Download Free Space Sirens Scientists And Princesses Book in PDF and EPUB Free Download. You can read online Space Sirens Scientists And Princesses and write the review.

Women are now central to many science fiction films--but that has not always been the case. Female characters, from their token presence (or absence) in the silent pictures of the early 20th century to their roles as assistants, pulp princesses and sexy robots, and eventually as scientists, soldiers and academics, have often struggled to be seen and heard in a genre traditionally regarded as of men, by men and for men. Surveying more than 650 films across 120 years, the author charts the highs and lows of women's visibility in science fiction's cinematic history through the effects of two world wars, social and cultural upheavals and advances in film technology.
Women are now central to many science fiction films--but that has not always been the case. Female characters, from their token presence (or absence) in the silent pictures of the early 20th century to their roles as assistants, pulp princesses and sexy robots, and eventually as scientists, soldiers and academics, have often struggled to be seen and heard in a genre traditionally regarded as of men, by men and for men. Surveying more than 650 films across 120 years, the author charts the highs and lows of women's visibility in science fiction's cinematic history through the effects of two world wars, social and cultural upheavals and advances in film technology.
Lab Lit: Exploring Literary and Cultural Representations of Science is the first formal, systematic, scholarly investigation of laboratory literature from the perspective of literary studies. Lab Lit as a new genre has received a lot of public and media attention due to its compelling presentation of science practitioners and the relatable explanations of the scientific advancements that have shaped modern society and will continue to do so. However, the genre has been largely overlooked by scholars. This book is an introduction to the world of science for those who up till now have been immersed primarily in the world of literature. The anthology contains essays that discuss Lab Lit novels using a variety of analytical approaches. It also features theoretical essays that explore the social and literary backgrounds of Lab Lit and help the reader position the critical pieces within appropriate contexts.
What impact did the new art of film have on the development of another new art, the emerging science fiction genre, during the pre- and early post-World War II era? Focusing on such popular pulp magazines as Amazing Stories, Astounding Stories, and Wonder Stories, this book traces this early relationship between film and literature through four common features: stories that involve film or the film industry; film-related advertising; editorial matters and readers' letters commenting on film; and the magazines' heralded cover and story illustrations. By surveying these haunting traces of another medium in early science fiction discourse, we can begin to see the key role that a cinematic mindedness played in this formative era and to expand the early history of science fiction as a cultural idea beyond the usual boundaries that have been staked out by its literary manifestations and the genre's historians.
How science fiction films in the 1950s were marketed and helped create the broader genre itself. For Hollywood, the golden age of science fiction was also an age of anxiety. Amid rising competition, fluid audience habits, and increasing government regulation, studios of the 1950s struggled to make and sell the kinds of films that once were surefire winners. These conditions, the leading media scholar J. P. Telotte argues, catalyzed the incredible rise of science fiction. Though science fiction films had existed since the earliest days of cinema, the SF genre as a whole continued to resist easy definition through the 1950s. In grappling with this developing genre, the industry began to consider new marketing approaches that viewed films as fluid texts and audiences as ever-changing. Drawing on trade reports, film reviews, pressbooks, trailers, and other archival materials, Selling Science Fiction Cinema reconstructs studio efforts to market a promising new genre and, in the process, shows how salesmanship influenced what that genre would become. Telotte uses such films as The Thing from Another World, Forbidden Planet, and The Blob, as well as the influx of Japanese monster movies, to explore the shifting ways in which the industry reframed the SF genre to market to no-longer static audience expectations. Science fiction transformed the way Hollywood does business, just as Hollywood transformed the meaning of science fiction.
Space Sirens is the second anthology of the Full-Throttle Space Tales series. Edited by Carol Hightshoe, editor of The Lorelei Signal and Sorcerous Signals, Space Sirens contains 19 seductive tales of women in space, by established and rising-star authors. The tales woven by our sirens include tales of adventure, intrigue and vengeance: ¿Real Hero¿ by W.A Hoffman ¿Bite the Hand¿ by Sarah A. Hoyt ¿Justice is Not Taken by the Storm¿ by David Boop ¿Just Another Day¿ by Terri Pray ¿Field Work¿ by Anna Paradox ¿Just Another Saturday on Outpost Nine¿ by Bobby Nash ¿Fire Mining¿ by M.H. Bonham ¿High Heeled Distraction¿ by Alan Lickiss ¿Slow Burn¿ by Barbara Johnson-Haddad ¿Interstellar Bitches¿ by Selina Rosen ¿Steel Scorned¿ by Calie Voorhis ¿Royal Duties¿ by Rebecca Lickiss ¿Rebel Moon¿ by Carol Hightshoe ¿Hijacking the Legacy¿ by David Lee Summers ¿The Silver Snake¿ by Laura K Deal ¿Outpost 6¿ by Julia Phillips ¿Ruler¿ by David B. Riley ¿Precious Cargo¿ by Lindsey Duncan ¿Mistral¿s Revenge¿ by Laura Kjosen