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As a kid in Brooklyn, the Spaldeen was a big part of my childhood. My friends and I spent endless hours playing with this little pink ball while dreaming of becoming the next Joe DiMaggio or Ted Williams. Any kid who could hit a Spaldeen "two sewers" was among the first picked when we chose up sides for stickball. I guess those "Spaldeen Dreams" never came true for most of us, but along the way we were creating wonderful memories of growing up in Brooklyn during the 1950's. One in seven Americans can trace their roots back to Brooklyn. And if you asked them, I'd bet not many would choose to trade their childhood on the streets of Brooklyn for any other place in the world.
The Critic in the Modern World explores the work of six influential literary critics-Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood-each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.
How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors – including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole – this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
Set during the Great Depression, when fascism was looking increasingly attractive to many, Paul M. Levitt’s latest novel surrounds attempts to boycott the 1936 Berlin Olympics and the counterforces at work: the American Nazi Party, Avery Brundage, a German assassin, and those American athletes—eighteen of whom were the first black athletes hoping to compete—wishing to show the world their superb talents. When a young woman in the employ of Abner “Longie” Zwillman, the Don of New Jersey, goes missing, Jay Klug and his friend T-Bone Searle try to find her before she falls victim to a brutal Nazi killer. Their journey leads them to the man who reputedly killed the famous gangster Arnold Rothstein (the Big Bankroll), to Jean Harlow, Dreamland, Cape May, Kansas City, Milwaukee, Amarillo, and even Los Angeles.
A rich and varied collection of Pete Hamill's best journalism that spans decades and covers topics as diverse as Donald Trump, stickball, and Northern Ireland.. Veteran journalist Pete Hamill never covered just politics. Or just sports. Or just the entertainment business, the mob, foreign affairs, social issues, the art world, or New York City. He has in fact written about all these subjects, and many more, in his years as a contributor to such national magazines as Esquire, Vanity Fair, and New York, and as a columnist at the New York Post, the New York Daily News, the Village Voice, and other newspapers. Seasoned by more than thirty years as a New York newspaperman, Hamill wrote on an extraordinarily wide variety of topics in powerful language that is personal, tough-minded, clearheaded, always provocative. Piecework is a rich and varied collection of Hamill's best writing, on such diverse subjects as what television and crack have in common, why winning isn't everything, stickball, Nicaragua, Donald Trump, why American immigration policy toward Mexico is all wrong, Brooklyn's Seventh Avenue, and Frank Sinatra, not to mention Octavio Paz, what it's like to realize you're middle-aged, Northern Ireland, New York City then and now, how Mike Tyson spent his time in prison, and much more. This collection proves him once again to be among the last of a dying breed: the old-school generalist, who writes about anything and everything, guided only by passionate and boundless curiosity. Piecework is Hamill at his very best.
Not only are movies and baseball two of America's favorite pastimes, they are integral parts of our culture. Small wonder that the two frequently merge in Hollywood's use of baseball themes, jargon, and icons. This work on baseball in the movies is organized into four sections examining different aspects of the cultural intersection between film and baseball. In the first three sections--"Baseball in Baseball Films," "Babe Ruth and the Silver Screen," and "Baseball in Non-Baseball Films"--essays by scholars in various disciplines cover such topics as symbols, the role of family, baseball as a facilitator of violence, and the American mythos. The fourth section consists of interviews with directors (such as Ron Shelton and Penny Marshall), actors (Kevin Costner, James Belushi), and baseball personnel (broadcaster Vin Scully, coach Rod Dedeaux) who have worked in baseball films. Instructors considering this book for use in a course may request an examination copy here.
Baseball's ranks are filled with those whose careers may not have been as spectacular as Ruth or Mays but who played essential roles in the game's history, like footnotes in a great book. Some were well known in their day, featured on the front of the sports section; others were lesser lights whose feats and misdeeds were so notable they deserve to be remembered. Bert Shepard pitched a game for the Washington Senators in 1945 despite being shot down over Germany the year before and losing a leg. Bernie Carbo hit a dramatic three-run homer in the eighth inning to tie Game Six of the 1975 World Series--but his blast was completely upstaged an hour or so later by Red Sox teammate Carlton Fisk's unforgettable shot down the left field line. Bo Belinsky no-hit the powerful Baltimore Orioles in 1962, but he finished his career with a monumentally disappointing 28-51 record. The 39 other subjects profiled in this work prove that, in baseball, fame can be fleeting.
From the New York Times bestselling author of Looking for Mr. Goodbar comes an enthralling tale of money, love, and one woman’s quest to have both in a world that wants her to have neither. Young, beautiful Ruth Kossoff is drawn dangerously by two equal desires—the love of her best friend David Landau, and wealth enough to take her from her family’s tenement home. When she sacrifices one to marry the wealthy Walter Stamm, she finds herself still greedy for life and love and willing to risk everything she has worked towards for a chance to be with David again.