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Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.
This book is based on lectures given at the Graduate Summer School of the 2015 Park City Mathematics Institute program “Geometry of moduli spaces and representation theory”, and is devoted to several interrelated topics in algebraic geometry, topology of algebraic varieties, and representation theory. Geometric representation theory is a young but fast developing research area at the intersection of these subjects. An early profound achievement was the famous conjecture by Kazhdan–Lusztig about characters of highest weight modules over a complex semi-simple Lie algebra, and its subsequent proof by Beilinson-Bernstein and Brylinski-Kashiwara. Two remarkable features of this proof have inspired much of subsequent development: intricate algebraic data turned out to be encoded in topological invariants of singular geometric spaces, while proving this fact required deep general theorems from algebraic geometry. Another focus of the program was enumerative algebraic geometry. Recent progress showed the role of Lie theoretic structures in problems such as calculation of quantum cohomology, K-theory, etc. Although the motivation and technical background of these constructions is quite different from that of geometric Langlands duality, both theories deal with topological invariants of moduli spaces of maps from a target of complex dimension one. Thus they are at least heuristically related, while several recent works indicate possible strong technical connections. The main goal of this collection of notes is to provide young researchers and experts alike with an introduction to these areas of active research and promote interaction between the two related directions.
This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and clichés to communicate significance, demonstrating "Africanisms" through form and symbolism--but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.
The purpose of these notes is to give some simple tools and pictures to physicists and ' chemists working on the many-body problem. Abstract thinking and seeing have much in common - we say "I see" meaning "I understand" , for example. Most of us prefer to have a picture of an abstract object. The remarkable popularity of the Feynman diagrams, and other diagrammatic approaches to many-body problem derived thereof, may be partially due to this preference. Yet, paradoxically, the concept of a linear space, as fundamental to quantum physics as it is, has never been cast in a graphical form. We know that is a high-order contribution to a two-particle scattering process (this one invented by Cvitanovic(1984)) corresponding to a complicated matrix element. The lines in such diagrams are labeled by indices of single-particle states. When things get complicated at this level it should be good to take a global view from the perspective of the whole many-particle space. But how to visualize the space of all many-particle states ? Methods of such visualization or graphical representation of the ,spaces of interest to physicists and chemists are the main topic of this work.
This self-contained text provides an introduction to a wide range of representation theorems and provides a complete description of the representation theorems with direct proofs for both classes of Hardy spaces: Hardy spaces of the open unit disc and Hardy spaces of the upper half plane.
In an historically unprecedented way, democracy is now increasingly seen as a universal model of legitimate rule. This work addresses the key question: How can democracy be understood in theory and in practice?.
Henri Lefebvre has been celebrated as one of the most influential social theorists of the twentieth century. Understanding Henri Lefebvre places Lefebvre in his historical and intellectual context and analyzes the extraordinary range of his work, across politics, philosophy, history, literature and culture. Particular emphasis is given to Lefebvre's trilogy of inspirational thinkers—Hegel, Marx and Nietzsche; his links to contemporaries such as Heidegger, Axelos and the Situationalists; and his critiques of existentialism and structuralism. Analysis of his writings on cities are balanced with those on rural communities, the production of space connected to ideas of time and history, and everyday life linked to the festival and cultural revolution. Understanding Henri Lefebvre offers the most wide-ranging and reliable account of this central theorist available.
Within cognitive science, two approaches currently dominate the problem of modeling representations. The symbolic approach views cognition as computation involving symbolic manipulation. Connectionism, a special case of associationism, models associations using artificial neuron networks. Peter Gärdenfors offers his theory of conceptual representations as a bridge between the symbolic and connectionist approaches. Symbolic representation is particularly weak at modeling concept learning, which is paramount for understanding many cognitive phenomena. Concept learning is closely tied to the notion of similarity, which is also poorly served by the symbolic approach. Gärdenfors's theory of conceptual spaces presents a framework for representing information on the conceptual level. A conceptual space is built up from geometrical structures based on a number of quality dimensions. The main applications of the theory are on the constructive side of cognitive science: as a constructive model the theory can be applied to the development of artificial systems capable of solving cognitive tasks. Gärdenfors also shows how conceptual spaces can serve as an explanatory framework for a number of empirical theories, in particular those concerning concept formation, induction, and semantics. His aim is to present a coherent research program that can be used as a basis for more detailed investigations.
Articulating a non-representational perspective on knowledge production and artistic practices, combined with an analysis of space, this book offers a new performative and relational re-turn to representation in contemporary technospaces. The radically materialist, posthumanist and performative position from which this situated aesthetics of technospaces is elaborated, aligns this book not only with non-representational theory, but also with the theories of material feminism, feminist geography, situated epistemologies, science and technology studies, actor-network theory, performance studies and new media studies.