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A ship heading from Earth to Athena, a planet 500 light years away, is suddenly attacked by the Gerns, an alien empire in its expansion phase. People aboard are divided by the invaders into Acceptables and Rejects. The Acceptables would become slave labor for the Gerns on Athena, and the Rejects are forced ashore on the nearest 'Earth-like' planet, called Ragnarok. The Gerns say they will return for the Rejects, but the Rejects quickly realise that that isn't going to happen.
"Space Prison" is an epic tale of survival. After war between Humans and Gerns erupted, a human interstellar ship with eight thousand colonists is captured. Half of the group is left to die on a hellish planet called Ragnarok -- a planet of high gravity, impossible temperature extremes, murderous wildlife, and no usable resources. "Space Prison" covers the two-century history of this stranded colony, and describes its survival and how it eventually adapts and thrives.
A ship heading from Earth to Athena, a planet 500 light years away, is suddenly attacked by the Gerns, an alien empire in its expansion phase. People aboard are divided by the invaders into Acceptables and Rejects. The Acceptables would become slave labor for the Gerns on Athena, and the Rejects are forced ashore on the nearest 'Earth-like' planet, called Ragnarok. The Gerns say they will return for the Rejects, but the Rejects quickly realise that that isn't going to happen. Ragnarok has a gravity 1.5 times that of Earth, and is populated by deadly, aggressive creatures and it contains little in the way of usable metal ores. This, combined with a terrible deadly fever that kills in hours, more than decimates the population.
Carceral Space, Prisoners and Animals explores resonances across human and nonhuman carceral geographies. The work proposes an analysis of the carceral from a broader vantage point than has yet been done, developing a ‘trans-species carceral geography’ that includes spaces of nonhuman captivity, confinement, and enclosure alongside that of the human. The linkages across prisoner and animal carcerality that are placed into conversation draw from a number of institutional domains, based on their form, operation, and effect. These include: the prison death row/ execution chamber and the animal slaughterhouse; sites of laboratory testing of pharmaceutical and other products on incarcerated humans and captive animals; sites of exploited prisoner and animal labor; and the prison solitary confinement cell and the zoo cage. The relationships to which I draw attention across these sites are at once structural, operational, technological, legal, and experiential / embodied. The forms of violence that span species boundaries at these sites are all a part of ordinary, everyday, industrialized violence in the United States and elsewhere, and thus this ‘carceral comparison’ amongst them is appropriate and timely.
Alien meets Alexandra Bracken’s The Darkest Minds in this thrilling debut novel about prison-guard-in-training, Kenzie, who is taken hostage by the superpowered criminal teens of the Sanctuary space station—only to have to band together with them when the station is attacked by mysterious creatures. Kenzie holds one truth above all: the company is everything. As a citizen of Omnistellar Concepts, the most powerful corporation in the solar system, Kenzie has trained her entire life for one goal: to become an elite guard on Sanctuary, Omnistellar’s space prison for superpowered teens too dangerous for Earth. As a junior guard, she’s excited to prove herself to her company—and that means sacrificing anything that won’t propel her forward. But then a routine drill goes sideways and Kenzie is taken hostage by rioting prisoners. At first, she’s confident her commanding officer—who also happens to be her mother—will stop at nothing to secure her freedom. Yet it soon becomes clear that her mother is more concerned with sticking to Omnistellar protocol than she is with getting Kenzie out safely. As Kenzie forms her own plan to escape, she doesn’t realize there’s a more sinister threat looming, something ancient and evil that has clawed its way into Sanctuary from the vacuum of space. And Kenzie might have to team up with her captors to survive—all while beginning to suspect there’s a darker side to the Omnistellar she knows.
An innocent man fights to escape—and exact vengeance—in this New York Times–bestselling author’s riveting science fiction adventure. Convicted of a crime he did not commit, Jonathan Renn is sentenced to life in the Swamp, a prison planet death row in a distant galaxy. Renn only has two choices, escape the Swamp or die in the process. Defending himself from attacks by deadly, native monsters and his fellow convicts, Renn is obsessed with escaping the planet and getting his revenge on the people who set him up. Marla Marie Mendez is even more down on her luck. Trapped inside a cybernetic dog and dropped defenseless into the Swamp, Marla can only rely on Renn and her claws to save her from the unfriendly elements. They must find a way out of the Swamp and quickly before their life sentence is cut short.
This book advances conceptualisations and empirical understanding of the prison cell. It discusses the complexities of this specific carceral space and addresses its significance in relation to the everyday experiences of incarceration. The collected chapters highlight the array of processes and practices that shape carceral life, adding the cell to a rich area of discussion in penal scholarship, criminology, anthropology, sociology and carceral geography. The chapters highlight key aspects such as penal philosophies, power relationships, sensory and emotional engagements with place to highlight the breadth and depth of interdisciplinary perspectives on the prison cell: a contested place of home, labour and leisure. The Prison Cell’s empirical attention is global in its consideration, bringing together both contemporary and historical work that focuses upon the cell in the Global North and South including examples from a variety of geographical locations and settings, including police custody, prisons and immigrant detention centres. This book is an important and timely intervention in the growing and topical field of carceral studies. It presents the only standalone collection of essays with a sole focus on the space of the cell.
In this ethnographic study Maria Adams turns a geographical and feminist lens on prisoners’ families. She captures the testimonies of families as they navigate the sociological and social challenges of the imprisonment of loved ones, exploring key concepts including inequality, penal power, and vulnerability. She also measures the impacts on many aspects of families’ emotions, relationships, and identities, and considers the sources of support and resilience they draw on. With original research and fresh insights, the book deepens our understanding of carceral geography and how families experience spaces, both inside prison and beyond the bars.
Winner of the 2017 Diamond Anniversary Book Award and the African American Communication and Culture Division's 2017 Outstanding Book Award, both from the National Communication Association In the Black liberation movement, imprisonment emerged as a key rhetorical, theoretical, and media resource. Imprisoned activists developed tactics and ideology to counter white supremacy. Lisa M. Corrigan underscores how imprisonment—a site for both political and personal transformation—shaped movement leaders by influencing their political analysis and organizational strategies. Prison became the critical space for the transformation from civil rights to Black Power, especially as southern civil rights activists faced setbacks. Black Power activists produced autobiographical writings, essays, and letters about and from prison beginning with the early sit-in movement. Examining the iconic prison autobiographies of H. Rap Brown, Mumia Abu-Jamal, and Assata Shakur, Corrigan conducts rhetorical analyses of these extremely popular though understudied accounts of the Black Power movement. She introduces the notion of the “Black Power vernacular” as a term for the prison memoirists' rhetorical innovations, to explain how the movement adapted to an increasingly hostile environment in both the Johnson and Nixon administrations. Through prison writings, these activists deployed narrative features supporting certain tenets of Black Power, pride in Blackness, disavowal of nonviolence, identification with the Third World, and identity strategies focused on Black masculinity. Corrigan fills gaps between Black Power historiography and prison studies by scrutinizing the rhetorical forms and strategies of the Black Power ideology that arose from prison politics. These discourses demonstrate how Black Power activism shifted its tactics to regenerate, even after the FBI sought to disrupt, discredit, and destroy the movement.
Over 277,000 African Americans migrated to Chicago between 1900 and 1940, an influx unsurpassed in any other northern city. From the start, carceral powers literally and figuratively created a prison-like environment to contain these African Americans within the so-called Black Belt on the city's South Side. A geographic study of race and gender, Spatializing Blackness casts light upon the ubiquitous--and ordinary--ways carceral power functions in places where African Americans live. Moving from the kitchenette to the prison cell, and mining forgotten facts from sources as diverse as maps and memoirs, Rashad Shabazz explores the myriad architectures of confinement, policing, surveillance, urban planning, and incarceration. In particular, he investigates how the ongoing carceral effort oriented and imbued black male bodies and gender performance from the Progressive Era to the present. The result is an essential interdisciplinary study that highlights the racialization of space, the role of containment in subordinating African Americans, the politics of mobility under conditions of alleged freedom, and the ways black men cope with--and resist--spacial containment. A timely response to the massive upswing in carceral forms within society, Spatializing Blackness examines how these mechanisms came to exist, why society aimed them against African Americans, and the consequences for black communities and black masculinity both historically and today.