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While Constructivism and Stalinist architecture are familiar to a specialist audience, knowledge of postwar Soviet Modernism in architecture is very limited. Much of the former Eastern Bloc's architecture is regarded as monotonous and uninteresting. Yet
Moscow: A Guide to Soviet Modernist Architecture 1955-1991 provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
A fantastic collection of Soviet Asian architecture, many photographed here for the first time Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces - all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics. Many of the buildings shown in Soviet Asia are recorded here for the first time, making this book an important document, as despite the recent revival of interest in Brutalist and Modernist architecture, a number of them remain under threat of demolition. The publication includes two contextual essays, one by Alessandro De Magistris (architect and History of Architecture professor, University of Milan, contributor to the book Vertical Moscow) and the other by Marco Buttino (Modern and Urban History professor, University of Turin, specializing in the history of social change in the USSR).
It was prominent architect and publicist Felix Novikov (b. 1927) who first coined the term Soviet modernism, which refers to the third, concluding period (1955-85) of Soviet architecture. The value of Novikov’s creative path lies in the fact that it spans the years both before and after Soviet moder­nism. Today, the architect continues to be a prolific writer, critic, and initiator of many inspired ideas that materialize into publications, exhibitions, and conferences. He is the key surviving source for the fullest and most accurate understanding of Soviet architecture after World War II. His principal built works are the Palace of Pioneers in Moscow (1962) and the Science Center of Microelectronics (1969) and Moscow Institute of Electronics (1971) in Zelenograd. His numerous books include Formula of Architecture (1984) and Architects and Architecture (2002).
This open access book focuses on the formation and later socio-spatial trajectories of large housing estates in the Baltic countries—Estonia, Latvia, and Lithuania. It also explores claims that a distinctly “westward-looking orientation” in their design produced housing estates that were superior in design to those produced elsewhere in the Soviet Union (between 1944 and 1991, Estonia was a member republic of the USSR). The first two parts of the book provide contextual material to help readers understand the vision behind housing estates in Estonia, Latvia, and Lithuania. These sections present the background of housing estates in the Baltic Republics as well as challenges and debates concerning their formation, evolution, and present condition and importance. Subsequent parts of the book consist of: demographic analyses of the socioeconomic characteristics and ethnicity of housing estate residents (past and present) in the three Baltic capital cities, case studies of people and places related to housing estates in the Baltic countries, and chapters exploring relevant special topics and themes. This book will be of interest to students, scholars, and advocates interested in understanding the past, present, and future importance of housing estates in the Baltic countries.
"This text charts the trajectory of Russian avant-garde architecture during the brief but intense period of design and construction which took place between 1922 and 1935"--OCLC
This book was published on the occasion of the exhibition "Cold war and architecture. Contributions to Austria's democratization after 1945", october 17, 2019-february 24, 2020 at Architekturzentrum Wien.
Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy.
Photographer Christopher Herwig has covered more than 30,000 km by car, bike, bus and taxi in 13 former Soviet countries discovering and documenting these unexpected treasures of modern art. From the shores of the Black Sea to the endless Kazakh steppe, these bus stops show the range of public art from the Soviet era and give a rare glimpse into the creative minds of the time. These books represent the most comprehensive and diverse collection of Soviet bus stop design ever assembled from: Kazakhstan, Turkmenistan, Uzbekistan, Kyrgyzstan, Tajikistan, Ukraine, Moldova, Armenia, Abkhazia, Georgia, Lithuania, Latvia and Estonia. With a foreword by writer, critic and television presenter Jonathan Meades. --Volume 1.