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This book provides the first account of the invention of the tramp as a social type in the United States between the 1870s and the 1930s. Tim Cresswell considers the ways in which the tramp was imagined and described and how, by World War II, it was being reclassified and rendered invisible. He describes the "tramp scare" of the late nineteenth century and explores the assumption that tramps were invariably male and therefore a threat to women. Cresswell also examines tramps as comic figures and looks at the work of prominent American photographers which signaled a sympathetic portrayal of this often-despised group. Perhaps most significantly, The Tramp in America calls into question the common assumption that mobility played a central role in the production of American identity. “This is an effective, and sometimes touching, account of how a social phenomenon was created, classified and reclassified. The quality of the writing, the excellent illustrations and the high production standards give this reasonably-priced hardback a chance of appealing to a general audience . . . an important contribution to American studies, providing new perspectives on the significance of mobility and rootlessness at an important time in the development of the nation. Cresswell successfully illuminates the history of a disadvantaged and marginal group, while providing a lens by which to focus on the thinking and practices of the mainstream culture with which they dealt. As such, this book represents a considerable achievement.”—Cultural Geographies “An important book. Cresswell has made an important contribution to a homelessness literature still lacking a more sophisticated theoretical edge. Clearly written, beautifully illustrated and with a strong argument throughout, the book deserves to be widely read by students and practitioners alike.”—Progress in Human Geography
Edited by Brozek, "Space Tramps" is a collection of 16 stories about tramps and vagabonds in outer space by Nathan Crowder, Ivan Ewert, Andrew S. Fuller, David Lee Summers, Shannon Page, Mark J. Ferrari, Rick Silva, Nayad A. Monroe, Kay T. Holt, Erik Scott de Bie, Tyler Hayes, Dylan Birtolo, Danielle Ackley-McPhail, Warren Schultz, Brandie Tarvin, Matthew Marovich, and Ryan Macklin.
This accessible and engaging book explores the ways that "space, place, and sex" are inextricably linked from the micro to the macro level, from the individual body to the globe. Drawing on queer, feminist, gender, social, and cultural studies, Lynda Johnston and Robyn Longhurst highlight the complex nature of sex and sexuality and how they are connected to both virtual and physical spaces and places. Their aim is to enrich our understanding of sexual identities and practices--whether they be lesbian, gay, bisexual, transsexual, asexual, queer, or heterosexual. They show that bodies are defined and connected through media such as television, movies, ads, and the Internet, as well as through "real" places such as homes, churches, sports arenas, city streets, beaches, and wilderness. Drawing on a diverse array of historical and contemporary examples, the authors argue convincingly that sexual politics permeate all places and spaces at every level of geographical scale. Thus, they illustrate, sexuality affects the way people live in and interact with space and place, as space and place in turn affect people's sexuality.
Boldly go to worlds where no one has gone before. Explore exotic new worlds and fantastic tales that appeared in the pages of the most popular pulp fiction magazines of the 1930s and 1940s. The Collection includes: Publishers Weekly Listen Up Award Winner: The Great Secret, If I Were You, The Crossroads, A Matter of Matter, When Shadows Fall, Danger in the Dark, Greed, The Tramp, Beyond All Weapons and The Professor Was a Thief.
Is Greed good? The future of Earth and all of mankind may hang on that one question. And George Marquis Lorrilard—a space age ace-pilot, adventurer and fortune-hunter to rival Hans Solo of Star Wars—is just the man to answer it. The world is divided between Asia and the United Continents—two great super powers locked in eternal warfare. But the balance of power is about to shift in Asia’s favor. They have developed a top-secret weapon—the cohesion projector–that could lead to annihilation on an unprecedented scale.... But as far as Lorrilard is concerned, the number one problem with the projector is that it stands in the way of his profits. Can he find a way to subvert the powerful weapon and resume his enterprising exploits through leadership and self deception? For millions of people on Earth survival may ultimately depend on the power of one man’s need speed and Greed. Greed was the last L. Ron Hubbard story published in Astounding Science Fiction in April 1950, marking the end of an era. Over a decade before, he had been a key figure in the opening of the Golden Age of Science Fiction. Now, as he turned his attention to other writings, the Golden Age drew to a close. But some three decades after this story appeared, Hubbard would make a triumphant return to the field with the publication of his bestselling novel Battlefield Earth and the extraordinary ten-volume series Mission Earth. Also includes the science fiction adventures, The Final Enemy, in which Earth discovers it faces a distant, yet devastating new foe, the identity of which is the most shocking blow of all, and The Automagic Horse, the story of a Hollywood special effects wizard who is about to apply his movie magic to a project that is out of this world. “A wonderfully rich and textured experience, complete with realistic sound effects and moody atmospheric music.” —Publishers Weekly Listen Up Award winner for 2008 New York Times Bestselling Author L. Ron Hubbard Fiction Book
"In this rich cultural history, Pamela Robertson Wojcik examines America's ambivalent and shifting attitude toward homelessness through a close study of film cycles from five distinct historical moments that show characters as unhomed and placeless, mobile rather than fixed: failing, resisting, or opting out of the mandate for a home of one's own. From the tramp films of the Silent Era to the Oscar-winning Nomadland in 2021, Wojcik shows how film cycles reveal a tension in the American imaginary between viewing homelessness as, on the one hand, deviant or threatening, and, on the other, emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively 'unhomes' dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to the American cinema (and American story) all along"--
An anthology of action-packed, science fiction adventure tales featuring pirates, strong women, soldiers, horrors, vagabonds, and deadly battles in space. The Full-Throttle Space Tales series collected action-packed, high octane, science fiction stories across the full potential of the genre. Here, the original editors have teamed up to pick the very best of Full-Throttle Space Tales, eighteen stories collected here for the first time. Stories by David Boop, C. J. Henderson, W. A. Hoffman, Julia Phillips, David Lee Summers, Carol Hightshoe, Irene Radford, Bob Brown, Scott Pearson, Alan L. Lickiss, Danielle Ackley-McPhail, Dayton Ward, Anna Paradox, Ivan Ewert, Erik Scott de Bie, Shannon Page, Mark Ferrari, Gene Mederos, Jean Johnson, Mike Resnick, and Brad R. Torgersen Buckle your seatbelts, because we’re going to accelerate to Maximum Velocity!
This book explores the diversity of meanings that accrue around the terms 'hobo', 'tramp', and 'vagabond'.
First in a brand new thought-provoking science fiction series. The lines. No ship can traverse the void without them. Only linesmen can work with them. But only Ean Lambert hears their song. And everyone thinks he’s crazy… Most slum kids never go far, certainly not becoming a level-ten linesman like Ean. Even if he’s part of a small, and unethical, cartel, and the other linesmen disdain his self-taught methods, he’s certified and working. Then a mysterious alien ship is discovered at the edges of the galaxy. Each of the major galactic powers is desperate to be the first to uncover the ship’s secrets, but all they’ve learned is that it has the familiar lines of energy—and a defense system that, once triggered, annihilates everything in a 200 kilometer radius. The vessel threatens any linesman who dares to approach it, except Ean. His unique talents may be the key to understanding this alarming new force—and reconfiguring the relationship between humans and the ships that serve them, forever.