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A magisterial history of the artists and writers who left Weimar when the Nazis came to power In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.
In December 1987 a group of published novelists, poets, and journalists met in Vienna to participate in the Wheatland Conference on Literature. The writers presented papers addressing their common experience--that of being exiled. Each explored different facets of the condition of exile, providing answers to questions such as: What do exiled writers have in common? What is the exile's obligation to colleagues and readers in the country of origin? Is the effect of changing languages one of enrichment or impoverishment? How does the new society treat the emigre? Following each essay is a peer discussion of the topic addressed. The volume includes writers whose origins lie in Central Europe, South Africa, Israel, Cuba, Chile, Somalia, and Turkey. Through their testimony of the creative process in exile, we gain insight into the forces which affect the creative process as a whole. Contributors. William Gass, Yury Miloslavsky, Jan Vladislav, Jiri Grusa, Guillermo Cabrera Infante, Horst Bienek, Edward Limonov, Nedim Gursel, Nuruddin Farah, Jaroslav Vejvoda, Anton Shammas, Joseph Brodsky, Wojciech Karpinski, Thomas Venclova, Yuri Druzhnikov
Lost Birds weaves a tale of Irene Matas and friends, who arrive in Chicago after the Second World War. While parents, sick with grief, cling to old ways, their conflicted children are torn between allegiance to their parents and the bright appeal of America.
The acclaimed author of Sovietistan travels along the seemingly endless Russian border and reveals the deep and pervasive influence it has had across half the globe. Imperial, communist or autocratic, Russia has been—and remains—a towering and intimidating neighbor. Whether it is North Korea in the Far East through the former Soviet republics in Asia and the Caucasus, or countries on the Caspian Ocean and the Black Sea. What would it be like to traverse the entirety of the Russian periphery to examine its effects on those closest to her? An astute and brilliant combination of lyric travel writing and modern history, The Border is a book about Russia without its author ever entering Russia itself. Fatland gets to the heart of what it has meant to be the neighbor of that mighty, expanding empire throughout history. As we follow Fatland on her journey, we experience the colorful, exciting, tragic and often unbelievable histories of these bordering nations along with their cultures, their people, their landscapes. Sharply observed and wholly absorbing, The Border is a surprising new way to understand a broad part our world.
The editors of this anthology have set out to chronicle the global quest for identity, making a strong case for the personal and political importance of sharing our stories as they consider whether coming of age is a Western - or universal - concept. With luminaries such as Ben Okri, Chang-rae Lee and recent bestsellers including Marjane Satrapi and Alexandra Fuller, this collection includes detailed introductions to each piece of memoir, graphics, lyric prose and tales which provide historical and cultural context.
Although the title of this sensitive collection refers to Vilnius, the capital of Lithuania, City of Ash serves as a universal geography of the contemporary soul in an urban context. Through his poetry, Eugenijus Alisanka searches for personal and historical meaning within the framework of time, recognizing both the demands of the self and the impossibility of avoiding what came before, whether human or cultural.
This open access book focuses on the formation and later socio-spatial trajectories of large housing estates in the Baltic countries—Estonia, Latvia, and Lithuania. It also explores claims that a distinctly “westward-looking orientation” in their design produced housing estates that were superior in design to those produced elsewhere in the Soviet Union (between 1944 and 1991, Estonia was a member republic of the USSR). The first two parts of the book provide contextual material to help readers understand the vision behind housing estates in Estonia, Latvia, and Lithuania. These sections present the background of housing estates in the Baltic Republics as well as challenges and debates concerning their formation, evolution, and present condition and importance. Subsequent parts of the book consist of: demographic analyses of the socioeconomic characteristics and ethnicity of housing estate residents (past and present) in the three Baltic capital cities, case studies of people and places related to housing estates in the Baltic countries, and chapters exploring relevant special topics and themes. This book will be of interest to students, scholars, and advocates interested in understanding the past, present, and future importance of housing estates in the Baltic countries.
The aesthetic and linguistic concerns of German-language writers are explored against the backdrop of a readership in transition. Two essays examine intertextuality as a concept and as a phenomenon in the work of Christa Wolf, before the first main set (aesthetics) addresses narrative techniques (Jurek Becker, Wolfgang Hilbig, Hans Joachim Schädlich), formal experimentation (Ror Wolf, Helmut Heißenbüttel, Hanns-Josef Ortheil), allegory (Christoph Ransmayr), metaphor (Eveline Hasler), feminine aesthetics (Brigitte Kronauer, Anne Duden), and links between literature and photography (Rolf Dieter Brinkmann). The second main group presents a series of analyses of language as problem and practice: Sprachlosigkeit (Ilse Aichinger, Robert Schneider), logocentricity and etymology (Heinrich Böll, Elisabeth Reichart), and authenticity and cliché (Werner Schwab, Rainald Goetz), Ralf Schnell's concluding essay is an assessment of a situation which allows writers more freedom as the shackles of the past are cast off.
An authoritative study of the administrative, social, and economic structure of Afghanistan at the beginning of the twentieth century. Government and Society in Afghanistan covers a decisive stage in the country’s history. The period covered—the reign of the “Iron” Amir Rahman Khan—was in many ways the beginning of modern Afghanistan as a cohesive nation. It was under the Amir that its borders were established, its internal unification completed, and the modern concept of nationhood implanted. Hsan Kawun Kakar considers both the internal and the external forces that influenced Afghanistan’s development. Thus, modernization, centralization, and nationalization are seen as both defensive reactions to European imperialism and a necessary step toward capital formation and industrialization. The first part of the book covers the government of the Amir, from the personality of the ruler to a comprehensive overview of taxation and local government. The second part views these economic and social institutions from the perspective of the major segments of the populace—including nomads, townsmen, tribes, women, slaves, landowners, mullahs, merchants, and others.