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Thesis (M.A.)--Moorhead State University, 1994.
An collection of over 50 guitar solos by composers of the genre from the 19th and early 20th Century.
(Easy Guitar). Easy arrangements with tab of favorites by Albeniz, Granados, Sor, Tarrega, and others. Includes: Cielito Lindo * Lagrima * Leyenda * Malaguena * La Paloma * Salamanca * and more. Also includes a demonstration CD.
This is a collection of songs in Spanish, Portuguese, and Haitian French from 19 countries including Argentina, Brazil, Cuba, Ecuador, Guatemala, Haiti, Mexico, Peru, and Uraguay. All Lyrics appear in their original languages as well as in singable transliterated English. Each song is presented as a vocal/guitar arrangement with suggested guitar chords, as well as a guitar solo in tablature and standard notation. In Spanish and English.
The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentación de este álbum es una buena nueva para la guitarra; se trata de la publicación de una antología sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demás apreciadas y consideradas joyas de la tradición musical. La música incluída en este álbum abarca los siguientes países: Argentina, Bolivia, Colombia, Chile, Ecuador, Panamá, Perú, Uruguay, Venezuela y México. Los arreglos, realizados de forma artística y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontrarán múltiples puntos de interés y retos técnicos importantes al abordar piezas notables de la música latinoamericana. Como un elemento extra y para lograr el estudio más eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Números de Ensayo; adicionalmente, el guitarrista encontrará un puñado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Música Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportará a los programas de concierto deliciosos ejemplos de la música de América Latina.
Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.
The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. the works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist/composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillaño, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of the Celebrated Spanish Retreat, a programmatic work with an unusual "C" tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. the book features twenty-one solos and two duets which range in difficulty from easy to advanced. an extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.
Books in Mel Bay's Acoustic Guitar category are written to be played fingerstyle on either nylon or steel string guitars. the titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.
English with excerpts in Spanish and French.
This is a well written, informative study of the solo and rhythmic guitar styles found in Latin America. Featured is music from Argentina, Brazil, Costa Rica, Paraguay, Peru, and Venezuela. Most of the compositions are in E major or E minor and all are scored in notation and tablature.