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This book aims both to demystify and to reconstitute 'Hawthorne' as an object of study by rereading Hawthorne's fictions, mainly those from the early 1840's to 1860, in the context of the emergence of a distinctively middle-class personal life (the domestic emotional revolution that accompanied the industrial revolution. Recent histories of middle-class private life, gender, the body, and sexuality now enable us to bring a more encompassing grasp of history to our reading of the 'psychological' in Hawthorne's writing. Rather than taking the conventional view that Freud explains Hawthorne's psychological themes, the author draws on the history of personal life to suggest that mid-century psychological fictions help, historically, to account for the surfacing of a bourgeois Freudian discourse later in the century. The production of Personal Life also asks why it was that women in mid-century fiction, especially that written by men, were represented as psychological targets of male monomaniacs in the home. By connecting the enforcement of middle-class 'feminine' roles to psychological tension between the sexes, Hawthorne's fiction at times implicitly critiques the sentimental construction of gender roles on which the economic and cultural ascendancy of his class relied.
First published in 1927.
"Gentlemen, The Regiment..." The men of the Cotswolds were heirs to a proud tradition. Whether aristocrat or foundling, veteran or recruit, countryman or cockney, scholar, bully, thief, philanderer, martinet, cynic or coward, their lives were the Regiment's to lay down for Queen and country. Soon scarlet and gold give way to bloody khaki as they pursue the Boer Commandos across the pitiless veld.
In a world of gods and monsters, nothing is as it seems. When a deadly serpent's teeth are sown in the ground, warriors spring from the bloody soil. Only a great man can tame them and fulfil his destiny. Far away, Medusa, snakes writhing in her hair, meets her nemesis; the princess Andromeda is chained to a rock; people are transformed into owls, frogs, even mountains; a boy falls tragically in love with his own reflection. Enter a universe where love is cruel, men are destroyed by the gods and treachery is paid for in blood ...
Byzantine princess Anna Komnene is known for writing history and plotting to become empress by murdering her brother. This book explains how Anna broke her culture's rules for women's behavior by writing history, her efforts to be acceptable, and how her writing nonetheless fired the story of her bloodthirsty ambition.