Download Free Space Geometry And Aesthetics Book in PDF and EPUB Free Download. You can read online Space Geometry And Aesthetics and write the review.

Examining multiple modes of spatio-temporal and geometric figurations of life, the author explores how relationships between space, geometry and aesthetics generate productive expressions of subjectivity, developed through Kant's 'reflective subject' and 'geometric' texts by Plato and others towards Deleuze's philosophy of sense.
This classic study probes the geometric interrelationships between art and life in discussions ranging from dissertations by Plato, Pythagoras, and Archimedes to examples of modern architecture and art. Other topics include the Golden Section, geometrical shapes on the plane, geometrical shapes in space, crystal lattices, and other fascinating subjects. 80 plates and 64 figures.
This anthology fosters an interdisciplinary dialogue between the mathematical and artistic approaches in the field where mathematical and artistic thinking and practice merge. The articles included highlight the most significant current ideas and phenomena, providing a multifaceted and extensive snapshot of the field and indicating how interdisciplinary approaches are applied in the research of various cultural and artistic phenomena. The discussions are related, for example, to the fields of aesthetics, anthropology, art history, art theory, artistic practice, cultural studies, ethno-mathematics, geometry, mathematics, new physics, philosophy, physics, study of visual illusions, and symmetry studies. Further, the book introduces a new concept: the interdisciplinary aesthetics of mathematical art, which the editors use to explain the manifold nature of the aesthetic principles intertwined in these discussions.
The essays in this volume provide a succinct overview of Victor Burgin's multifaceted work during the last forty years--from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media.
This book deals with the complexity of art by focusing on the singularity of the work of art. Gathering a selection of writings in art theory and semiotics, it explores the question of apprehending art from its perceptual aspects to aesthetic comprehension and understanding. Theoretical enquiries focus in particular on the dynamics of the perception of forms, the semiotic value of colour, the aesthetic phenomenon of empathy, the function of vision in relation to other senses and its faculty to lead, in a substantial way, to the embodiment of sense. These theoretical points are constantly observed with reference to the analysis of works of art, especially from the beginning of the modern era, when a renovated psychophysical approach oriented the evolution of contemporary aesthetics. Research into art theories sheds light on how differentials in topologic positions, dimensions, relationships and tones contribute to the arising of forms and colours in perception, and affect the perceiver. The essays presented address in different ways the emergence of sense, by conceiving it as deeply anchored to the dynamics of perception, in addition to the cognitive disposition and knowledge, regardless of whether or not the subject (artist or beholder) is aware of these processes. Through in-depth analyses identifying to what extent the aesthetic moment builds on perceptual and semiotic processes, works of art are revealed to be singularities, reflecting the correlation with morphodynamics in the sciences.
This work presents a rethinking of Critical Philosophy through the recovery of a larger sense of 'aesthetics' in Kant. It provides an original unitary reading of the Critique of Judgement . This is situated in relation to Kant's attempt to think ends in general. The question of how to think ends is argued to guide Kant both in his treatment of aesthetics and teleology and to provide the rationale for critique itself. This challenging work will set a new standard for engagements with Kant.
In Aesthetics in Arabic Thought from Pre-Islamic Arabia through al-Andalus José Miguel Puerta Vílchez analyzes the discourses about beauty, the arts, and sense perception that arose within classical Arab culture from pre-Islamic poetry and the Quran (sixth-seventh centuries CE) to the Alhambra palace in Granada (fourteenth century CE). He focuses on the contributions of such great thinkers as Ibn Ḥazm, Avempace, Ibn Ṭufayl, Averroes, Ibn ʿArabī, and Ibn Khaldūn in al-Andalus, and the Brethren of Purity, al-Tawḥīdī, al-Fārābī, Avicenna, Alhazen, and al-Ghazālī in the East. The work also explores literary criticism, calligraphy, music, belles-lettres (adab), and erotic literature, and highlights the contribution of Arab humanism to shaping the field of Aesthetics in the West.