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"From teleportation and space elevators to alien contact and interstellar travel, science fiction and fantasy writers have come up with some brilliant and innovative ideas. Yet how plausible are these ideas--for instance, could Mr. Weasley's flying car in Harry Potter really exist? Which concepts might actually happen--and which ones wouldn't work at all? Wizards, Aliens, and Starships delves into the most extraordinary details in science fiction and fantasy--such as time warps, shape changing, rocket launches, and illumination by floating candle--and shows readers the physics and math behind the phenomena. With simple mathematical models, and in most cases using no more than high school algebra, Charles Adler ranges across a plethora of remarkable imaginings, from the works of Ursula K. Le Guin to Star Trek and Avatar, to explore what might become reality. Adler explains why fantasy in the Harry Potter and Dresden Files novels cannot adhere strictly to scientific laws, and when magic might make scientific sense in the muggle world. He examines space travel and wonders why it isn't cheaper and more common today. Adler also discusses exoplanets and how the search for alien life has shifted from radio communications to space-based telescopes. He concludes by investigating the future survival of humanity and other intelligent races. Throughout, he cites an abundance of science fiction and fantasy authors, and includes concise descriptions of stories as well as a glossary of science terms. Wizards, Aliens, and Starships will speak to anyone wanting to know about the correct--and incorrect--science of science fiction and fantasy"--
Featuring full-color images from the best moments in graphic novel history, this comprehensive reference explores everything from dragons, cow races, and monstrous rats to insider secrets from Casanova himself. Includes top ten must-reads for every popular genre.
It is easy simply to attribute the high profile of Sollers, the numerous autobiographical details in his novels, and also the espousal of so many different views and causes, to egocentrism and opportunism. Alternatively, one could say that they are all significant elements in an ongoing enquiry into the role of fiction in a society where attitudes are often thought to be determined more by images than by the written word. Given Sollers's questioning of society's conventional images (as in Debord's notion of the 'spectacle'), his awareness of his own role in the media, and his interest in developing a discourse on the visual arts, how do such concerns come together to create new forms of fiction and a coherent aesthetics? These seemingly disparate questions are all in fact related to Sollers's desire to challenge the accepted parameters of representation by creating an alternative scene in the novel, a subject which forms the basis of this book.
This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.
Hugo Award winning writer James Gunn (1923-2020) has been called "the last Golden Age author" of science fiction. In a career of almost 70 years, he wrote or edited 45 books and more than 100 short stories and participated in the production of films, radio and television programs and comic books.