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A NEW YORK TIMES BESTSELLER. A sweeping history of the Spanish Civil War, told through a dozen characters, including Hemingway and George Orwell: A tale of idealism, heartbreaking suffering, and a noble cause that failed. For three crucial years in the 1930s, the Spanish Civil War dominated headlines in America and around the world, as volunteers flooded to Spain to help its democratic government fight off a fascist uprising led by Francisco Franco and aided by Hitler and Mussolini. Today we're accustomed to remembering the war through Hemingway’s For Whom the Bell Tolls and Robert Capa’s photographs. But Adam Hochschild has discovered some less familiar yet far more compelling characters who reveal the full tragedy and importance of the war: a fiery nineteen-year-old Kentucky woman who went to wartime Spain on her honeymoon, a Swarthmore College senior who was the first American casualty in the battle for Madrid, a pair of fiercely partisan, rivalrous New York Times reporters who covered the war from opposites sides, and a swashbuckling Texas oilman with Nazi sympathies who sold Franco almost all his oil — at reduced prices, and on credit. It was in many ways the opening battle of World War II, and we still have much to learn from it. Spain in Our Hearts is Adam Hochschild at his very best. “With all due respect to Orwell, Spain in Our Hearts should supplant Homage to Catalonia as the best introduction to the conflict written in English. A humane and moving book."—New Republic “Excellent and involving . . . What makes [Hochschild’s] book so intimate and moving is its human scale.” — Dwight Garner, New York Times
The Spanish Civil War, begun in July 1936, was a preliminary round of World War II. Hitler's and Mussolini's cooperation with General Franco resulted in the Axis agreement of October 1936 and the subsequent Pact of Steel of May 1939, immediately following the end of the Civil War. This study presents comprehensive documentation of Hitler's use of the upheaval in Spain to strengthen the Third Reich diplomatically, ideologically, economically, and militarily. While the last great cause drew all eyes to Western Europe and divided the British and especially the French internally, Hitler could pursue territorial gains in Eastern Europe. This book, based on little-known German records and recently opened Spanish archives, fills a major gap in our understanding of one of the 20th century's most significant conflicts. Its comprehensive treatment of German-Spanish relations from 1936 through 1939, bringing together diplomatic, economic, military, and naval aspects, will be of great value to specialists in European diplomacy and the political economy of Nazi imperialism, as well as to all students of the Spanish Civil War.
This is a long-awaited translation of a definitive account of the Republican Army in the Spanish Civil War. Michael Alpert examines the origins, formation and performance of the Republican Army and sets the Spanish Civil War in its broader military context. He explores the conflicts between communists and Spanish anarchists about how the war should be fought, as well as the experience of individual conscripts, problems of food, clothing and arms, and the role of women in the new army. The book contains extensive discussion of international aspects, particularly the role of the International Brigades and of the Soviet Russian advisers. Finally, it discusses the final uprising of professional Republican officers against the Government and the almost unconditional surrender to Franco. Professor Alpert also provides detailed statistics for the military forces available to Franco and to the Republic, and biographies of the key figures on both sides.
Why be satisfied with leftist propaganda on the Spanish Civil War? Carroll's treatment of the events of 1936 is singular in Anglo-American scholarship for seeing the conflict for what is truly was: a death struggle against the Christian faith and a war against Christian civilization in Europe. This outstanding work of scholarship illustrates the phenomenon of the traditionalist as revisionist: the distortions of decades of Marxist historiography are overturned in Carroll's narration of the bloody struggle to preserve Western civilization in the heart of 20th century Europe.
In 15 essays from a 1996 international conference (no location noted) historians look at the impact of European nations on Spain and of Spanish events on Europe between the rise of the fascist dictatorship and the Stabilization Plan. They consider such matters as the role of foreign powers in the Spanish Civil War, Spain's relations to the Axis powers and Vichy France during the Second World War, the fate of Spanish Republicans in exile, Spain's international position in the aftermath of World War II, and Franco's reorientation of foreign policy in response to evolving European economic cooperation and integration. Annotation copyrighted by Book News, Inc., Portland, OR
Payne's study places Spain's Second Republic within the historical framework of Spanish liberalism, and the rapid modernisation of inter-war Europe. He aims to present a consistent and detailed interpretation, demonstrating striking parallels to the German Weimar Republic.
This book focuses on the short but crucial period that led to the collapse of the Spanish Republic and set the stage for the ensuing civil war. Stanley G. Payne, an internationally known scholar of modern Spanish history, details the political shifts that occurred from 1933 to 1936 and examines the actions and inactions of key actors during these years. Using their own memoirs, speeches, and declarations, he challenges previous perceptions of various major players, including President Alcalá Zamora. The breakdown of political coalitions and the internal rifts between Spain’s bourgeois and labor classes sparked many instances of violent dissent in the mid-1930s. The book addresses the election of 1933 and the destabilizing insurrection that followed, Alcalá Zamora's failed attempts to control the major parties, and the backlash that resulted. The alliances of the socialist left with communism and the right with fascism are also explored, as is the role of forces outside Spain in spurring the violence that eventually exploded into war.
A fresh and acclaimed account of the Spanish Civil War by the bestselling author of Stalingrad and The Battle of Arnhem To mark the 70th anniversary of the Spanish Civil War's outbreak, Antony Beevor has written a completely updated and revised account of one of the most bitter and hard-fought wars of the twentieth century. With new material gleaned from the Russian archives and numerous other sources, this brisk and accessible book (Spain's #1 bestseller for twelve weeks), provides a balanced and penetrating perspective, explaining the tensions that led to this terrible overture to World War II and affording new insights into the war-its causes, course, and consequences.
Lessons of the Spanish Revolution examines the many ways in which Spain’s revolutionary movement contributed to its own defeat. Was it too weak to carry through the revolution? To what extent was the purchase of arms and raw materials from outside sources dependent upon the appearance of a constitutional government inside Republican Spain? What chances had an improvised army of guerrillas against a trained fighting force? These were some of the practical problems facing the revolutionary movement and its leaders. But in seeking to solve these problems, the anarchists and revolutionary syndicalists were also confronted with other fundamental questions. Could they collaborate with political parties and reformist unions? Given the circumstances, was one form of government to be supported against another? Should the revolutionary impetus of the first days of resistance be halted in the interests of the armed struggle against Franco or be allowed to develop as far as the workers were prepared to take it? Was the situation such that the social revolution could triumph and, if not, what was to be the role of the revolutionary workers? Originally written as a series of weekly articles in the 1950s and expanded, republished, and translated into many languages over the years, Vernon Richards’s analysis remains essential reading for all those interested in revolutionary praxis.
An open-minded and clear-eyed reexamination of the cultural artifacts of Franco's Spain True, false, or both? Spain's 1939-75 dictator, Francisco Franco, was a pioneer of water conservation and sustainable energy. Pedro Almodóvar is only the most recent in a line of great antiestablishment film directors who have worked continuously in Spain since the 1930s. As early as 1943, former Republicans and Nationalists were collaborating in Spain to promote the visual arts, irrespective of the artists' political views. Censorship can benefit literature. Memory is not the same thing as history. Inside Spain as well as outside, many believe-wrongly-that under Franco's fascist dictatorship, nothing truthful or imaginatively worthwhile could be said or written or shown. In his groundbreaking new book, Franco's Crypt: Spanish Culture and Memory Since 1936, Jeremy Treglown argues that oversimplifications like these of a complicated, ambiguous actuality have contributed to a separate falsehood: that there was and continues to be a national pact to forget the evils for which Franco's side (and, according to this version, his side alone) was responsible. The myth that truthfulness was impossible inside Franco's Spain may explain why foreign narratives (For Whom the Bell Tolls, Homage to Catalonia) have seemed more credible than Spanish ones. Yet La Guerra de España was, as its Spanish name asserts, Spain's own war, and in recent years the country has begun to make a more public attempt to "reclaim" its modern history of fascism. How it is doing so, and the role played in the process by notions of historical memory, are among the subjects of this wide-ranging and challenging book. Franco's Crypt reveals that despite state censorship, events of the time were vividly recorded. Treglown looks at what's actually there-monuments, paintings, public works, novels, movies, video games-and considers, in a captivating narrative, the totality of what it shows. The result is a much-needed reexamination of a history we only thought we knew.