times behind the front, where the British intermingled with a vast population of allied civilians, whom Lord Kitchener had instructed the troops to 'avoid'. Besides providing a comprehensive examination of soldiers' encounters with local French and Belgian inhabitants which were not only unavoidable but also challenging, symbiotic and uplifting in equal measure, Gibson contends that such relationships were crucial to how the war was fought on the Western Front and, ultimately, to British victory in 1918. What emerges is a novel interpretation of the British and Dominion soldier at war.
The belief that crime declines at the beginning of major wars, as young men are drawn into the armed forces, and increases with the restoration of peace, as brutalised veterans are released on to a labour market reorganising for peace, has a long pedigree in Britain. But it has rarely been examined critically and scarcely at all for the period of the two world wars of the twentieth century. This is the first serious investigation of criminal offending by members of the British armed forces both during and immediately after these wars. Its particular focus is the two world wars but, recognising the concerns and the problems voiced in recent years about veterans of the Falklands, the Gulf wars, and the campaign in Afghanistan, Clive Emsley concludes his narrative in the present.
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
This book explores how British Army learnt from the pyrrhic victories of 1915-17 and developed the new tactics, leadership and doctrine of combined arms to overcome the tactical stalemate hitherto bedevilling Allied offensives to defeat the