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When a generation ship that's traveled for a thousand years suddenly stops, one man, the lone "sinner" who can read books, must risk his life to complete the mission. A thrilling space adventure from the author of "Way Station," "City," and "Mastodonia."
This critical history explores the concept of the multi-generational interstellar space voyage in science fiction between 1934, the year of its appearance, into the 21st century. It defines and analyzes what became known as the "generation starship" idea and examines the science and technology behind it, also charting the ways in which generation starships manifest themselves in various SF scenarios. It then traces the history of the generation starship as a reflection of the political, historical, and cultural context of science fiction's development.
This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.
Space exploration and off-world commercial activity engage the attention of both enthusiasts and skeptics. Despite differing opinions, what does seem clear is that such activity has increased and is set to expand further--and dramatically so--during the present century. This book explores some of the ethical issues of the emerging space frontier and evaluates the prospects for the medium-range future: Can terraforming of other worlds succeed? Would it be defensible? Should there be limits to mining in space? Do lifeless planets have an integrity that ought to be respected? Could indigenous microbacteria have intrinsic value? Do we have a duty to extend human life? The ethics of sending generation ships on interstellar journeys and the risks associated with seeding other worlds with rudimentary forms of life are also discussed. As exploration is as much about humanity as it is about space, the book concludes with a study of the connection between the sharing of a home planet and membership of a single moral community.
Fables of Development: Capitalism and Social Imaginaries in Spain (1950-1967) focuses on a basic paradox: why is it that the so-called “Spanish economic miracle” —a purportedly secular, rational, and technocratic process— was fictionally portrayed through providential narratives in which supernatural and extraordinary elements were often involved? In order to answer this question, this book examines cultural fictions and social life at the time when Spain turned from autarchy to the project of industrial and tourist development. Beyond the narratives about progress, modernity, and consumer satisfaction on a global and national level, the cultural archives of the period offer intellectual findings about the expectations of a social majority who lived in the precariousness and who did not have sufficient income to acquire the consumer goods that were advertised. Through the scrutiny of interdisciplinary archives (literary texts, cinema, newsreels, comics, and journalistic sources, among other cultural artifacts), each chapter offers an analysis of the social imaginaries about the circulation and distribution of capital and resources in the period from 1950, when General Franco’s government began to integrate into international markets and institutions following its agreements with the United States, to 1967, when the implementation of the First Development Plan (1964-1967) was completed.
The second of three volumes, this book takes up the story to reveal a turbulent period that was to witness the extraordinary rise and fall and rise again of science. Mike Ashley charts the SF book years in the wake of the nuclear age that was to see the golden age of science fiction.
While students and general readers typically cannot relate to esoteric definitions of science fiction, they readily understand the genre as a literature that characteristically deals with subjects such as new inventions, space, robot and aliens. This book looks at science fiction in precisely this manner, with twenty-one chapters that each deal with a subject that is repeatedly addressed in science fiction of recent centuries. Based on a packet of original essays that the author assembled for his classes, the book could serve as a supplemental textbook in science fiction classes, but also contains material of interest to science fiction scholars and others devoted to the genre. In some cases, chapters offer thorough surveys of numerous works involving certain subjects, such as imagined vehicles, journeys beneath the Earth and undersea adventures, discovering intriguing patterns in the ways that various writers developed their ideas. When comprehensive coverage of ubiquitous topics such as robots, aliens and the planet Mars is impossible, chapters focus on major themes referencing selected texts. A conclusion discusses other science fiction subjects that were omitted for various reasons, and a bibliography lists additional resources for the study of science fiction in general and the topics of each chapter.
Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. In this first intensive review of Brunner's life and works, Jad Smith carefully demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, Smith approaches Brunner in the context of markets and trends that affected many writers of the time, including Brunner's uneasy association with the "New Wave" of science fiction in the 1960s and '70s. This landmark study shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction and between hard and soft science fiction and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.
Ten thrilling and intriguing tales of space travel, war, and alien encounters from the multiple Hugo Award–winning Grand Master of Science Fiction. From Frank Herbert’s Dune to Isaac Asimov’s Foundation series to Philip K. Dick’s stories of bizarre visions of a dystopian future, the latter half of the twentieth century produced some of the finest examples of speculative fiction ever published. Yet no science fiction author was more highly regarded than Grand Master Clifford D. Simak, winner of numerous honors, including the Hugo and Nebula Awards and a Bram Stoker Award for Lifetime Achievement. This magnificent compendium of stories, written during science fiction’s golden age, highlights Simak at his very best, combining ingenious concepts with his trademark humanism and exploring strange visitations, remarkable technologies, and humankind’s destiny in the possible worlds of tomorrow. Whether it’s an irascible old man’s discovery of a very unusual skunk that puts him at odds with the US Air Force, a county agent’s strange bond with the sentient alien flora he discovers growing in his garden, the problems a small town faces when its children mature too rapidly thanks to babysitters from another galaxy, or the gift a lonely farmer receives in exchange for aiding a dying visitor from another world, the events detailed in Simak’s poignant and beautiful tales will thrill, shock, amuse, and astonish in equal measure. One of the genre’s premier literary artists, Simak explores time travel and time engines; examines the rituals and superstitions of galactic travelers who have long forgotten their ultimate purpose; and even takes fascinating detours through World War II and the wild American West in a wondrous anthology that no science fiction fan should be without.
This new collection of critical essays on science fiction and fantasy literature and media features the following pieces: "The Last Chocolate Bar and the Majesty of Truth: Reflections on the Concept of 'Hardness' in Science Fiction," "How Should a Science Fiction Story End?," "The Third Generation of Genre Science Fiction," "Deus ex Machina; or, How to Achieve a Perfect Science-Fictional Climax," "Biotechnology and Utopia," "Far Futures," "How Should a Science Fiction Story Begin?," and "The Discovery of Secondary Worlds: Notes on the Aesthetics and Methodology of Heterocosmic Creativity." Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England. I. O. Evans Studies In the Philosophy and Criticism of Literature No. 39.