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By investigating the sovereign claims of American power and the architectural spaces of secret prisons, Spaces of Disappearance reconstructs the network of black siteprisons developed in the early years of the so-called War on Terror. Jordan H. Carver compiles an original archive of architectural representations, redacted documents, and media reports to build a knowingly incomplete spatial history of post-9/11 extraordinary rendition. Framed by an introductory essay by architectural historian and theorist Felicity D. Scott that positions Carver's work withina longer history of military strategy andstate violence against "uncertain" warfare, this book skillfully presents the territorialand political logics of the top-secret CIA Detention and Interrogation Program. Spaces of Disappearance shows how architectures of con nement were designed to deny prisoners their human subjectivity and describes how the spectacle of government bureaucracyis used as a substitute for accountability.
What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem’s powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal Zionist who is critical of the military occupation of the West Bank and Gaza, but nevertheless believes in Israel’s project and its national myth. Alaa is haunted by his grandmother’s memories of being displaced from Jaffa and becoming a refugee in her homeland. Ariel’s search for clues to the secret of the collective disappearance and his reaction to it intimately reveal the fissures at the heart of the Palestinian question. The Book of Disappearance grapples with both the memory of loss and the loss of memory for the Palestinians. Presenting a narrative that is often marginalized, Antoon’s translation of the critically acclaimed Arabic novel invites English readers into the complex lives of Palestinians living in Israel.
New York Times bestselling author David Levithan takes young readers on twisting journey through truth, reality, and fantasy and belief. Aidan disappeared for six days. Six agonizing days of searches and police and questions and constant vigils. Then, just as suddenly as he vanished, Aidan reappears. Where has he been? The story he tells is simply. . . impossible. But it's the story Aidan is sticking to. His brother, Lucas, wants to believe him. But Lucas is aware of what other people, including their parents, are saying: that Aidan is making it all up to disguise the fact that he ran away. When the kids in school hear Aidan's story, they taunt him. But still Aidan clings to his story. And as he becomes more of an outcast, Lucas becomes more and more concerned. Being on Aidan's side would mean believing in the impossible. But how can you believe in the impossible when everything and everybody is telling you not to?
"More than 30,000 people were forcibly disappeared during the military dictatorship that governed Argentina from 1976-83, leaving behind a cultural landscape fractured by absence, denial, impunity, and gaps in knowledge. This book is about how these absences assume narrative form in late twentieth-century Argentine fiction and the formal strategies and structures authors have crafted to respond to the country's use of systematic disappearance as a mechanism of state terror. In incisive close readings of texts by Rodolfo Walsh, Julio Cortázar, and Tomás Eloy Martínez, Karen Elizabeth Bishop looks at how techniques of dissimulation, doubling, displacement, suspension, and embodiment come to serve both epistemological and ethical functions, grounding new forms of historical knowledge and a new narrative commons whose work continues into the new millennium. Their writing, Bishop argues, recalibrates our understanding of the reciprocity between fiction and history. In the end, The Space of Disappearance asks us to look again at what we think we cannot see. For there, in fiction, at the limits of the literary, disappearance appears as a vital agent of resistance, storytelling, and worldbuilding"--
Explores the intimate relationship of non-Native and Native sexual politics in the United States
This book’s chapters analyze aspects of urban politics with a combination of critical thinking (influenced by Walter Benjamin, Jacques Ranciere, Henri Lefebvre, and Achille Mbembe, among others) and readings of artistic genres (film, literature, and architecture). The coverage of cities includes, Tokyo, Paris, New York, Nairobi, Boston, Berlin and Hong Kong.
1910, Wellington, New Zealand. Lydia Harvey is sixteen, working long hours for low pay, when a glamorous couple invite her to Buenos Aires. She accepts - and disappears. London, England. Amid a global panic about sex trafficking, detectives are tracking a ring of international criminals when they find a young woman on the streets of Soho who might be the key to cracking the whole case. As more people are drawn into Lydia's life and the trial at the Old Bailey, the world is being reshaped into a new, global era. Choices are being made - about who gets to cross borders, whose stories matter and what justice looks like - that will shape the next century. In this immersive account, historian Julia Laite traces Lydia Harvey through the fragments she left behind to build an extraordinary story of aspiration, exploitation and survival - and one woman trying to build a life among the forces of history.
A moving and compelling emotional mystery, by one of the most exciting new talents in Norway Her name is Jane Ashland, and her life has spiralled out of control. Moving between Jane's past and this extraordinary remote landscape, Nicolai Houm weaves a dramatic trail of suspense through one woman's life - via love, grief, and a devastating accident that changes everything. The Gradual Disappearance of Jane Ashland is a compelling, beautifully-written tale of life at its most glorious, and most terrible. Born in 1974, Nicolai Houm has published two novels, a collection of stories and a picture book, all critically acclaimed in Norway. The Gradual Disappearance of Jane Ashland is his first book to be published in English. He works part-time as an editor in the publishing house Cappelen Damm, and lives in Lier with his wife and daughter.
Engaging with critical theory, poststructuralist perspectives, cultural studies, film theory and urban studies, the book provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.
His vanishing leads her back to earlier searches - for the lost Franklin expedition and for the elusive glory of the North Pole.