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This is the first comprehensive study in English of Soviet women who fought against the genocidal, misogynist, Nazi enemy on the Eastern Front during the Second World War. Drawing on a vast array of original archival, memoir, and published sources, this book captures the everyday experiences of Soviet women fighting, living and dying on the front.
A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia—from the winner of the Nobel Prize in Literature NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The Guardian • NPR • The Economist • Milwaukee Journal Sentinel • Kirkus Reviews For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten. Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories. Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. THE WINNER OF THE NOBEL PRIZE IN LITERATURE “for her polyphonic writings, a monument to suffering and courage in our time.” “A landmark.”—Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century “An astonishing book, harrowing and life-affirming . . . It deserves the widest possible readership.”—Paula Hawkins, author of The Girl on the Train “Alexievich has gained probably the world’s deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten.”—Masha Gessen, National Book Award–winning author of The Future Is History
Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.
In a definitive new account of the Soviet Union at war, Alexander Hill charts the development, successes and failures of the Red Army from the industrialisation of the Soviet Union in the late 1920s through to the end of the Great Patriotic War in May 1945. Setting military strategy and operations within a broader context that includes national mobilisation on a staggering scale, the book presents a comprehensive account of the origins and course of the war from the perspective of this key Allied power. Drawing on the latest archival research and a wealth of eyewitness testimony, Hill portrays the Red Army at war from the perspective of senior leaders and men and women at the front line to reveal how the Red Army triumphed over the forces of Nazi Germany and her allies on the Eastern Front, and why it did so at such great cost.
This book is a collection of one hundred brief biographies of WWII Soviet female air force, infantry and navy personnel, as well as women partisans and leaders of urban resistance. About one million women served in the Soviet Armed Forces during WWII, yet their significant contribution to victory in that war has, so far, received insufficient attention. Publications in English have been limited to Soviet airwomen and are based on recent interviews with a handful of survivors. Unfortunately, most of these publications contain errors of fact and in some cases trivialize and sensationalize the subject. This collection includes one hundred brief biographies of WWII Soviet female air force, infantry and navy personnel, as well as women partisans and leaders of urban resistance, recipients of the Gold Star of Hero of the Soviet Union (HSU) and the Order of Glory I Class. As indicated in this collection, in the ground forces women distinguished themselves as medical personnel, political officers, tank crew members, machine gunners and snipers. Among decorated women snipers whose biographies appear in the book was Lyudmila Pavlichenko. Invited by Eleanor Roosevelt to tour the United States, she was the first Soviet citizen to be received at the White House and visited Canada, too; a Winchester rifle with an optical sight, now on display at the Central Museum of the Armed Forces in Moscow, was presented to her in Toronto. Also included in the book were biographies of four participants in the Russian Civil War (1918-1921), including the incomparable Rozaliya Zemlyachka, deputy Prime Minister during WWII, and Raisa Azarkh, senior medical officer, who met Dr. Normal Bethune, a famous Canadian (who died tragically in China in 1939) while they both served in Spain, during the Spanish Civil War.
The Soviet Union was the first nation to allow women pilots to fly combat missions. During World War II the Red Air Force formed three all-female units-grouped into separate fighter, dive bomber, and night bomber regiments-while also recruiting other women to fly with mostly male units. Their amazing story, fully recounted for the first time by Reina Pennington, honors a group of fearless and determined women whose exploits have not yet received the recognition they deserve. Pennington chronicles the creation, organization, and leadership of these regiments, as well as the experiences of the pilots, navigators, bomb loaders, mechanics, and others who made up their ranks, all within the context of the Soviet air war on the Eastern Front. These regiments flew a combined total of more than 30,000 combat sorties, produced at least thirty Heroes of the Soviet Union, and included at least two fighter aces. Among their ranks were women like Marina Raskova ("the Soviet Amelia Earhart"), a renowned aviator who persuaded Stalin in 1941 to establish the all-women regiments; the daredevil "night witches" who flew ramshackle biplanes on nocturnal bombing missions over German frontlines; and fighter aces like Liliia Litviak, whose twelve "kills" are largely unknown in the West. She also tells the story of Alexander Gridnev, a fighter pilot twice arrested by the Soviet secret police before he was chosen to command the women's fighter regiment. Pennington draws upon personal interviews and the Soviet archives to detail the recruitment, training, and combat lives of these women. Deftly mixing anecdote with analysis, her work should find a wide readership among scholars and buffs interested in the history of aviation, World War II, or the Russian military, as well as anyone concerned with the contentious debates surrounding military and combat service for women.
"This lively and often moving collection of essays is an important contribution to Western scholarship on Soviet society and culture during the Second World War. . . . [a] straightforward but lively description of cultural life, unhampered by excessive interpretation or cultural theory. For all those who love Russia's cultural heritage, these essays cast a welcome spotlight on some of the people and pockets of life from that tragic but compelling time." —Canadian Slavonic Papers "Enjoyable to read and accessible to the nonspecialist, Culture and Entertainment is not only an indispensable addition to any Soviet studies library but will prove valuable to anyone interested in or teaching courses on World War II, propaganda and popular culture, homefront politics, or the interacation between cultural creation and governmental power." —Journal of Modern History "This comprehensive recollection of articles goes beyond cultural history, and provides an original approach to the study of war. War, we learn, is fought on many fronts, and the cultural one should not be underestimated." —SAIS Review " . . . takes the reader to the heart of the patriotic struggle, to the cultural and spiritual imperatives that roused Russian resistance." —Canadian Military History "This collection . . . furthers knowledge of Soviet high and popular culture, and also demonstrates the extremely important role that cultural productions played in helping to maintain Soviet spirits in the midst of the Nazi onslaught." —Choice "This anthology of scholarly articles provides surprising insights into Soviet cultural propaganda during the Great Patriotic War." —War, Literature and the Arts ". . . the essays here provide much food for thought and constitute a valuable addition to a relatively neglected area of study." —The Slavonic Review World War II (The Great Patriotic War) had a pronounced cultural and emotional impact on the Russian people. The subjects of these essays range from the Moscow press to frontline correspondents, from entertainment brigades to amateur songs by fighting men and women, from symphonic compositions to revivals of literary classics, and from Moscow stages to folk ensembles on the battlefield—the cultural outpourings in the hearts and souls of ordinary Russians at war.
“A thrilling, challenging and educational book . . . examines the roles of spies such a Edith Cavell, Mata Hari, Violette Szabo and Noor Inayat Khan” (Pennant Magazine). Women spies have rarely received the recognition they deserve. They have often been trivialized and, in cinema and popular fiction, stereotyped as vamps or dupes. The reality is very different. As spies, women have played a critical role during wartime, receiving and passing on vital information, frequently at considerable risk. Often able to blend into their background more easily than their male counterparts, women have worked as couriers, transmitters, and with resistance fighters, their achievements often unknown. Many have died. Ann Kramer describes the role of women spies during wartime, with particular reference to the two world wars. She looks at why some women chose to become spies, their motives, and backgrounds. She looks at the experience of women spies during wartime, what training they received, and what skills they needed. She examines the reality of life for a woman spy, operating behind enemy lines, and explores and explodes the myths about women spies that continue until the present day. The focus is mainly on Britain but also takes an international view as appropriate. “Tells the often surprising stories of some of the women who chose to become spies and to serve their country . . . An excellent work.” —The Great War Magazine
A junior officer in the Red Army provides one of the richest and most detailed memoirs of life and warfare on the Eastern Front, from his combat training in early 1942 until the surrender and occupation of Germany.