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A funny, nostalgic and strange glimpse at life behind the Iron Curtain - from the hit social media account with over 1 million followers WELCOME TO THE USSR PARADE in the latest fashions! MARVEL at the wonders of the space race! DELIGHT in the many fine delicacies of food and drink! REVEL in the fine opportunities for work and play!
A wonderful, whimsical journey through the pioneering space-race graphics of the former Soviet Union This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Created against a backdrop of geopolitical uncertainty, the extraordinary images featured, taken from the period's hugely successful popular-science magazines, were a vital tool for the promotion of state ideology. Presenting more than 250 illustrations - depicting daring discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - Soviet Space Graphics unlocks the door to the creative inner workings of the USSR.
Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy.
In this book an international group of scholars examines China's acceptance and ultimate rejection of Soviet models and practices in economic, cultural, social, and other realms.
Based on sources from rare book libraries in Russia and around the world, Picturing the Page offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analysing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.
The remarkable true story of a modern-day Robin Hood: a British college student who started robbing banks as the financial crisis unfolded. “Completely fascinating . . . [The Unusual Suspect] reads like a deep psychological thriller, but it’s real. Is truth stranger than fiction? You bet.”—Lee Child, #1 New York Times bestselling author Stephen Jackley was a young British college student when the global financial crisis began in 2007. Overwhelmed by the growing indifference toward economic equality, he became obsessed with the idea of taking on the role of Robin Hood. With no prior experience, he resolved to become a bank robber. He would steal from the rich and give to the poor. Against all likelihood, his plan actually worked. Jackley used disguises, elaborate escape routes, and fake guns to successfully hold up a string of banks, making away with thousands of pounds. He attempted ten robberies in southwest England over a six-month period. Banknotes marked with “RH”—“Robin Hood”—began finding their way into the hands of the homeless. Motivated by a belief that global capitalism was ruining lives and driving the planet toward ecological disaster, he dreamed of changing the world for the better through his crimes. The police, despite their concerted efforts, had no idea what was going on or who was responsible. That is, until Jackley’s ambition got the better of him. This is his story. Acclaimed journalist Ben Machell had full and direct access to Stephen Jackley, who in turn shared his complete set of diaries, selections of which are included throughout the narrative. The result lends an intense intimacy and urgency to Jackley’s daring and disturbing tale, shedding light on his mental state and the challenges he faced in his own mind and beyond. It wasn’t until Jackley was held in custody that he underwent a psychiatric evaluation, resulting in a diagnosis of Asperger’s syndrome. Behind the simple act of bank robbery lies a complex and emotionally wrought story of an individual whose struggles led him to create a world in which he would succeed against all odds. Until he didn’t.
This massive book of Soviet propaganda posters, many rare and never before published, is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the beginning of the Cold War, the posters in this book feature the work of such major Russian ground-breaking avant-garde designers as El Lissitzky and Alexander Rodchenko as well as extraordinary works by anonymous artists. Presented in full color, the 250 posters gathered here range in themes from warnings about the dangers of alcohol abuse and the creeping Nazi menace to illustrations of utopian harmony and the Soviet industrial machine. A brief illustrated introduction offers a chronological overview of the period that produced such eloquent art, which has long been a major source of inspiration to artists and designers.
"Red Star Over Russia is a visual history of the Soviet Union, from 1917 to the death of Stalin. Its urgent, cinema-verite style plunges the reader into the centre of the shattering events that brought hope, chaos, heroism and horror to the citizens of the world's first workers' state. Revolutionary upheaval turns into Civil War and famine; Stalin's Great Terror of the 1930s is followed by the brutal onslaught of Nazi invasion. The story ends with the intrigue surrounding the dictator's gruesome death in 1953." "More than 550 posters, photographs and graphics are reproduced to the highest quality, accompanied by insightful and informative texts. Many of these images are being reproduced here for the first time. Zooming in from the epic to the particular, the author rescues many lost heroes and villains from obscurity, through the work of the most brilliant Soviet designers, artists and photographers of the twentieth century." --Book Jacket.
The development of Soviet realist painting over fifty years through a selection of works from Russia's leading museums. Socialist Realism was and remains an exceptional phenomenon in twentieth century art. It bore the challenge of promoting realist figuration on a scale without parallel in the rest of the world, employing the talents of thousands of artists over decades and spreading over an immense and varied empire. By glorifying the social role of art, affirming the primary value of content as opposed to form and restoring the central role of traditional practices, socialist Realism was the declared opponent of the modern movement, and in fact represented the only completely alternative artistic system. Created by the great Russian artists (Deineka, Malevic, Adlivankin, Laktionov, Plastov, Brodskij, Korzhev) the works present a multiplicity of questions, themes and formal approaches to art spanning from the last phases of the civil war to the beginnings of the Brezhnev era, stopping at the early 1970s when trends in official Soviet art took on varied and inconsistent directions such that the cultural supremacy of the socialist-realist current faded definitively. A non-monolithic view emerges, in which the movement does not originate exclusively as the product of totalitarian control and political pressures but as an evolving organism that reflected internal issues and echoed the great historic events of the twentieth century.
"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review "This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies "[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies "For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —Cineaste This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.